A masterful collection of stories that plumb the depths of everyday life to reveal the shifting tides and hidden undercurrents of ordinary relationships — Tessa Hadley is “one of the greatest stylists alive” (Ron Charles, Washington Post).

“Hadley is pure magic and After the Funeral is a triumph.”—Lily King, New York Times best-selling author of Writers & Lovers and Euphoria

In each of these twelve stories, small events have huge consequences. Heloise’s father died in a car crash when she was a little girl; at a dinner party in her forties, she meets someone connected to that long-ago tragedy. Two estranged sisters cross paths at a posh hotel and pretend not to recognize each other. Janie’s bohemian mother plans to marry a man close to Janie’s own age—everything changes when an accident interrupts the wedding party. A daughter caring for her elderly mother during the pandemic becomes obsessed with the woman next door; in the wake of his best friend’s death, a man must reassess his affair with the friend’s wife. Cecilia, a teenager, wakes one morning in Florence on vacation with her parents and sees them for the first time through disenchanted eyes.

As psychologically astute as they are emotionally rich, these stories illuminate the enduring conflicts between responsibility and freedom, power and desire, convention and subversion, reality and dreams. A vital addition to Tessa Hadley’s celebrated body of work, After the Funeral and Other Stories showcases what Colm Tóibín describes as “Tessa Hadley’s extraordinary skill at making both surface life and deep interiors come fully alive.”

The award-winning author of The Past once again “crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural” (Washington Post), in a collection of stories that elevate the mundane into the exceptional.

The author of six critically acclaimed novels, Tessa Hadley has proven herself to be the champion of revealing the hidden depths in the deceptively simple. In these short stories it’s the ordinary things that turn out to be most extraordinary: the history of a length of fabric or a forgotten jacket.

Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, made strange by the darkness; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: each of these stories illuminate crucial moments of transition, often imperceptible to the protagonists.

A girl accepts a lift in a car with some older boys; a young woman reads the diaries she discovers while housesitting. Small acts have large consequences, some that can reverberate across decades; private fantasies can affect other people, for better and worse. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.

Bad Dreams and Other Stories demonstrates yet again that Tessa Hadley “puts on paper a consciousness so visceral, so fully realized, it heightens and expands your own. She is a true master” (Lily King, author of Euphoria).

Like Alice Munro and Colm Toibin, Tessa Hadley brilliantly captures the beauty, innocence, and irony of ordinary lives-an ability to transform the mundane into the sublime that elevates domestic fiction to literary art.
Written with the celebrated precision, intensity, and complexity that have marked her previous works, Clever Girl is a powerful exploration of family relationships and class in modern life, witnessed through the experiences of an English woman named Stella. Unfolding in a series of snapshots, Tessa Hadley’s moving novel follows Stella from the shallows of childhood, growing up with a single mother in a Bristol bedsit in the 1960s, into the murky waters of middle age.
Clever Girl is a story vivid in its immediacy and rich in drama-violent deaths, failed affairs, broken dreams, missed chances. Yet it is Hadley’s observations of everyday life, her keen skill at capturing the ways men and women think and feel and relate to one another, that dazzles.

“Tessa Hadley recruits admirers with each book. She writes with authority, and with delicacy: she explores nuance, but speaks plainly; she is one of those writers a reader trusts.”–Hilary Mantel

From the bestselling author of Late in the Day and The Past comes a compulsive new novel about one woman’s sexual and intellectual awakening in 1960s London.

1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their children are Colette, a bookish teenager, and Hugh, the golden boy.

But when the twenty-something son of an old friend pays the Fischers a visit one hot summer evening, and kisses Phyllis in the dark garden after dinner, something in her catches fire. Newly awake to the world, Phyllis makes a choice that defies all expectations of her as a wife and a mother. Nothing in these ordinary lives is so ordinary after all, it turns out, as the family’s upheaval mirrors the dramatic transformation of the society around them.

With scalpel-sharp insight, Tessa Hadley explores her characters’ inner worlds, laying bare their fears and longings. Daring and sensual, Free Love is an irresistible exploration of romantic love, sexual freedom and living out the truest and most meaningful version of our selves – a novel that showcases Hadley’s unrivaled ability to “put on paper a consciousness so visceral, so fully realized, it heightens and expands your own” (Lily King, author of Euphoria).

The lives of two close-knit couples are irrevocably changed by an untimely death in the latest from Tessa Hadley, the acclaimed novelist and short story master who “recruits admirers with each book” (Hilary Mantel).

Alexandr and Christine and Zachary and Lydia have been friends since they first met in their twenties. Thirty years later, Alex and Christine are spending a leisurely summer’s evening at home when they receive a call from a distraught Lydia: she is at the hospital. Zach is dead.

In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach, with his generous, grounded spirit, was the irreplaceable one they couldn’t afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness.

Late in the Day explores the complex webs at the center of our most intimate relationships, to expose how, beneath the seemingly dependable arrangements we make for our lives, lie infinite alternate configurations. Ingeniously moving between past and present and through the intricacies of her characters’ thoughts and interactions, Tessa Hadley once again “crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural” (Washington Post).

The “supremely perceptive writer of formidable skill and intelligence (New York Times Book Review) turns her astute eye to a dramatic family reunion, where simmering tensions and secrets come to a head over three long, hot summer weeks.

“Deliciously precise. . . . Built in a Chekhovian manner, handily assembling the grown members of an extended family and their offspring under one roof.”–New York Times Book Review

Winner of the Windham Campbell Prize * A Washington Post Best Book of the Year * A Time Best Book of the Year * A San Francisco Chronicle Top 10 Book of the Year * A Huffington Post Best Fiction Book of the Year * A New York Times Editors’ Choice

Three sisters and a brother, complete with children, a new wife, and an ex-boyfriend’s son, descend on their grandparents’ dilapidated old home in the Somerset countryside for a final summer holiday. The house is full of memories of their childhood and their past–their mother took them there to live when she left their father–but now, they may have to sell it. And beneath the idyllic pastoral surface lie tensions. As the family’s stories and silences intertwine over the course of three long, hot weeks, small disturbances build into familial crises, and a way of life–bourgeois, literate, ritualized, Anglican–winds down to its inevitable end.

Three sisters, a brother, and their children assemble at their country house one last time before it is sold. The house is filled with memories of their shared past yet beneath the idyllic surface, hidden passions, devastating secrets, and dangerous hostilities threaten to consume them. Sophisticated and sleek, Roland’s new wife arouses his sister’ jealousies. Passion erupts where it’s least expected, shattering the quiet self-possession of Harriet, the eldest sister. Over the course of this summer holiday, the family’s stories and silences intertwine, small disturbances build into familial crises, and a way of life-bourgeois, literate, ritualized, Anglican–winds down to its inevitable end.