29 Best African American Studies, Social Science Books

In her senior year of college, asha bandele and a group of other writers went to a prison to read their works for a Black History Month program. There, she met Rashid, a man who was serving 20 to life for murder, a man who spoke softly and wisely, a man who would become asha’s soul mate. This is her account of a relationship that has thrived despite terrific odds. “This is a romantic but realistic story, told with a directness and honesty that makes us know that however impossible the problems asha and Rashid face, we can question neither her motives nor sanity.”-Booklist, starred review

How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions–from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations–to show how Americans visually remade the Son of God time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice.

The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others pictured a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America’s most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.

This compelling #1 New York Times bestseller examines the legacy of slavery in America–and how both history and memory continue to shape our everyday lives.

Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks–those that are honest about the past and those that are not–that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view–whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted.

Informed by scholarship and brought to life by the story of people living today, Smith’s debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

Instant #1 New York Times Bestseller

Winner of the National Book Critics Circle Award for Nonfiction

Winner of the Stowe Prize

Winner of 2022 Hillman Prize for Book Journalism

PEN America 2022 John Kenneth Galbraith Award for Nonfiction Finalist

A New York Times 10 Best Books of 2021

A Time 10 Best Nonfiction Books of 2021

Named a Best Book of 2021 by The New York Times, The Washington Post, The Boston Globe, The Economist, Smithsonian, Esquire, Entropy, The Christian Science Monitor, WBEZ’s Nerdette Podcast, TeenVogue, GoodReads, SheReads, BookPage, Publishers Weekly, Kirkus, Fathom Magazine, the New York Public Library, and the Chicago Public Library

One of GQ’s 50 Best Books of Literary Journalism of the 21st Century

Longlisted for the National Book Award Los Angeles Times, Best Nonfiction Gift

One of President Obama’s Favorite Books of 2021

An award-winning scholar exposes the foundational racism of the child welfare system and calls for radical change

Many believe the child welfare system protects children from abuse. But as Torn Apart uncovers, this system is designed to punish Black families. Drawing on decades of research, legal scholar and sociologist Dorothy Roberts reveals that the child welfare system is better understood as a “family policing system” that collaborates with law enforcement and prisons to oppress Black communities. Child protection investigations ensnare a majority of Black children, putting their families under intense state surveillance and regulation. Black children are disproportionately likely to be torn from their families and placed in foster care, driving many to juvenile detention and imprisonment.

The only way to stop the destruction caused by family policing, Torn Apart argues, is to abolish the child welfare system and liberate Black communities.

NATIONAL BESTSELLER – The book that galvanized the nation, gave voice to the emerging civil rights movement in the 1960s–and still lights the way to understanding race in America today. – “The finest essay I’ve ever read.” –Ta-Nehisi CoatesAt once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle … all presented in searing, brilliant prose,” The Fire Next Time stands as a classic of literature.

Featuring original interviews with: Steph Curry, Chuck D, Yamiche Alcindor, Isiah Thomas, Jemele Hill, Craig Hodges, Stan Van Gundy, Mark Cuban, Jake Tapper, Mahmoud Abdul-Rauf, Sue Bird, Kyle Korver, Rick Strom, Cenk Uygur, Tim Wise, Chris Broussard, Breanna Stewart, Rex Chapman, Stephen Jackson, Kori McCoy, Lora Dene King, Chikesia Clemons, Raymond Santana, Alissa Findley, Amber and Ashley Carr, Michelle and Ashley Monterrosa, Chairman Fred Hampton Jr., Abioudun Oyewole, Marc Lamont Hill, Officer Carlton Berkley, Pastor John K. Jenkins Sr., Officer Joe Ested, Captain Sonia Pruitt, and Bishop Talbert Swan.

Etan Thomas, an eleven-year NBA veteran and lifelong advocate for social justice, shares his personal experiences with police violence and white supremacy, weaving them together with interviews of athletes, entertainers, media figures, and retired police officers, as well as family members of victims of police brutality.
Thomas explores the origins of white supremacy and how it was interwoven into Christianity, and discusses the continued cultivation of injustice in American society.

Through these unforgettable conversations and insights, Police Brutality and White Supremacy demands accountability for those responsible for, and justice for those impacted by, police violence and terror. It offers practical solutions to work against the promotion of white supremacy in law enforcement, Christianity,
early education, and across the public sphere.

Seldom does a book have the impact of Michelle Alexander’s The New Jim Crow.
Since it was first published in 2010, it has been cited in judicial decisions and has been
adopted in campus-wide and community-wide reads; it helped inspire the creation of
the Marshall Project and the new $100 million Art for Justice Fund; it has been the
winner of numerous prizes, including the prestigious NAACP Image Award; and it has
spent nearly 250 weeks on the New York Times bestseller list.

