For years d’Artagnan shared his adventures with his three comrades–Athos, Porthos, and Aramis–but now, in Between Two Kings, the First Musketeer returns to the forefront. This is truly d’Artagnan’s novel, bringing to a dramatic climax the story that began when he first arrived in Paris thirty years earlier in The Three Musketeers.

This brand-new translation of Between Two Kings immediately picks up the story and themes of Blood Royal, where d’Artagnan tries to thwart destiny by saving England’s Charles I; now, he will be instrumental in the restoration of his son, Charles II, the first of the two kings of the title. Disappointed in the irresolution of young Louis XIV, d’Artagnan takes a leave of absence from the King’s Musketeers and ventures to England with a bold plan to hoist Charles II onto his throne, a swashbuckling escapade in which he is unwittingly assisted by his old comrade Athos. D’Artagnan returns triumphant to France, where he is recalled to service by the second king, Louis XIV, who is now finally ready to take full advantage of the extraordinary talents of his officer of musketeers.

This newly translated volume by Lawrence Ellsworth is the first volume of Alexandre Dumas’s mega-novel Le Vicomte de Bragelonne, the epic finale to the Musketeers Cycle, which will end with the justly famous The Man in the Iron Mask. This marks the first significant new English translation of this series of novels in over a century.

The latest entry in this acclaimed series of new translations of the Musketeer novels, Blood Royal continues the adventures of the valiant d’Artagnan and his three loyal friends.

The latest translation in Lawrence Ellsworth’s acclaimed new series of Alexandre Dumas’s greatest adventures is Blood Royal, the second half of what Dumas originally published as Twenty Years After. In this volume all the plots and schemes set up in the previous novel come to dramatic fruition in the kind of exciting thrill-ride Dumas is famous for–while at the same time introducing the characters and themes that form the foundation of the rest of the series, leading to its great climax in The Man in the Iron Mask.

In Blood Royal, the Four Musketeers all venture to England on parallel missions to save King Charles I, pursued by the murderous and vengeful Mordaunt, the son of Milady de Winter, the great villain of The Three Musketeers. Despite all his experience, d’Artagnan is repeatedly foiled by the much-younger Mordaunt, who erupts out of the past to embody the strengths of audacity and cunning that were once d’Artagnan’s hallmarks. Mordaunt has corrupted those youthful strengths, and the older d’Artagnan is no match for him until he is able to pull his former team together again. To do this d’Artagnan will have to become a true leader of men, leading not just by example but also by foresight, persuasion, and compromise. Only then can the team of Athos, Porthos, and Aramis be re-formed in all its might to defeat the specter of their past.

Blood Royal is unmatched in Dumas’s oeuvre in its depictions of his most famous and beloved characters, and an unforgettable saga of swordplay, suspense, revenge, and ultimate triumph.

First published in 1848, Camille captivated Paris and has inspired countless adaptations. This classic story of love and loss is based on the author’s real-life affair with courtesan Marie Duplessis. Also known as The Lady of the Camellias, the novel follows the courtesan Marguerite Gautier through her tumultuous love affair with handsome-but middle class-Armand Duval. Before their passionate affair is over, one lover must give up everything.

Men of great wealth bought her love. She gave it to only one.

Marguerite Gautier, the greatest beauty in Paris, was known to all as “the Lady of the Camellias” because she was never seen without her favorite flowers. She was luxuriously kept by the richest men in France, who thronged to her boudoir to lay their fortunes at her feet. She lived violently, spending herself and her money in reckless abandon. She had many lovers, but she never really loved—until she met Armand Duval.

Realizing that her only assets in life were her face and figure, Marguerite had learned how to make men pay. But what happens to a cool, calculating beauty when she herself suffers the wound of love?

