Blackstone Audio is proud to present the Oregon Shakespeare Festival’s 2013 production of King Lear, Shakespeare’s dark yet brilliant tragedy of madness and betrayal, directed by artistic director Bill Rauch. This stunning work of audio theater, fully dramatized with performances by the OSF cast, is a must-listen.

Ambition is thicker than blood …

King Lear is ready to turn his realm over to his three daughters. His plan is simple: give the biggest piece to the daughter who loves him most. But honeyed words and hubris blind Lear to the true motives of those around him, plunging king and kingdom into a hell of treachery, madness, and unspeakable acts–with consequences that reveal the worst and best in human nature.

Novel by Charles Dickens, published both serially and in book form in 1859. The story is set in the late 18th century against the background of the French Revolution. Although Dickens borrowed from Thomas Carlyle’s history, The French Revolution, for his sprawling tale of London and revolutionary Paris, the novel offers more drama than accuracy. The scenes of large-scale mob violence are especially vivid, if superficial in historical understanding. The complex plot involves Sydney Carton’s sacrifice of his own life on behalf of his friends Charles Darnay and Lucie Manette. While political events drive the story, Dickens takes a decidedly antipolitical tone, lambasting both aristocratic tyranny and revolutionary excess–the latter memorably caricatured in Madame Defarge, who knits beside the guillotine. The book is perhaps best known for its opening lines, “It was the best of times, it was the worst of times,” and for Carton’s last speech, in which he says of his replacing Darnay in a prison cell, “It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known.” — The Merriam-Webster Encyclopedia of Literature

This enduring classic tells of the fantastic voyages of Lemuel Gulliver, an English ship’s surgeon who becomes a castaway in strange and faraway lands. Shipwrecked upon the shores of Lilliput, he encounters the six-inch-high Lilliputians, whose petty wars, civil strife, and vanities are human follies so reduced in scale as to be rendered ridiculous. From there he travels on to Brobdingnag, where he finds himself surrounded by crude giants who cannot appreciate his abstract intellect and prefer to display him as a curiosity. Further voyages take Gulliver to the floating island of Laputa, a land of intellectuals who are ignorant of practical life, and to the Island of Sorcerers, who share with him the lies of history. Finally, he visits the land of the Houyhnhnms, a race of wise and gentle horses served by degenerate humanlike creatures. Gulliver’s travels are entertaining adventures that also offer him new, bitter insights into human behavior. Both an amusing fantasy and a devastating satire of society, Gulliver’s Travels is as witty and relevant in our own age of hypocrisy and irony as it was in Swift’s eighteenth century.

Beneath the surface of this enchanting fantasy lurks a devastating critique of human malevolence, stupidity, greed, vanity, and short-sightedness. A brilliant combination of adventure, humor, and philosophy,Gulliver’s Travelsis one of literature’s most durable masterpieces.