Most important of all, it has spawned a whole generation of criminal justice
reform activists and organizations motivated by Michelle Alexander’s unforgettable
argument that “we have not ended racial caste in America; we have merely redesigned
it.” As the Birmingham News proclaimed, it is “undoubtedly the most important book
published in this century about the U.S.”

Now, ten years after it was first published, The New Press is proud to issue a
tenth-anniversary edition with a new preface by Michelle Alexander that discusses the
impact the book has had and the state of the criminal justice reform movement today.

From the row houses of Baltimore to the stoops of Brooklyn, the New York Times bestselling author of The Cook Up lays bare the voices of the most vulnerable and allows their stories to uncover the systematic injustice threaded within our society. Honest and eye-opening, the pages of We Speak for Ourselves “are abundant with wisdom and wit; integrity and love, not to mention enough laughs for a stand-up comedy routine” (Mitchell S. Jackson, author of Survival Math).

Watkins introduces you to Down Bottom, the storied community of East Baltimore that holds a mirror to America’s poor black neighborhoods–“hoods” that could just as easily be in Chicago, Detroit, Oakland, or Atlanta. As Watkins sees it, the perspective of people who live in economically disadvantaged black communities is largely absent from the commentary of many top intellectuals who speak and write about race.

Unapologetic and sharp-witted, D. Watkins is here to tell the truth as he has seen it. We Speak for Ourselves offers an in-depth analysis of inner-city hurdles and honors the stories therein. We sit in underfunded schools, walk the blocks burdened with police corruption, stand within an audience of Make America Great Again hats, journey from trap house to university lecture, and rally in neglected streets. And we listen.

“Watkins has come to remind us, everyone deserves the opportunity to speak for themselves” (Jason Reynolds, New York Times bestselling author) and serves hope to fellow Americans who are too often ignored and calling on others to examine what it means to be a model activist in today’s world. We Speak for Ourselves is a must-read for all who are committed to social change.

Bestselling author and conservative icon Dr. Ben Carson lays out a hopeful and inspiring road map for how America can come together.

External physical characteristics that are genetically encoded are things over which no individual has control. But rather than appreciating the gift of diversity, some have chosen to use it to drive wedges between groups of people. Some of these external characteristics are associated with the past moral failing of slavery. Though slavery in America formally ended in the 1860s, the vestiges of that evil institution are still with us today, and those vestiges often inflict guilt on some and facilitate feelings of victimhood in others.

In Created Equal, Dr. Carson uses his own personal experiences as a member of a racial minority, along with the writings and experiences of others from multiple backgrounds and demographics, to analyze the current state of race relations in America. Instead of using race as an excuse to remake America into something completely antithetical to the Constitution, Dr. Carson suggests ways to enhance and bring great success to our nation and all multiethnic societies by magnifying America’s incredible strengths instead of her historical weaknesses.

Where racism and sexism meet–an understanding of anti-Black misogyny

When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms.

At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous–and, most importantly, effective–ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs.

Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.

Winner of the NAACP Image Award for Outstanding Literary Work/Biography.

In Across That Bridge, Congressman John Lewis draws from his experience as a prominent leader of the Civil Rights Movement to offer timeless wisdom, poignant recollections, and powerful principles for anyone interested in challenging injustices and inspiring real change toward a freer, more peaceful society.

The Civil Rights Movement gave rise to the protest culture we know today, and the experiences of leaders like Congressman Lewis, a close confidant to Martin Luther King, Jr., have never been more relevant. Despite more than forty arrests, physical attacks, and serious injuries, John Lewis has remained a devoted advocate of the discipline and philosophy of nonviolence. Now, in an era in which the protest culture he helped forge has resurfaced as a force for change, Lewis’ insights have never been more relevant. In this heartfelt book, Lewis explores the contributions that each generation must make to achieve change.

This program is read by the author

“Elegantly written, Tears We Cannot Stop is powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish.” –Toni Morrison

“Here’s a sermon that’s as fierce as it is lucid. It shook me up, but in a good way. This is how it works if you’re black in America, this is what happens, and this is how it feels. If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know–what this white man needed to know, at least. This is a major achievement. I read it and said amen.” –Stephen King

As the country grapples with racist division at a level not seen since the 1960s, one man’s voice is heard above the rest. In his New York Times op-ed piece “Death in Black and White,” Michael Eric Dyson moved a nation. Isabel Wilkerson called it “an unfiltered Marlboro of black pain” and “crushingly powerful,” and Beyonce tweeted about it. Now he continues to speak out in Tears We Cannot Stop–a provocative and deeply personal call for change. Dyson argues that if we are to make real racial progress we must face difficult truths, including being honest about how black grievance has been ignored, dismissed, or discounted. Short, emotional, literary, powerful–this is the book that all Americans who care about the current and long-burning crisis in race relations will want to read.

This program is read by the author.

For fans of Bad Feminist and The Sum of Us, Black Skinhead sparks a radical conversation about Black America and political identity.

In Black Skinhead, Brandi Collins-Dexter, former Senior Campaign Director for Color Of Change, explores the fragile alliance between Black voters and the Democratic party. Through sharp, timely essays that span the political, cultural, and personal, Collins-Dexter reveals decades of simmering disaffection in Black America, told as much through voter statistics as it is through music, film, sports, and the baffling mind of Kanye West.

While Black Skinhead is an outward look at Black votership and electoral politics, it is also a funny, deeply personal, and introspective look at Black culture and identity, ultimately revealing a Black America that has become deeply disillusioned with the failed promises of its country.

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We had been told that everything was fine, that America was working for everyone and that the American Dream was attainable for all. But for those who had been paying attention, there had been warning signs that the Obamas’ version of the American Dream wasn’t working for everyone. That it hadn’t been working for many white Americans was immediately and loudly discussed, but the truth–and what I set out to write this book about–was that it hadn’t been working for many Black Americans either. For many, Obama’s vision had been more illusion than reality all along.

When someone tells you everything is fine, but around you, you see evidence that it’s not, where will the quest to find answers lead you? As I went on the journey of writing this book, I found a very different tale about Black politics and Black America, one that countered white America’s long-held assumption that Black voters will always vote Democrat–and even that the Democratic party is the best bet for Black Americans.

My ultimate question was this: how are Black people being led away–not towards–each other, and what do we lose when we lose each other? What do we lose when, to quote Kanye West, we feel lost in the world.

A Macmillan Audio production from Celadon Books.

This national bestseller chronicles the true story of two brothers coming of age in the Henry Horner public housing complex in Chicago. Lafeyette and Pharoah Rivers are eleven and nine years old when the story begins in the summer of 1987. Living with their mother and six siblings, they struggle against grinding poverty, gun violence, gang influences, overzealous police officers, and overburdened and neglectful bureaucracies.

Immersed in their lives for two years, Kotlowitz brings us this classic rendering of growing up poor in America’s cities. There Are No Children Here was selected by the New York Public Library as one of the 150 most important books of the twentieth century. It was later made into a television movie for ABC, produced by and starring Oprah Winfrey.

Foreword by Elaine Welteroth

In this stunning essay collection inspired by the popular podcast Life, I Swear, prominent Black women reflect on self-love and healing, sharing stories of the trials and tribulations they’ve faced and what has helped them confront pain, heal wounds, and find connection.

With essays by Eniafebiafe Isis Adewale * Lauren Ash * Gabrielle Williams * Lindsey Farrar * Nneke Julia * Elaine Welteroth * Meryanne Loum-Martin * Lili Lopez * Deun Ivory * Morgan Ashley * Dydine Umunyana * Adriana Parrish * Orixa Jones * Offeibea Obubah * Alex Elle * Kalkidan Gebreyohannes * Esther Boykin * Brooke Hall * Qimmah Saafir * Josefina H. Sanders * Julee Wilson * Shay Jiles * Danasia Fantastic

Life, I Swear is a chronicle of transformation and growth by and for modern-day Black women. Some of today’s most influential Black female voices chronicle their private journeys, offering testimonies of living through pain and joy with raw honesty and unapologetic self-love.

In each episode of her podcast, Life, I Swear, diversity and inclusion storyteller Chloe Dulce Louvouezo explores the nuances of our diverse experiences. In one-on-one interviews and personal prose, the podcast centers on personal stories that offer universal insights into topics relevant to modern women’s lives, from identity and family to trauma and motherhood, told through the lens of Black women. A catalyst for change, this revelatory book builds on the premise of the podcast by diving deeper into themes of mental health, identity and resilience. Life, I Swear is sure to spark lively, thought-provoking, and necessary conversations that encourage Black women to return home to themselves through self-examination and grace.

A comprehensive analysis of the key issues of the Black Lives Matter movement, this thought-provoking and compelling anthology features essays by some of the nation’s most influential and respected criminal justice experts and legal scholars.

Contributing authors include Bryan Stevenson, director of the Equal Justice Initiative, NYU Law professor, and author of the New York Times bestseller Just Mercy; Sherrilyn Ifill, president and director-counsel of the NAACP Legal Defense Fund; Jeremy Travis, president of John Jay College of Criminal Justice; and many others.

Policing the Black Man explores and critiques the many ways the criminal justice system impacts the lives of African American boys and men at every stage of the criminal process from arrest through sentencing. Essays range from an explication of the historical roots of racism in the criminal justice system to an examination of modern-day police killings of unarmed black men.

The coauthors discuss and explain racial profiling, the power and discretion of police and prosecutors, the role of implicit bias, the racial impact of police and prosecutorial decisions, the disproportionate imprisonment of black men, the collateral consequences of mass incarceration, and the Supreme Court’s failure to provide meaningful remedies for the injustices in the criminal justice system.

Policing the Black Man is an enlightening listen for anyone interested in the critical issues of race and justice in America.

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America’s foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration.

Murch exposes the devastating consequences of overlapping punishment campaigns against gangs, drugs, and crime on poor and working-class populations of color. Through largely hidden channels, it is these punishment campaigns, Murch says, that generate enormous revenues for the state. Under such difficult conditions, organized resistance to the advancing tide of state violence and incarceration has proved difficult.

This timely and urgent book shows how a youth-led political movement has emerged since the killing of Trayvon Martin that challenges the bipartisan consensus on punishment and looks to the future through a redistributive, queer, and feminist lens. Murch frames the contemporary Black Lives Matter movement in relation to earlier struggles for Black Liberation, while excavating the origins of mass incarceration and the political economy that drives it.

Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party, in which the world’s largest police state has emerged.

When Cassandra Lane finds herself pregnant at thirty-five, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the twentieth-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt’s lynching at the hands of vengeful white men in his southern town.

We Are Bridges turns to creative nonfiction to reclaim a family history from violent erasure so that a mother can gift her child with an ancestral blueprint for their future. Haunting and poetic, this debut traces the strange fruit borne from the roots of personal loss in one Black family–and considers how to take back one’s American story.

In the mid-1990s, residents of Anniston, Alabama, began a legal fight against the agrochemical company Monsanto over the dumping of PCBs in the city’s historically African American and white working-class west side. Simultaneously, Anniston environmentalists sought to safely eliminate chemical weaponry that had been secretly stockpiled near the city during the Cold War. In this probing work, Ellen Griffith Spears offers a compelling narrative of Anniston’s battles for environmental justice, exposing how systemic racial and class inequalities reinforced during the Jim Crow era played out in these intense contemporary social movements.

Spears focuses attention on key figures who shaped Anniston–from Monsanto’s founders to white and African American activists to the ordinary Anniston residents whose lives and health were deeply affected by the town’s military-industrial history and the legacy of racism. Situating the personal struggles and triumphs of Anniston residents within a larger national story of regulatory regimes and legal strategies that have affected toxic towns across America, Spears unflinchingly explores the causes and implications of environmental inequalities, showing how civil rights movement activism undergirded Anniston’s campaigns for redemption and justice.

According to renowned sociology scholar Donna L. Franklin, relationships between American black men and women are in a state of crisis. The schism between black men and women is the result of complex, large-scale societal, economic, and cultural trends, and the African-American legacy of slavery. Franklin asserts that black men and women need to learn how to work to together for the health and maintenance of the family. In What’s Love Got to Do With It? Franklin offers readers a path to healing their own troubled relationships. With narrator Robin Miles incisive reading, this important text breathes with urgency.

Writer John Howard Griffin decided to perform an experiment fifty years ago. In order to learn firsthand how one race could withstand the second class citizenship imposed on it by another, he dyed his white skin dark, left his family, and traveled to the South to live as a black man. What began as scientific research ended up changing his life in every way imaginable.

This is an eyewitness account of discrimination and segregation that is terrifying and degrading, and its publication caused a furor. As narrated by Ray Childs, this first-ever recording of Black like Me will leave each listener deeply affected. John Howard Griffin’s groundbreaking and controversial work helped bring the full effect of racism to the forefront of America’s conscience–and it has lessons to be learned over half a century later.

A conversation starter like Three Women but centering the experiences of women of color: a mellifluous chorus celebrating the liberation, individuality, and joy of African women’s multifaceted sexuality

Thanks to her blog, Adventures from the Bedrooms of African Women, Nana Darkoa Sekyiamah has spent decades talking openly and intimately to African women around the world about sex. For this book she spoke to over thirty African women across the globe while chronicling her own journey toward sexual freedom.

We meet Yami, a pansexual Canadian of Malawian heritage, who describes negotiating the line between family dynamics and sexuality. There’s Esther, a cisgendered hetero woman studying in America by way of Cameroon and Kenya, who talks of how a childhood rape has made her rebellious and estranged from her missionary parents. And Tsitsi, an HIV-positive Zimbabwean woman who is raising a healthy, HIV-free baby.

Across a queer community in Egypt, polyamorous life in Senegal, and a reflection on the intersection of religion and pleasure in Cameroon, Sekyiamah explores the many layers of love and desire, its expression, and how it forms who we are.

In these confessional pages, women control their own bodies and pleasure and assert their sexual power. Capturing the rich tapestry of sex positivity, The Sex Lives of African Women is a singular and subversive book that celebrates the liberation, individuality, and joy of African women’s multifaceted sexuality.

From CSI to Forensic Files to the celebrated reputation of the FBI crime lab, forensic scientists have long been mythologized in American popular culture as infallible crime solvers. Juries put their faith in “expert witnesses” and innocent
people have been executed as a result. Innocent people are still on death row today, condemned by junk science.

In 2012, the Innocence Project began searching for prisoners convicted by junk science, and three men, each convicted of capital murder, became M. Chris Fabricant’s clients. Junk Science and the American Criminal Justice System
chronicles the fights to overturn their wrongful convictions and to end the use of the “science” that destroyed their lives. Weaving together courtroom battles from Mississippi to Texas to New York City and beyond, Fabricant takes the reader on a
journey into the heart of a broken, racist system of justice and the role forensic science plays in maintaining the status quo.

At turns gripping, enraging, illuminating, and moving, Junk Science is a meticulously researched insider’s perspective of the American criminal justice system. Previously untold stories of wrongful executions, corrupt prosecutors, and
quackery masquerading as science animate Fabricant’s true crime narrative.

An incisive, gripping exploration of the forces that pushed our unjust system to its breaking point after the death of George Floyd and a definitive guide to America’s present-day racial reckoning.

At 7:30 a.m. on June 16, 1944, George Junius Stinney Jr. was escorted by four guards to the death chamber. Wearing socks but no shoes, the 14-year-old Black boy walked with his Bible tucked under his arm. The guards strapped his slight, five-foot-one-inch frame into the electric chair. His small size made it difficult to affix the electrode to his right leg and the face mask, which was clearly too large, fell to the floor when the executioner flipped the switch. That day, George Stinney became, and today remains, the youngest person executed in the United States during the twentieth century.

How was it possible, even in Jim Crow South Carolina, for a child to be convicted, sentenced to death, and executed based on circumstantial evidence in a trial that lasted only a few hours? Through extensive archival research and interviews with Stinney’s contemporaries?men and women alive today who still carry distinctive memories of the events that rocked the small town of Alcolu and the entire state?Eli Faber pieces together the chain of events that led to this tragic injustice.

The first book to fully explore the events leading to Stinney’s death, The Child in the Electric Chair offers a compelling narrative with a meticulously researched analysis of the world in which Stinney lived?the era of lynching, segregation, and racist assumptions about Black Americans. Faber explains how a systemically racist system, paired with the personal ambitions of powerful individuals, turned a blind eye to human decency and one of the basic tenets of the American legal system that individuals are innocent until proven guilty.

As society continues to grapple with the legacies of racial injustice, the story of George Stinney remains one that can teach us lessons about our collective past and present. By ably placing the Stinney case into a larger context, Faber reveals how this case is not just a travesty of justice locked in the era of the Jim Crow South but rather one that continues to resonate in our own time.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared
truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.

Without historical understanding of this practice of dispossession–the displacement of Native peoples, the destruction of both the land and land-based communities, ongoing racial division–we are doomed to continue industrialism’s
assault on both the natural world and every sacred American ideal. Berry writes, “To deal with so great a problem, the best idea may not be to go ahead in our present state of unhealth to more disease and more product development. It may
be that our proper first resort should be to history: to see if the truth we need to pursue might be behind us where we have ceased to look.” If there is hope for us, this is it: that we honestly face our past and move into a future guided by the
natural laws of affection. This book furthers Mr. Berry’s part in what is surely our country’s most vital conversation.

Originally published anonymously in 1912, The Autobiography of an Ex-Colored Man revealed as never before the color line dividing America, and the price it exacted on those souls who could traverse the two worlds. The book presents the fictional account of ‘an ex-colored man’ – an African-American who could pass for white – as he attempts to choose which side of the line will better suit his life, and his psyche. Later republished, properly, as the work of James Weldon Johnson, The Autobiography has gone on to become a classic novel of the early twentieth century, and Dreamscape is proud to present this new recording to coincide with the 100th anniversary of this great book.