El castillo de Eppstein, una novela escrita en el mas puro estilo gotico que hacia furor en el siglo xix con sus imprescindibles dosis de secretos familiares, maquiavelicos villanos, doncellas en peligro, amores apasionados y espectros vengadores. Una macabra leyenda pesa sobre la familia Eppstein desde tiempos inmemoriales: todas las mujeres que mueren en el castillo la noche del 24 de diciembre no encuentran el reposo eterno y regresan del mas alla para atormentar a sus moradores. Y Albina, la bella esposa del malvado conde Maximiliano, no sera una excepcion.

La Reine Margot is a novel of suspense and drama which recreates the violent world of intrigue, murder, and duplicity of the French Renaissance. Dumas fills his canvas with a gallery of unforgettable characters, unremitting action, and the engaging generosity of spirit which has made him one of the world’s greatest and best-loved storytellers.

La Tulipe noire est un des romans les plus connus d’Alexandre Dumas. On y trouve tous les thèmes chers à l’auteur : l’aventure, le courage, la grande histoire qui se mêle à la petite… Pourtant ici, Cornélius van Baerle n’a pas d’ambition militaire ou sociale, il veut avant tout créer et faire pousser une tulipe noire. Hélas, ses projets seront contrariés car notre héros n’est autre que le neveu du chef de l’État hollandais, Corneille de Witt, qui vient d’être renversé. Cornélius se retrouve jeté en prison, mais il trouvera une rédemption à travers la fille de son gêolier, Rosa.

1660. Aramis est évêque de Vannes. Il est un des rares à connaître l’existence du frère jumeau de Louis XIV, retenu prisonnier sous un masque de fer. Il entend bien se servir de ce secret pour asseoir son pouvoir, placer ce mystérieux frère sur le trône et devenir son Premier ministre. Mais il se heurtera au fidèle d’Artagnan, bien décidé à tout faire pour défendre le véritable Roi. Le Masque de Fer est une des intrigues les plus romanesques de l’histoire de France.

Following The Three Musketeers and Twenty Years After, Dumas continued his D’Artagnan romances with a final trilogy set during the reign of Louis XIV. Louise de La Valli+?re, the second novel in that trilogy, continues the suspense which began with The Vicomte de Bragelonne and will end with The Man in the Iron Mask. Filled with behind-the-scenes political intrigues and set against a tender love story, the novel brings the aging Musketeers out of retirement to face an impending crisis within the royal court of France.

It is 1661, and King Louis XIV is strengthening France’s military, preparing to undermine superintendent of finance Nicolas Fouquet at the behest of wily social-climber Jean-Baptiste Colbert. D’Artagnan has assumed command of the king’s Musketeers while Aramis has risen to the top of the Jesuit order. Meanwhile, Porthos remains tied to the military, and the wealthy Athos is concerned with the affairs of his son, Raoul, who finds himself smitten with the lovely Louise de la Valli+?re.

As always, Dumas brings French history to life with excitement and romance.

Un des premiers romans d’Alexandre Dumas, Pauline s’inscrit dans la veine gothique du début du XIXème siècle annonçant le futur Comte de Monté-Christo. Qui est cette élégante et pâle jeune femme que l’on croise en compagnie d’Alfred de Nerval, cet amoureux silencieux qui la protège comme un frère ? C’est ce que le narrateur nous fait découvrir au cours de ce récit emprunt de romantisme dans un décor médiéval, une abbaye en ruine, des passages secrets… L’héroïne est la victime d’une bande de brigands qui terrorisent les campagnes de Normandie, en épousant le bel Horace de retour des Indes, elle n’imaginait pas l’aventure qui l’attendait.

Alexandre Dumas brings an extraordinary period of history to life in this exciting period romance.

It is the twilight of the reign of King Charles IX, and France is dominated by religious wars between Catholics and Protestants. King Charles’ sister, Marguerite, daughter of staunch Catholics Henri II and Catherine de Medici, is set to marry the Protestant Henri de Navarre. Their marriage sets off a series of conspiracies between the Catholics and the Protestants in a dangerous and breathtaking game for power.

