For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve’s death. As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died.

While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him, since Detroit sure didn’t. Evie, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm.

And then a local girl disappears, catapulting the family headlong into a dead man’s curve.

On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt’s clothes; a boy hefts his father’s rifle in search of a target; a mother realizes she no longer knows how to protect her children. It is a place where people learn that sometimes killing is the kindest way.

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“This electrifying novel…[is] a gripping mystery with a timely, unnerving message—you won’t be able to look away.”
—People, “Book of the Week”

In the spellbinding and suspenseful Let Me Die in His Footsteps, Edgar Award-winner Lori Roy wrests from a southern town the secrets of two families touched by an evil that has passed between generations.

On a dark Kentucky night in 1952 exactly halfway between her fifteenth and sixteenth birthdays, Annie Holleran crosses into forbidden territory. Everyone knows Hollerans don’t go near Baines–not since Joseph Carl was buried two decades before–but, armed with a silver-handled flashlight, Annie runs through her family’s lavender fields toward the well on the Baines’ place. At the stroke of midnight, she gazes into the water in search of her future. Not finding what she had hoped for, she turns from the well and when the body she sees there in the moonlight is discovered come morning, Annie will have much to explain and a past to account for.

It was 1936, and there were seven Baine boys. That year, Annie’s aunt, Juna Crowley, with her black eyes and her long blond hair, came of age. Before Juna, Joseph Carl had been the best of all the Baine brothers. But then he looked into Juna’s eyes and they made him do things that cost innocent people their lives. Sheriff Irlene Fulkerson saw justice served–or did she?

As the lavender harvest approaches and she comes of age as Aunt Juna did in her own time, Annie’s dread mounts. Juna will come home now, to finish what she started. If Annie is to save herself, her family, and this small Kentucky town, she must prepare for Juna’s return, and the revelation of what really happened all those years ago.

Milwaukee Journal Sentinel‘s Best Books of 2018

Two-time Edgar Award-winning author Lori Roy spins a twisted, atmospheric tale about a small Southern town where girls disappear and boys run away.

When Lane Fielding fled her isolated Florida hometown after high school for the anonymity of New York City, she swore she’d never return. But twenty years later, newly divorced and with two daughters in tow, she finds herself tending bar at the local dive and living with her parents on the historic Fielding Plantation. Here, the past haunts her and the sinister crimes of her father–the former director of an infamous boys’ school–make her as unwelcome in town as she was the day she left.

Ostracized by the people she was taught to trust, Lane’s unsteady truce with the town is rattled when her older daughter suddenly vanishes. Ten days earlier, a college student went missing, and the two disappearances at first ignite fears that a serial killer who once preyed upon the town has returned. But when Lane’s younger daughter admits to having made a new and unseemly friend, a desperate Lane attacks her hometown’s façade to discover whether her daughter’s disappearance is payback for her father’s crimes–or for her own.

With reporters descending upon the town, police combing through the swamp, and events taking increasingly disturbing turns, Lane fears she faces too many enemies and too little time to bring her daughter safely home. Powerful and heart-pounding, The Disappearing questions the endurance of family bonds, the dangers of dark rumors and small town gossip, and how sometimes home is the scariest place of all.

Winner of an Edgar Award for Best First Novel for Bent Road, Lori Roy returns with Until She Comes Home, a tale of spellbinding suspense in which murder crumbles the fa+oade of a changing Detroit neighborhood.

In 1958 Detroit, neighbors on Alder Avenue struggle to care for one another amid a city rife with conflicts that threaten their peaceful street.

Grace, Alder’s only expectant mother, eagerly awaits her firstborn; her best friend Julia prepares to welcome twin nieces; and Malina sets the tone with her stylish dresses, tasteful home, and ironfisted stewardship of St. Alban’s bake sale.

Life erupts when childlike Elizabeth disappears while in the care of Grace and Julia. All the ladies fear that the recent murder of a black woman at the factory on Willingham Avenue where their husbands work may portend what has become of Elizabeth. They also fear what will become of Julia–the last person to see Elizabeth alive.

The men mount an around-the-clock search, leaving their families vulnerable to sinister elements hidden in plain sight. Only Grace knows what happened, but her mother warns her not to tell. “No man wants to know this about his wife.” Ashamed that her silence puts loved ones in harm’s way, Grace gravitates toward the women of Willingham Avenue, who recognize her suffering as their own. Through their acceptance, Grace conquers her fear and dares to act.

On Alder Avenue, vicious secrets bind friends, neighbors, and spouses. For the wicked among them, the walk home will be long.