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Sophie’s World Audiobook

Publisher List Price: 32.99 USD

Speechify Price: Coming soon

Written by Jostein Gaarder

Narrated by Simon Vance

Published on March 20, 2007

Audio is 2765 hours

About Sophie’s World:

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder’s Sophie’s World has fired the imagination of readers all over the world, with more than twenty million copies in print.

One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: “Who are you?” and “Where does the world come from?” From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.

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A classic page-turner that explores what it means to live in our modern world, available for the first time as an audiobook

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Jostein Gaarder taught high school philosophy for several years, before publishing a collection of short stories in 1986 and, shortly thereafter, his first two novels, The Solitaire Mystery and Sophie’s World, and several others since then. He lives in Oslo with his family.

Simon Vance has won over twenty five AudioFile Earphones Awards and worked for many years as a BBC Radio presenter. Some of his best-selling and most critically acclaimed audiobooks include Ian Fleming’s Casino Royale, Patrick O’Brian’s Master and Commander series (all 21 titles), Stieg Larsson’s The Girl with the Dragon Tattoo, and Rob Gifford’s China Road (an AudioFile 2007 Book of the Year).

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Discussion Questions

1. The first chapter’s title, “The Garden of Eden,” underscores the concept of beginnings and origins. How did you first respond to the initial two questions, “Who are you?” and “Where does the world come from?” Did your answers change by the time you reached the end of the novel?

2. When Sophie first starts receiving letters from the philosophy teacher, she finds that each one is slightly damp, having “two little holes in it.” Thinking of Sophie’s World as a mystery novel, what other “clues” did you encounter over the course of the book? Were you able to use them to solve any riddles?

3. As Sophie watched the video tape in secret, what was your understanding of how Alberto Knox was able to bring ancient Athens back to life? What distinctions are made in the novel between reality and the surreal? How do such distinctions play out in your own life?

4. How did you react to Aristotle’s views on women? In your opinion, which of the thinkers in Gaarder’s history provided admirable answers to questions about gender? What did you make of the fact that a vast majority of the authorities in the novel are men?

5. In the “Middle Ages” chapter, Alberto says, “We can say that Aquinas christianized Aristotle in the same way that St. Augustine christianized Plato.” What was the result as these great medieval thinkers applied the teachings of Christ to ancient philosophy?

6. “You could say,” Alberto tells Sophie, “that a process started in the Renaissance finally brought people to the moon. Or for that matter to Hiroshima or Chernobyl.” What is this “process”? What is the relationship between philosophy, religion, economics, and science? How much of contemporary life is the result of Renaissance ideals?

7. “Bjerkely” marks the transition from Sophie’s to Hilde’s point of view. Both of the heroines in Sophie’s World are going through phases of rapid physical, intellectual, and emotional development. How do their lives, personalities, and philosophies compare? What makes Berkeley/Bjerkely an appropriate backdrop for putting such dualities in the spotlight?

8. What parallel does Hilde’s father build between the French Enlightenment and the United Nations? How does this parallel compare to the UN analogies in the “Kierkegaard” chapter? In what other ways does philosophy reverberate throughout current international politics?

9. Explain the “red-tinted glasses” experiment employed in the “Kant” chapter. What does Sophie discover about rationalists and empiricists along the way? How do these questions of perspective apply to issues in your own life?

10. In the “Romanticism” chapter, Alberto quotes a character from Henrik Ibsen’s Peer Gynt as saying, “One cannot die in the middle of Act Five.” What is your interpretation of this line? What do the poets and the other philosophers discussed in this chapter say about the nature of life and identity?

11. “In a sense,” Alberto tells Sophie, “Freud demonstrated that there is an artist in everyone.” Is this point of view valid? Compared to other notions proposed throughout the book, were Freud’s the most radical or the most mundane?

12. Discuss the concept of theaters and role-playing as they unfold in the novel. Do you agree with Alberto’s assertion that “the Baroque period gave birth to modern theater”? What were the playwrights involved in the “theater of the absurd” trying to say? How did their motivations compare to those of Shakespeare and his contemporaries?

13. In the “Big Bang” chapter, we find that stargazing is actually a form of time travel. How do these concepts of time shape the novel’s closing scenes?

14. More than once in these pages, the child’s perspective is mentioned as a paradigm for how philosophers should think or perceive. Though they are at an age when they are beginning to leave childhood behind, do Sophie and Hilde possess greater wisdom than their elders?

15. Sophie’s World encompasses numerous time periods, cultures, discoveries, and belief systems. How many of the novel’s terms and references were you already familiar with? Which aspects did you most want to research further?

16. Ultimately, what is a “philosophical project”? Does reading a novel—or any book—constitute a philosophical project? Does language limit or spur philosophical exercise? Can philosophy be learned?

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“Extraordinary…read it for yourself.” —Newsweek

“A simply wonderful, irresistible book…a cross between Bertrand Russell’s History of Western Philosophy and Alice in Wonderland.” —Daily Telegraph

Sophie’s World is sheer delight. How I wish I’d had it during my college freshman survey of philosophy!” —Madeleine L’Engle

Sophie’s World was published on March 20, 2007.

The Sophie’s World Audiobook is 2765 hours. Speechify has the Unabridged edition version of the audiobook.

Both the publication language and the narration language are in English.

Speechify, the World's Audiobook App

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20M+ downloads | 150K+ 5-stars reviews
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Subjects in Sophie’s World

Sophie’s World includes the following subjects: World Literature / Norway. The BISAC Subject Code is Fiction, Literary.

About the Author(s) of Sophie’s World

The author of Sophie’s World is Jostein Gaarder. Jostein Gaarder is the author of Sophie’s World, an international bestseller that has been translated into more than 50 languages. There are over 30 million copies in print. He was born in Oslo, Norway, in 1952. He taught high-school philosophy for several years before publishing a collection of short stories in 1986 and, shortly thereafter, his first two novels, The Solitaire Mystery and Sophie’s World, and several others since then. He lives in Oslo with his family.

About the Narrator of Sophie’s World Audiobook

The narrator for the Sophie’s World Audiobook is Simon Vance.

Sophie’s World Audiobook Additional Info

The imprint is Macmillan Audio. It is supplied by MPS. The ISBN-10 is 1427200866. The ISBN-13 is 9781427200860.

Global Availability of Sophie’s World Audiobook

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