One of Charles Bukowski’s best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.

Charles Bukowski’s posthumous legend continues to grow. Factotum is a masterfully vivid evocation of slow-paced, low-life urbanity and alcoholism, and an excellent introduction to the fictional world of Charles Bukowski.

In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library’s collection of D. H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast’s coming-of-age during the desperate days of the Great Depression.

From iconic tortured artist/everyman Charles Bukowski, Hollywood is the fictionalization of his experience adapting his novel Barfly into a movie by the same name.

Henry Chinaski, Bukowski’s alter-ego, is pushed to translate a semi-autobiographical book into a screenplay for John Pinchot. He reluctantly agrees, and is thrust into the otherworld called Hollywood, with its parade of eccentric and maddening characters: producers, artists, actors and actresses, film executives and journalists. In this world, the artistry of books and film is lost to the dollar, and Chinaski struggles to keep his footing in the tangle of cons that comprise movie making.

Hollywood is Dirty Old Man Bukowski at his most lucid. It overflows with curses, sex, and alcohol. And through it all, or from it all, Bukowski finds flashes of truth about the human condition.

With his characteristic raw and minimalist style, Charles Bukowski takes us on a walk through his side of town in Hot Water Music. He gives us little vignettes of depravity and lasciviousness, bite sized pieces of what is both beautiful and grotesque.

The stories in Hot Water Music dash around the worst parts of town – a motel room stinking of sick, a decrepit apartment housing a perpetually arguing couple, a bar tended by a skeleton – and depict the darkest parts of human existence. Bukowski talks simply and profoundly about the underbelly of the working class without raising judgement.

In the way he writes about sex, relationships, writing, and inebriation, Bukowski sets the bar for irreverent art – his work inhabits the basest part of the mind and the most extreme absurdity of the everyday.

A raw and tenderly funny look at the human-cat relationship, from one of our most treasured and transgressive writers.

“The cat is the beautiful devil.”

Felines touched a vulnerable spot in Charles Bukowski’s crusty soul. For the writer, there was something majestic and elemental about these inscrutable creatures he admired, sentient beings whose searing gaze could penetrate deep into our being. Bukowski considered cats to be unique forces of nature, elusive emissaries of beauty and love.

On Cats offers Bukowski’s musings on these beloved animals and their toughness and resiliency. He honors them as fighters, hunters, survivors who command awe and respect as they grip tightly onto the world around them: “A cat is only ITSELF, representative of the strong forces of life that won’t let go.”

Funny, moving, tough, and caring, On Cats brings together the acclaimed writer’s reflections on these animals he so admired. Bukowski’s cats are fierce and demanding–he captures them stalking their prey; crawling across his typewritten pages; waking him up with claws across the face. But they are also affectionate and giving, sources of inspiration and gentle, insistent care.

Poignant yet free of treacle, On Cats is an illuminating portrait of this one-of-a-kind artist and his unique view of the world, witnessed through his relationship with the animals he considered his most profound teachers.

The definitive collection of works on a subject that inspired and haunted Charles Bukowski for his entire life: alcohol.

Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man,” Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments as well as some of his most joyful and inspired.

In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff–a topic that allowed Bukowski to explore some of life’s most pressing questions. Through drink, Bukowski is able to be alone, to be with people, to be a poet, a lover, and a friend–though often at great cost. As Bukowski writes in a poem simply titled “Drinking,”: “for me/it was or/is/a manner of/dying/with boots on/and gun/smoking and a/symphony music background.”

On Drinking is a powerful testament to the pleasures and miseries of a life in drink, and a window into the soul of one of our most beloved and enduring writers.

“It began as a mistake.” By middle age, Henry Chinaski has lost more than twelve years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers. This classic 1971 novel–the one that catapulted its author to national fame–is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

With all of Bukowski’s trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.