George Orwell (1903-1950) was an English novelist, essayist, journalist and critic. Considered a classic of dystopian fiction, ‘1984’ has contributed many terms to common usage, including Big Brother, doublethink, newspeak and thoughtcrime, while the adjective “Orwellian” has entered the English language in the context of government deception, surveillance, and misleading terminology. The narrative unfolds in an imagined future when most of the world has fallen prey to omnipresent government surveillance, propaganda and endless war. In the novel ‘1984’, the protagonist Winston Smith wrestles with oppression in Oceania, a state where the Party scrutinizes every human action with Big Brother. Defying a ban on individualism, Winston expresses his thoughts in a diary and pursues a relationship with his colleague, Julia. These criminal acts bring Winston to the attention of Big Brother.

-En español neutro- Es una novela política de ficción distópica, escrita por George Orwell entre 1947 y 1948 y publicada el 8 de junio de 1949. La novela popularizó los conceptos del omnipresente y vigilante Gran Hermano o Hermano Mayor, de la notoria habitación 101, de la ubicua policía del Pensamiento y de la neolengua, adaptación del idioma inglés en la que se reduce y se transforma el léxico con fines represivos, basándose en el principio de que lo que no forma parte de la lengua, no puede ser pensado.

Published in 1948, this cautionary tale follows a lone protagonist who struggles under the rule of a repressive totalitarian government. Set in a future version of England, called Airstrip One, the novel is famous for its imagined language that conjures a cruelly cynical authoritarian regime. One of the most popular novels in the English language, it is part political thriller and part science fiction, and it established the word Orwellian to describe official deception, unwarranted surveillance, and revisionist history by the state.

Blackstone Publishing presents a new recording of this immensely popular book.

One of the most celebrated classics of the twentieth century, Orwell’s cautionary tale of a man trapped under the gaze of an authoritarian state feels more relevant now than ever before.

George Orwell depicts a gray, totalitarian world dominated by Big Brother and its vast network of agents, including the Thought Police, a world in which news is manufactured according to the authorities’ will and people live tepid lives by rote.

Winston Smith, the hero with no heroic qualities, longs only for truth and decency. But living in a social system in which privacy does not exist and where those with unorthodox ideas are brainwashed or put to death, he knows there is no hope for him. He knows even as he continues to pursue his forbidden love affair that eventually he will come to destruction.

The year 1984 has come and gone, yet George Orwell’s nightmare vision in 1949 of the world we were becoming is still the great modern classic of negative Utopia. It is a prophetic and haunting tale that exposes the worst crimes imaginable: the destruction of freedom and truth.

George Orwell, was an English novelist, essayist, journalist, and critic. His work is characterized by lucid prose, biting social criticism, opposition to totalitarianism, and outspoken support of democratic socialism. Orwell’s work remains influential in popular and political culture, and the adjective “Orwellian”—describing totalitarian and authoritarian social practices—is part of the English language, like many of his neologisms, such as “Big Brother”, “Thought Police”, “Two Minutes Hate”, “Room 101”, “memory hole”, “Newspeak”, “doublethink”, “proles”, “unperson”, and “thoughtcrime”, as well as providing direct inspiration for the neologism “groupthink”. 1984 centers on the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviors within society. Orwell modeled the totalitarian government in the novel after Stalinist Russia. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated. The story takes place in an imagined future, the year 1984 when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of a totalitarian superstate named Oceania that is ruled by the Party who employ the Thought Police to persecute individuality and independent thinking.[5] Big Brother, the leader of the Party, enjoys an intense cult of personality despite the fact that he may not even exist. The protagonist, Winston Smith, is a diligent and skillful rank-and-file worker and Outer Party member who secretly hates the Party and dreams of rebellion. He enters into a forbidden relationship with a colleague, Julia, and starts to remember what life was like before the Party came to power.
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Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity. After a series of degrading adventures—picking hops in Kent, sleeping among the down-and-outers in Trafalgar Square, spending a night in jail, and teaching in a grubby day school for girls—she is rescued. But although she regains her life as a clergyman’s daughter, she has lost her faith.