From the mysterious murder of Henri de Navarre’s mother, cleverly plotted by the evil Catherine de Medici, to the notorious Saint Bartholomew Massacre, which killed thousands of Protestants lured to Paris by the wedding, Queen Margot is full of suspense, intrigue, betrayals, and daring escapes. At the center of it all are the good-hearted Marguerite and Henri, perfect political allies with fascinating love lives.

The tulip craze of seventeenth-century Holland has a dark side! Cornelius van Baerle, a wealthy but naive tulip grower, finds himself entangled in the deadly politics of his time. Cornelius’s one desire is to grow the perfect black tulip. But after his godfather is murdered, he finds himself in prison, facing a death sentence. His jailer’s lovely daughter holds the key to his survival and his chance to produce the precious black blossom. Yet he has one more enemy to contend with!

Alexandre Dumas’s novels are notable for their suspense and excitement, their foul deeds, hairsbreadth escapes, and glorious victories. In The Black Tulip, the real hero is no musketeer, but a flower.

The novel, a deceptively simple story, is set in Holland in 1672 during the amazing tulipmania of the seventeenth century that brought wealth to some and ruin to many. The story weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a timeless political allegory in which Dumas, drawing on the violence and crimes of history, makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra.

Famous for classic adventure novels such as The Count of Monte Cristo and The Three Musketeers, Alexandre Dumas is one of the most popular French authors of all time. Set in the Netherlands during the 17th century, The Black Tulip follows young bourgeoisie Cornelius van Baerle as he attempts to claim the prize set by the city of Haarlem for growing the rare black tulip. On the cusp of victory, Cornelius is instead tossed into prison, where he meets the prison guard’s daughter and begins a relationship that may eventually lead to his rescue.

Dashing young Edmond Dantes has everything: a fine reputation, an appointment as captain of a ship, and the heart of a beautiful woman. But his perfect life is shattered when three jealous friends conspire to destroy him.

Falsely accused of a political crime, Edmond Dantes is locked away for life in the infamous prison at the French Chateau d’If. But it is there that he learns of a vast hidden treasure.

After fourteen years of hopeless imprisonment, Dantes makes his daring escape and follows his secret map to untold fortune. Disguised now as the mysterious and powerful Count of Monte Cristo, Edmond seeks out his enemies–and nothing will stand in the way of his just revenge.

Filled with thrilling episodes of betrayal, romance, and revenge, The Count of Monte Cristo is one of the greatest adventure stories ever written.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read

A popular bestseller since its publication in 1844, The Count of Monte Cristo is one of the great page-turning thrillers of all time. Set against the tumultuous years of the post-Napoleonic era, Alexandre Dumas’s grand historical romance recounts the swashbuckling adventures of Edmond Dantès, a dashing young sailor falsely accused of treason. The story of his long imprisonment, dramatic escape, and carefully wrought revenge offers up a vision of France that has become immortal. As Robert Louis Stevenson declared, “I do not believe there is another volume extant where you can breathe the same unmingled atmosphere of romance.”

The Knight of Maison Rouge is the story of what happens when two people from opposite political camps fall in love during Robespierre’s reign of terror.

Paris, 1793. Lieutenant Maurice Lindey is an ardent young republican who hates tyranny and injustice whether they come from the left or right. But such even-handedness is a liability at a time when addressing someone as “monsieur” instead of “citizen” can bring one to the guillotine. Maurice makes daily visits to his love, Genevieve Dixmer, who lives in a quarter known as the hiding place of the Chevalier of Maison Rouge, a daring counterrevolutionary with notorious plans to free Marie Antoinette, who languishes in prison awaiting trial and inevitable execution. Soon Lindey is drawn in to the plot by the queen’s champion.

The discovery of Dumas’s last, incomplete novel, lost and completely unknown to historians for more than a century, was a literary bombshell. The Last Cavalier is Dumas’s swan song, a rousing adventure that completes his epic retelling of French history from the Renaissance (La Reine Margot) to his present day (The Count of Monte Cristo) by filling in that one vital, dramatic era that was missing: the Age of Napoleon.

A tale of family honor and heroic derring-do, The Last Cavalier follows the fortunes of young Hector, Count de Sainte-Hermine, who has sworn an oath to avenge his Royalist family members’ deaths by fighting against Napoleon. When he is defeated, he is sentenced to serve as a common soldier in Napoleon’s imperial forces. Though he courts death fearlessly, Hector’s daring deeds will change his destiny–and Napoleon’s.

It is rousing, big spirited, its action sweeping across oceans and continents, its hero gloriously indomitable. This newly discovered lastnovel of Alexandre Dumas, lost for 125 years in the archives of the National Library in Paris, completes the Dumas oeuvre.

Thirty-five years after the events of The Three Musketeers, D’Artagnan, Athos, Porthos, and Aramis find themselves caught between conflicting loyalties in a power struggle that could change the face of the French monarchy.

For eight long years, a young prisoner has languished within the dreaded Bastille, his face hidden in an iron mask. He knows neither his true identity nor the crime for which he has been imprisoned. But Aramis knows this secret—a secret so dangerous, it could topple the King from his throne. Will his cause divide the once indivisible band of musketeers?

A tale of mystery, adventure, and political intrigue, this conclusion to Dumas’s swashbuckling musketeer saga is based on the true story of a masked prisoner who dwelled in the Bastille during Louis XIV’s reign and whose identity remains in question to this day.

In 1785, a sensational trial began in Paris that would divide the country and captivate Europe. A leading Catholic cardinal and scion of one of the most distinguished families in France stood accused of forging the queen’s signature to obtain the most expensive piece of jewelry in Europe: a 2,800-carat diamond necklace. Known as the Affair of the Diamond Necklace, it contributed to the French populace’s disillusionment with the monarchy and precipitated the French Revolution.

The Queen’s Necklace, loosely based on the Affair, is Alexandre Dumas’s take on the royal scandal. Originally serialized in the French newspaper La Presse in 1849-1850 (immediately following the French Revolution of 1848), The Queen’s Necklace is an epic tale of love and courage, hatred and betrayal with a missing diamond necklace, an accused queen, a daring manipulator, love-struck youth, royal revenge, and ecclesiastical machinations all playing out against the backdrop of the rising discontent among the French rabble. It is, in short, a thrilling tale by a master of historical fiction.

For the first time in English in over a century comes a new translation of the forgotten sequel to Dumas’s The Three Musketeers, continuing the dramatic tale of Cardinal Richelieu and his implacable enemies.

In 1844, Alexandre Dumas published The Three Musketeers, a novel so famous and still so popular today that it scarcely needs introduction. Shortly thereafter he wrote a sequel, Twenty Years After, that resumed the adventures of his swashbuckling heroes.

Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins not twenty years later but a mere twenty days afterward. The Red Sphinx picks up right where the The Three Musketeers left off, continuing the stories of Cardinal Richelieu, Queen Anne, and King Louis XIII–and introducing a charming new hero, the Comte de Moret, a real historical figure from the period. A young cavalier newly arrived in Paris, Moret is an illegitimate son of the former king and thus half-brother to King Louis. The French Court seethes with intrigue as king, queen, and cardinal all vie for power, and young Moret soon finds himself up to his handsome neck in conspiracy, danger–and passionate romance.

Dumas wrote seventy-five chapters of The Red Sphinx for serial publication but never finished it, and so the novel languished for almost a century before its first book publication in France in 1946. While Dumas never completed the book, he had earlier written a separate novella, The Dove, that recounted the final adventures of Moret and Cardinal Richelieu.

Now for the first time, in one cohesive narrative, The Red Sphinx and The Dove make a complete and satisfying story line–a rip-roaring novel of historical adventure, heretofore unknown to English-language readers, by the great Alexandre Dumas, king of the swashbucklers.

The Musketeers were the most revered group of men in the whole of France, and young d’Artagnan wanted nothing more than to travel to Paris to join their ranks. But d’Artagnan’s road to becoming a Musketeer wouldn’t be as simple as he anticipated. Filled with minor mishaps, duels for honor, and a run-in with three of the finest Musketeers, d’Artagnan’s adventures ultimately lead him to discover what it truly takes to become a Musketeer.This adapted and condensed version of the tale by Alexandre Dumas will introduce children to beloved characters from the original novel and give them a taste of the adventure-filled classic.About the 10-Minute Classics Series: Designed to spark a love for great stories and an openness to the classics, these shortened stories introduce key characters, plotlines, and settings to engage young audiences. A broad range of titles is available, including Moby Dick, The Adventures of Tom Sawyer, and Little Women.

Mixing a bit of seventeenth-century French history with a great deal of invention, Alexandre Dumas tells the tale of young D’Artagnan and his musketeer comrades, Porthos, Athos, and Aramis. Together they fight to foil the schemes of the brilliant, dangerous Cardinal Richelieu, who pretends to support the king while plotting to advance his own power. Bursting with swirling swordplay, swooning romance, and unforgettable figures-including the seductively beautiful but deadly femme fatale, Milady, and D’Artagnan’s equally beautiful love, Madame Bonacieux-The Three Musketeers continues, after a century and a half of continuous publication, to define the genre of swashbuckling romance and historical adventure.

This historical romance, perhaps the greatest cloak-and-sword story ever written, relates the adventures of four fictional swashbuckling heroes who loyally served the French kings Louis XIII and Louis XIV.

When the dashing young d’Artagnan arrives in Paris from Gascony, he becomes embroiled in three duels with the musketeers Athos, Porthos, and Aramis. But when he proves himself by fighting with, not against, the three Musketeers, they form a quick and lasting friendship. The daring escapades of the four pit them against the master of intrigue, Cardinal Richelieu, and the quintessential wicked woman, Lady de Winter.

Alexandre Dumas’s swashbuckling epic has embroidered upon history a colorful world of swordplay, intrigue, and romance.

Dumas continues his Musketeer Romances with a final trilogy. The Vicomte de Bragelonne opens an epic adventure which continues with Louise de la Vallière and reaches its climax in The Man in the Iron Mask.

It is May 1660, and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Vallière. Meanwhile, d’Artagnan learns that his old comrades have great projects in hand. Athos seeks the restoration of Charles II, while Aramis, with Porthos in tow, has a secret plan involving a masked prisoner and the fortification of the island of Belle-Ile. D’Artagnan finds a thread leading him to the French court, the banks of the Tyne, the beaches of Holland, and the dunes of Brittany.

Never short on swashbuckling action, breathtaking suspense, and romantic intrigue, Dumas’s classic works are must-haves for any collection.

A new translation of Dumas’s rousing sequel to The Three Musketeers, picking up twenty years after the conclusion of that classic novel and continuing the adventures of the valiant d’Artagnan and his three loyal friends

The Three Musketeers, Alexandre Dumas’s most famous and enduring novel, completed its serial publication in the summer of 1844, and by the time of its book publication at the end of that year, readers were already demanding a sequel. They got it starting in January 1845, when the first chapters of Twenty Years After began to appear–but it wasn’t quite what they were expecting.

When Twenty Years After opens it is 1648: the Red Sphinx, Cardinal Richelieu, is dead, France is ruled by a regency in the grip of civil war, and across the English Channel the monarchy of King Charles I hangs by a thread. As d’Artagnan will find, these are problems that can’t be solved with a sword thrust. In Twenty Years After, the musketeers confront maturity and face its greatest challenge: sometimes, you fail. It’s in how the four comrades respond to failure, and rise above it, that we begin to see the true characters of Dumas’s great heroes.

A true literary achievement, Twenty Years After is long overdue for a modern reassessment–and a new translation. As an added inducement, Lawrence Ellsworth has discovered a “lost” chapter that was overlooked in the novel’s original publication, and is included in none of the available English translations to date–until now.

Originally published in 1845 as a sequel to The Three Musketeers, Twenty Years After is a supreme creation of suspense and heroic adventure.

Two decades have passed since the three musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve and dispersed their loyalties. But treasons and stratagems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.