For the first time in one volume, a collection of Shirley Jackson’s scariest stories, with a foreword by PEN/Hemingway Award winner Ottessa Moshfegh
 
After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People.” In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There’s something sinister in suburbia.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Shirley Jackson’s chilling second novel, based on her own experiences and an actual mysterious disappearance

Seventeen-year-old Natalie Waite longs to escape home for college. Her father is a domineering and egotistical writer who keeps a tight rein on Natalie and her long-suffering mother. When Natalie finally does get away, however, college life doesn’t bring the happiness she expected. Little by little, Natalie is no longer certain of anything—even where reality ends and her dark imaginings begin. Chilling and suspenseful, Hangsaman is loosely based on the real-life disappearance of a Bennington College sophomore in 1946.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle

Acclaimed in her own time for her short story “The Lottery” and her novel The Haunting of Hill House—classics ranking with the work of Edgar Allan Poe—Shirley Jackson blazed a path for contemporary writers with her explorations of evil, madness, and cruelty. Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.
  
Praise for Shirley Jackson
 
“[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates
 
“Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt
 
“An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman
 
“Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker
 
“An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose
 
“The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes
 
“Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • From the renowned author of “The Lottery” and The Haunting of Hill House, a spectacular volume of previously unpublished and uncollected stories, essays, and other writings.

Features “Family Treasures,” nominated for the Edgar Award for Best Short Story

Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.

As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.

Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing, and comic essays about her large, boisterous family. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.

For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.

This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

Praise for Let Me Tell You

“Stunning.”—O: The Oprah Magazine

“Let us now—at last—celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson’s heretofore unpublished works—uniquely unsettling stories and ruthlessly barbed essays on domestic life.”—Vanity Fair

“Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right.”—NPR

“There are . . . times in reading [Jackson’s] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O’Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she’s just incomparable.”—The Washington Post

“Offers insights into the vagaries of [Jackson’s] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson.”—The New York Times Book Review

“The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness.”—The Boston Globe

“[Jackson’s] writing, both fiction and nonfiction, has such enduring power—she brings out the darkness in life, the poltergeists shut into everyone’s basement, and offers them up, bringing wit and even joy to the examination.”—USA Today

“The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation.”—The Huffington Post

In her celebrated fiction, Shirley Jackson explored the darkness lurking beneath the surface of small-town America. But in Life Among the Savages, she takes on the lighter side of small-town life. In this witty and warm memoir of her family’s life in rural Vermont, she delightfully exposes a domestic side in cheerful contrast to her quietly terrifying fiction. With a novelist’s gift for character, an unfailing maternal instinct, and her signature humor, Jackson turns everyday family experiences into brilliant adventures.

In the uproarious sequel to Life Among the Savages, the author of The Haunting of Hill House confronts the most vexing demons yet: her children

In the long out-of-print sequel to Life Among the Savages, Jackson’s four children have grown from savages into full-fledged demons. After bursting the seams of their first house, Jackson’s clan moves into a larger home. Of course, the chaos simply moves with them. A confrontation with the IRS, Little League, trumpet lessons, and enough clutter to bury her alive—Jackson spins them all into an indelible reminder that every bit as thrilling as a murderous family in a haunted house is a happy family in a new home.

Shirley Jackson’s third novel, a chilling descent into multiple personalities

Elizabeth is a demure twenty-three-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother’s inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson’s characteristic chill, we learn that Elizabeth is not just one girl—but four separate, self-destructive personalities. The Bird’s Nest, Jackson’s third novel, develops hallmarks of the horror master’s most unsettling work: tormented heroines, riveting familial mysteries, and a disquieting vision inside the human mind.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Now a hit Netflix miniseries directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Hutton

Past the rusted gates and untrimmed hedges, Hill House broods and waits.

Four seekers have come to the ugly, abandoned old mansion: Dr. Montague, an occult scholar looking for solid evidence of the psychic phenomenon called haunting; Theodora, his lovely and lighthearted assistant; Eleanor, a lonely, homeless girl well acquainted with poltergeists; and Luke, the adventurous future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable noises and self-closing doors, but Hill House is gathering its powers and will soon choose one of them to make its own.

This classic horror novel has been hailed as a perfect work of unnerving terror.

A bewitchingly brilliant collection of never-before-published letters from the renowned author of “The Lottery” and The Haunting of Hill House

i must stop writing letters and get to writing a novel.

Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson’s beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad.

i am having a fine time doing a novel with my left hand and a long story—with as many levels as grand central station—with my right hand, stirring chocolate pudding with a spoon held in my teeth, and tuning the television with both feet.