George Orwell’s classic satire of the Russian Revolution has become an intimate part of our contemporary culture, with its treatment of democratic, fascist, and socialist ideals through an animal fable.

The animals of Mr. Jones’s Manor Farm are overworked, mistreated, and desperately seeking a reprieve. In their quest to create an idyllic society where justice and equality reign, the animals of Manor Farm revolt against their human rulers, establishing the democratic Animal Farm under the credo, “All Animals Are Created Equal.” Out of their cleverness, the pigs–Napoleon, Squealer, and Snowball–emerge as leaders of the new community. In a development of insidious familiarity, the pigs begin to assume ever greater amounts of power, while other animals, especially the faithful horse Boxer, assume more of the work. The climax of the story results in a brutal betrayal, when totalitarian rule is reestablished with the bloodstained postscript to the founding slogan: “But Some Animals Are More Equal than Others.”

This astonishing allegory, one of the most scathing satires in literary history, remains as fresh and relevant as the day it was published.

The allegorical novella ‘Animal Farm’ by George Orwell was first published in 1945. It is the story of farm animals that rebel against the farmer, intending to establish a society where the animals can be equal, free, and happy. With stirring slogans, they set out to create utopia. However, the rebellion is betrayed and the farm ends up in a state worse than it was before, under the dictatorship of a pig named Napoleon. When ‘Animal Farm’ was first published, Stalinist Russia was its target. Today it is quite clear that wherever and whenever freedom is suppressed, the message of George Orwell’s masterpiece is still relevant. Time Magazine chose the book as one of the 100 best English-language novels from 1923 to 2005. It also features at number 31 on the Modern Library List of Best 20th-Century Novels.

In this 1945 novella, barnyard animals rise up against the oppressive rule of human farmers and set about to create a better world for themselves. When two pigs, Snowball and Napoleon, emerge as leaders of the new collective, a schism is created with dire implications for the erstwhile utopia. George Orwell’s satirical story of Revolutionary Russia and Stalinism is a classic of anti-authoritarianism protest literature.

Animal Farm, one of the great social satires of our century, is based upon modern Eastern European history. First published in 1945, it is the classic fable of the utopian dream and the corruptive influences of power. When the animals at Manor Farm revolt against their master, Mr. Jones, their goal is to take over the farm and establish an ideal community based on hard work, honesty, and the equality of all animals. Guided by the memory of Old Major’s utopian vision and the seven commandments, Animal Farm, as the animals have renamed it, briefly fulfills the ideal. Memories are short, however, and soon-through manipulation and aggression by those who assume power-the farm’s founding principles are slowly eroded and abolished. Decades after its debut, Animal Farm is still a relevant and powerful tale of how blind allegiance to political leaders leads to ruin.

Colonial politics in 1930 Kyauktada, India, come to a head when the European Club, previously for whites only, is ordered to elect one token native member. The deeply racist members do their best to manipulate the situation, resulting in the loss not only of reputations, but of lives.

Amidst this cynical setting, timber merchant James Flory stands as a bridge between the warring factions, a Brit with a genuine appreciation for the native people and culture. But he has trouble acting on his feelings, and the significance of his vote, both social and political, weighs on him. When Elizabeth Lackersteen arrives, blonde, eligible, and anti-intellectual, Flory finds himself the hapless suitor.

Orwell alternates between grand-scale political intrigue and nuanced social interaction, mining his own Colonial Indian heritage to create a monument of historical fiction.

George Bowling, an insurance salesman, hits middle age and feels impelled to “come up for air” from his life of quiet desperation. With seventeen pounds he has won at a race, he steals a vacation from his wife and his family and pays a visit to Lower Binfield, the village where he grew up, to fish for carp in a pool he remembers from thirty years before. But the pool is gone, Lower Binfield has changed beyond recognition, and the principal event of Bowling’s holiday is an accidental bombing by the RAF.

