Richard Wright’s powerful and unforgettable memoir of his journey from innocence to experience in the Jim Crow South. At once an unashamed confession and a profound indictment, Black Boy is a poignant record of struggle and endurance–a seminal literary work that illuminates our own time.

When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.”

The once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him–whites indifferent, pitying, or cruel, and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he made his way north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate.

“If one had to identify the single most influential shaping force in modern Black literary history, one would probably have to point to Wright and the publication of Native Son.” – Henry Louis Gates Jr.

Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic.

Set in Chicago in the 1930s, Richard Wright’s powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.

New York Times Bestseller * One of the Best Books of the Year by Time magazine, the Chicago Tribune, the Boston Globe, and Esquire, and one of Oprah’s 15 Favorite Books of the Year

Read by actor Ethan Herisse

From the legendary author of Native Son and Black Boy, the novel he was unable to publish during his lifetime–an explosive story of racism, injustice, brutality, and survival. “Not just Wright’s masterwork, but also a milestone in African American literature . . . One of those indispensable works that reminds all its readers that, whether we are in the flow of life or somehow separated from it, above- or belowground, we are all human.” (Gene Seymour, CNN.com)

“The Man Who Lived Underground reminds us that any ‘greatest writers of the 20th century’ list that doesn’t start and end with Richard Wright is laughable. It might very well be Wright’s most brilliantly crafted, and ominously foretelling, book.”–Kiese Laymon

Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system.

This is the devastating premise of Richard Wright’s scorching novel, The Man Who Lived Underground, written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers. Now, for the first time, by special arrangement between the Library of America and the author’s estate, the full text of the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”) is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

From Richard Wright, one of the most powerful, acclaimed, and essential American authors of the twentieth century, comes a compelling story of one man’s attempt to escape his past and start anew in Harlem.

Cross Damon is a man at odds with society and with himself–a man of superior intellect who hungers for peace but who brings terror and destruction wherever he goes. The Outsider is an important work of fiction that depicts American racism and its devastating consequences in raw and unflinching terms. Brilliantly imagined and frighteningly prescient, it is an epic exploration of the tragic roots of criminal behavior.

“A formidable and lasting contribution to American literature.” —Chicago Tribune

Originally published in 1938, Uncle Tom’s Children, a collection of novellas, was the first book from Richard Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. The author of numerous works of fiction and nonfiction, most notably the acclaimed novel Native Son and his stunning autobiography, Black Boy, Wright stands today as one of the greatest American writers of the twentieth century.

Set in the American Deep South, each of the powerful and devastating stories in Uncle Tom’s Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. The collection also includes a personal essay by Wright titled “The Ethics of Living Jim Crow.”