New Yorker writer and author of The Library Book takes readers on a series of remarkable journeys in this uniquely witty, sophisticated, and far-flung travel book.

In this irresistible collection of adventures far and near, Orlean conducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois—and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality.

With Orlean as guide, lucky readers partake in all manner of armchair activity. They will climb Mt. Fuji and experience a hike most intrepid Japanese have never attempted; play ball with Cuba’s Little Leaguers, promising young athletes born in a country where baseball and politics are inextricably intertwined; trawl Icelandic waters with Keiko, everyone’s favorite whale as he tries to make it on his own; stay awhile in Midland, Texas, hometown of George W. Bush, a place where oil time is the only time that matters; explore the halls of a New York City school so troubled it’s known as “Horror High”; and stalk caged tigers in Jackson, New Jersey, a suburban town with one of the highest concentrations of tigers per square mile anywhere in the world.

Vivid, humorous, unconventional, and incomparably entertaining, Susan Orlean’s writings for The New Yorker have delighted readers for over a decade. My Kind of Place is an inimitable treat by one of America’s premier literary journalists.

NATIONAL BESTSELLER

“Magnificent.” —The New York Times * “Beguiling, observant, and howlingly funny.” —San Francisco Chronicle * “Spectacular.” —Star Tribune (Minneapolis) * “Full of astonishments.” —The Boston Globe

Susan Orlean–the beloved New Yorker staff writer hailed as “a national treasure” by The Washington Post and the author of the New York Times bestseller The Library Book–gathers a lifetime of musings, meditations, and in-depth profiles about animals.

“How we interact with animals has preoccupied philosophers, poets, and naturalists for ages,” writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon, she’s been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals, she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career.

These stories consider a range of creatures–the household pets we dote on, the animals we raise to end up as meat on our plates, the creatures who could eat us for dinner, the various tamed and untamed animals we share our planet with who are central to human life. In her own backyard, Orlean discovers the delights of keeping chickens. In a different backyard, in New Jersey, she meets a woman who has twenty-three pet tigers–something none of her neighbors knew about until one of the tigers escapes. In Iceland, the world’s most famous whale resists the efforts to set him free; in Morocco, the world’s hardest-working donkeys find respite at a special clinic. We meet a show dog and a lost dog and a pigeon who knows exactly how to get home.

Equal parts delightful and profound, enriched by Orlean’s stylish prose and precise research, these stories celebrate the meaningful cross-species connections that grace our collective existence.

From Susan Orlean–acclaimed New York Times bestselling author of The Orchid Thief and The Library Book—Rin Tin Tin is “an unforgettable book about the mutual devotion between one man and one dog” (The Wall Street Journal).

He believed the dog was immortal.

So begins Susan Orlean’s sweeping, powerfully moving account of Rin Tin Tin’s journey from abandoned puppy to international movie-star dog who appeared in twenty-seven films throughout the 1920s. Spanning almost one hundred years of history, from the dog’s improbable discovery on a battlefield in 1918 by an American soldier to his tumultuous rise through Hollywood and beyond, Rin Tin Tin is a love story and “a masterpiece” (Chicago Tribune) that is also a quintessentially American story of reinvention, a captivating exploration of our spiritual bond with animals, and a stirring meditation on mortality and immortality.

A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB PICK

A WASHINGTON POST TOP 10 BOOK OF THE YEAR * A NEW YORK TIMES BESTSELLER and NEW YORK TIMES NOTABLE BOOK OF 2018

“A constant pleasure to read…Everybody who loves books should check out The Library Book.” —The Washington Post

“CAPTIVATING…DELIGHTFUL.” —Christian Science Monitor * “EXQUISITELY WRITTEN, CONSISTENTLY ENTERTAINING.” —The New York Times * “MESMERIZING…RIVETING.” —Booklist (starred review)

A dazzling love letter to a beloved institution–and an investigation into one of its greatest mysteries–from the bestselling author hailed as a “national treasure” by The Washington Post.

On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had been cleared out of the building realized this was not the usual fire alarm. As one fireman recounted, “Once that first stack got going, it was ‘Goodbye, Charlie.'” The fire was disastrous: it reached 2000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library–and if so, who?

Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a mesmerizing and uniquely compelling book that manages to tell the broader story of libraries and librarians in a way that has never been done before.

In The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries across the country and around the world, from their humble beginnings as a metropolitan charitable initiative to their current status as a cornerstone of national identity; brings each department of the library to vivid life through on-the-ground reporting; studies arson and attempts to burn a copy of a book herself; reflects on her own experiences in libraries; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago.

Along the way, Orlean introduces us to an unforgettable cast of characters from libraries past and present–from Mary Foy, who in 1880 at eighteen years old was named the head of the Los Angeles Public Library at a time when men still dominated the role, to Dr. C.J.K. Jones, a pastor, citrus farmer, and polymath known as “The Human Encyclopedia” who roamed the library dispensing information; from Charles Lummis, a wildly eccentric journalist and adventurer who was determined to make the L.A. library one of the best in the world, to the current staff, who do heroic work every day to ensure that their institution remains a vital part of the city it serves.

Brimming with her signature wit, insight, compassion, and talent for deep research, The Library Book is Susan Orlean’s thrilling journey through the stacks that reveals how these beloved institutions provide much more than just books–and why they remain an essential part of the heart, mind, and soul of our country. It is also a master journalist’s reminder that, perhaps especially in the digital era, they are more necessary than ever.

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK

In Susan Orlean’s mesmerizing true story of beauty and obsession is John Laroche, a renegade plant dealer and sharply handsome guy, in spite of the fact that he is missing his front teeth and has the posture of al dente spaghetti. In 1994, Laroche and three Seminole Indians were arrested with rare orchids they had stolen from a wild swamp in south Florida that is filled with some of the world’s most extraordinary plants and trees. Laroche had planned to clone the orchids and then sell them for a small fortune to impassioned collectors. After he was caught in the act, Laroche set off one of the oddest legal controversies in recent memory, which brought together environmentalists, Native Amer-ican activists, and devoted orchid collectors. The result is a tale that is strange, compelling, and hilarious.
        
New Yorker writer Susan Orlean followed Laroche through swamps and into the eccentric world of Florida’s orchid collectors, a subculture of aristocrats, fanatics, and smugglers whose obsession with plants is all-consuming. Along the way, Orlean learned the history of orchid collecting, discovered an odd pattern of plant crimes in Florida, and spent time with Laroche’s partners, a tribe of Seminole Indians who are still at war with the United States.
        
There is something fascinating or funny or truly bizarre on every page of The Orchid Thief: the story of how the head of a famous Seminole chief came to be displayed in the front window of a local pharmacy; or how seven hundred iguanas were smuggled into Florida; or the case of the only known extraterrestrial plant crime. Ultimately, however, Susan Orlean’s book is about passion itself, and the amazing lengths to which people will go to gratify it. That passion is captured with singular vision in The Orchid Thief, a once-in-a-lifetime story by one of our most original journalists.
 
Praise for The Orchid Thief
 
“Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review
 
“Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times
 
“Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World
 
“Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe
 
“A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal