A masterly collection of eleven stories about the way we live now from the best-selling author of Netherland.

From bourgeois facial-hair trends to parental sleep deprivation, Joseph O’Neill closely observes the mores of his characters, whose vacillations and second thoughts expose the mysterious pettiness, underlying violence, and, sometimes, surprising beauty of ordi­nary life in the early twenty-first century. A lonely wedding guest talks to a goose; two poets struggle over whether to participate in a “pardon Edward Snowden” verse petition; a cowardly husband lets his wife face a possible intruder in their home; a potential co-op renter in New York City can’t find anyone to give him a character reference.
 
On the surface, these men and women may be in only mild trouble, but in these perfectly made, fiercely modern stories O’Neill reminds us of the real, secretly political consequences of our internal monologues. No writer is more incisive about the strange world we live in now; the laugh-out-loud vulnerability of his people is also fodder for tears.

Cast of Narrators:
“Pardon Edward Snowden” read by Robbie Daymond
“The Trusted Traveler” read by Arthur Morey
“The World of Cheese” read by Kimberly Farr
“The Referees” read by Mike Chamberlain
“Promises, Promises” read by Allyson Ryan
“The Death of Billy Joel” read by Mark Deakins
“Ponchos” read by Mark Bramhall 
“The Poltroon Husband” read by John H. Meyer 
“Goose” read by Mike Chamberlain
“The Mustache in 2010” read by Cassandra Campbell 
“The Sinking of the Houston” read by Danny Campbell

In a New York City made phantasmagorical by the events of 9/11, Hans-a banker originally from the Netherlands-finds himself marooned among the strange occupants of the Chelsea Hotel after his English wife and son return to London. Alone and untethered, feeling lost in the country he had come to regard as home, Hans stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. Ramkissoon, a Gatsby-like figure who is part idealist and part operator, introduces Hans to an “other” New York populated by immigrants and strivers of every race and nationality. Hans is alternately seduced and instructed by Chuck’s particular brand of naivetE and chutzpah-by his ability to a hold fast to a sense of American and human possibility in which Hans has come to lose faith. Netherland gives us both a flawlessly drawn picture of a little-known New York and a story of much larger, and brilliantly achieved ambition: the grand strangeness and fading promise of 21st century America from an outsider’s vantage point, and the complicated relationship between the American dream and the particular dreamers. Most immediately, though, it is the story of one man-of a marriage foundering and recuperating in its mystery and ordinariness, of the shallows and depths of male friendship, of mourning and memory. Joseph O’Neill’s prose, in its conscientiousness and beauty, involves us utterly in the struggle for meaning that governs any single life.

***A NEW YORK TIMES NOTABLE BOOK***
***LONGLISTED FOR THE MAN BOOKER PRIZE 2014***
***PWs Best of the Year 2014***

The author of the best-selling and award-winning Netherland now gives us his eagerly awaited, stunningly different new novel: a tale of alienation and heartbreak in Dubai.
 
Distraught by a breakup with his long-term girlfriend, our unnamed hero leaves New York to take an unusual job in a strange desert metropolis. In Dubai at the height of its self-invention as a futuristic Shangri-la, he struggles with his new position as the “family officer” of the capricious and very rich Batros family. And he struggles, even more helplessly, with the “doghouse,” a seemingly inescapable condition of culpability in which he feels himself constantly trapped—even if he’s just going to the bathroom, or reading e-mail, or scuba diving. A comic and philosophically profound exploration of what has become of humankind’s moral progress, The Dog is told with Joseph O’Neill’s hallmark eloquence, empathy, and storytelling mastery. It is a brilliantly original, achingly funny fable for our globalized times.