Written over the course of nearly three decades, from Jackson’s college years to six days before her early death at the age of forty-eight, these letters become the autobiography Shirley Jackson never wrote. As well as being a bestselling author, Jackson spent much of her adult life as a mother of four in Vermont, and the landscape here is often the everyday: raucous holidays and trips to the dentist, overdue taxes and frayed lines of Christmas lights, new dogs and new babies. But in recounting these events to family, friends, and colleagues, she turns them into remarkable stories: entertaining, revealing, and wise. At the same time, many of these letters provide fresh insight into the genesis and progress of Jackson’s writing over nearly three decades.

The novel is getting sadder. It’s always such a strange feeling—I know something’s going to happen, and those poor people in the book don’t; they just go blithely on their ways.

Compiled and edited by her elder son, Laurence Jackson Hyman, in consultation with Jackson scholar Bernice M. Murphy, this intimate collection holds the beguiling prism of Shirley Jackson—writer and reader, mother and daughter, neighbor and wife—up to the light.

A powerful collection of short stories by Shirley Jackson

“The Lottery,” one of the most terrifying stories of the twentieth century, created a sensation when it was first published in the New Yorker. “Powerful and haunting,” and “nights of unrest” were typical reader responses. This collection, the only one to appear during Jackson’s lifetime, unites “The Lottery” with twenty-four equally unusual stories. Together they demonstrate her remarkable range–from the hilarious to the truly horrible–and power as a storyteller.

Who can forget the first time they heard the story? Considered one of the masterpieces of American literature, “The Lottery” created a sensation when it was first published in the New Yorker. Since then it has become one of the most anthologized stories in American literature.

Powerful and haunting, subtle and horrifying, the tale demonstrates Shirley Jackson’s mastery of storytelling. This one-of-a-kind audio collection, from the only anthology published during the author’s lifetime, unites “The Lottery” with seven other equally unique stories. Jackson reveals the hidden evils of the human mind and society in these compelling stories.

The compelling novel that began Shirley Jackson’s legendary career

Pepper Street is a really nice, safe California neighborhood. The houses are tidy and the lawns are neatly mowed. Of course, the country club is close by, and lots of pleasant folks live there. The only problem is they knocked down the wall at the end of the street to make way for a road to a new housing development. Now, that’s not good—it’s just not good at all. Satirically exploring what happens when a smug suburban neighborhood is breached by awful, unavoidable truths, The Road Through the Wall is the tale that launched Shirley Jackson’s heralded career.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Before there was Hill House, there was the Halloran mansion of Jackson’s stunningly creepy fourth novel, The Sundial

When the Halloran clan gathers at the family home for a funeral, no one is surprised when the somewhat peculiar Aunt Fanny wanders off into the secret garden. But then she returns to report an astonishing vision of an apocalypse from which only the Hallorans and their hangers-on will be spared, and the family finds itself engulfed in growing madness, fear, and violence as they prepare for a terrible new world.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A detailed account of one of the strangest and most shocking episodes in American history, written by the author of “The Lottery”

Stories of magic, superstition, and witchcraft were strictly forbidden in the little town of Salem Village. But a group of young girls ignored those rules, spellbound by the tales told by a woman named Tituba. When questioned about their activities, the terrified girls set off a whirlwind of controversy as they accused townsperson after townsperson of being witches. Author Shirley Jackson examines in careful detail this horrifying true story of accusations, trials, and executions that shook a community to its foundations.

Shirley Jackson’s deliciously unsettling novel about a perverse, isolated, and possibly murderous family takes readers deep into a labyrinth of dark neurosis, macabre humor, and gothic atmosphere.

Six years after four family members died suspiciously of arsenic poisoning, the three remaining Blackwoods–elder, agoraphobic sister Constance; wheelchair-bound Uncle Julian; and eighteen-year-old Mary Katherine, or, Merricat–live together in pleasant isolation. Merricat has developed an idiosyncratic system of rules and protective magic to guard the estate against intrusions from hostile villagers. But one day a stranger arrives–cousin Charles, with his eye on the Blackwood fortune–and manages to penetrate into their carefully shielded lives. Unable to drive him away by either polite or occult means, Merricat adopts more desperate methods, resulting in crisis, tragedy, and the revelation of a terrible secret.

Jackson’s novel emerges less as a study in eccentricity and more–like some of her other fictions–as a powerful critique of the anxious, ruthless processes involved in the maintenance of normalcy itself.