Bowling’s everyman life is also a sort of cavalcade of England from 1893 to 1938. Written when the clouds of World War II were already gathering, this story of Bowling’s journey into his own and his country’s past is told with humor, warmth, and nostalgia which will surprise and delight George Orwell’s many readers.

Orwell’s own experiences inspire this semi-autobiographical novel about a penniless man living in Paris in the early 1930s. The narrator’s poverty brings him into contact with strange incidents and characters, which he manages to chronicle with great sensitivity and graphic power. The latter half of the book takes the English narrator to his home city, London, where the world of poverty is different in externals only.

A socialist who believed that the lower classes were the wellspring of world reform, Orwell actually went to live among them in England and on the continent. His novel draws on his experiences of this world, from the bottom of the echelon in the kitchens of posh French restaurants to the free lodging houses, tramps, and street people of London. In the tales of both cities, we learn some sobering Orwellian truths about poverty and society.

The articles collected in George Orwell’s Essays illuminate the life and work of one of the most individual writers of this century–a man who elevated political writing to an art. This outstanding collection brings together Orwell’s longer, major essays and a fine selection of shorter pieces that includes “My Country Right or Left,” “Decline of the English Murder,” “Shooting an Elephant,” and “A Hanging.”

With great originality and wit, Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defense of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell’s essays created a unique literary manner from the process of thinking aloud and continue to challenge, move, and entertain.

In 1936, George Orwell went to Spain to report on the civil war and instead joined the POUM militia to fight against the Fascists.

In this now justly famous account of his experience, he describes both the bleak and the comic aspects of trench warfare on the Aragon front, the Barcelona uprising in May 1937, his nearly fatal wounding just two weeks later, and his escape from Barcelona into France after the Party of Maxist Unification (POUM) was suppressed.

As important as the story of the war itself is Orwell’s analysis of why the Communist Party sabotaged the workers’ revolution and branded the POUM as Trotskyist, which provides an essential key to understanding the outcome of the war and an ironic sidelight on international Communism.

It was during this period in Spain that Orwell learned for himself the nature of totalitarianism in practice, an education that laid the groundwork for his great books Animal Farm and 1984.

Gordon Comstock is a poor young man who works by day in a grubby London bookstore and spends his evenings shivering in a rented room, trying to write. Gordon has published a slim volume of verse and is determined to keep free of the “money world” of safe, lucrative jobs, marriage, and family responsibilities. This world, to Gordon, spells the end of art and aspidistra, the homely, indestructible house plant that stands in every middle-class British window.

Gordon’s sweetheart, Rosemary, understands him: she is patient with his pride and lack of funds. But then, as it happens with all lovers, events overtake them.

Orwell’s picture of the “money world,” as Gordon sees it, is in his best satirical vein.

Viewed as too libelous to print in England until 1968, the title essay in this collection reveals the abuse Orwell experienced as a child at an expensive and snobbish boarding school and offers insights into his lifelong concern for the oppressed.

“Why I Write” describes Orwell’s sense of political purpose, and the classic essay “Politics and the English Language” insists on clarity and precision in communication in order to avoid the Newspeak later described in 1984.

Other essays focus on Gandhi (he “disinfected the political air”), Dickens (“no novelist has shown the same power of entering into the child’s point of view”), Kipling (“a jingo imperialist”), Henry Miller (who told Orwell that involvement in the Spanish war was an act of an idiot), and England (“a family with the wrong members in control”).

When Orwell went to the north of England in the thirties to find out how industrial workers lived, he not only observed but shared in their experience. He stayed in cramped, dreary lodgings and subsisted on the scant, cheerless diet of the poor. He went down into the coal mines and walked crouching, as the miners did, through a one- to three-mile passage too low to stand up in. He watched the back-breaking, dangerous labor of men whose net pay then averaged $575 a year. And he knew the unemployed, those who had been out of work for so long they had sunk beyond despair into an inhuman apathy.

In his searing yet beautiful account of life on the bottom rung, Orwell asks himself why socialism–which alone, he felt, could conserve human values from the ravages of industrialism–had so little appeal. His answer was a harsh critique of the socialism and socialists of his time.