A provocative and “dizzying satire” (The New Yorker) that “boldly turns history on its head” (Elle) from the Man Booker Prize winning author of Girl, Woman, Other.

What if the history of the transatlantic slave trade had been reversed and Africans had enslaved Europeans? How would that have changed the ways that people justified their inhuman behavior? How would it inform our cultural attitudes and the insidious racism that still lingers today? We see this tragicomic world turned upside down through the eyes of Doris, an Englishwoman enslaved and taken to the New World, movingly recounting experiences of tremendous hardship and the dreams of the people she has left behind, all while journeying toward an escape into freedom.

A poignant and dramatic story grounded in provocative ideas, Blonde Roots is a genuinely original, profoundly imaginative novel.

From one of Britain’s most celebrated writers of color comes a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women.

Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain’s colonial history in Africa and the Caribbean.

The twelve central characters of this multivoiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a ninety-three-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.

Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

From the bestselling and Booker Prize-winning author of Girl, Woman, Other, Bernardine Evaristo’s memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism

Bernardine Evaristo’s 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers.

Evaristo’s astonishing nonfiction debut, Manifesto, is a vibrant and inspirational account of Evaristo’s life and career as she rebelled against the mainstream and fought over several decades to bring her creative work into the world. With her characteristic humor, Evaristo describes her childhood as one of eight siblings, with a Nigerian father and white Catholic mother; tells the story of how she helped set up Britain’s first Black women’s theater company; remembers the queer relationships of her twenties; and recounts her determination to write books that were absent in the literary world around her. She provides a hugely powerful perspective to contemporary conversations around race, class, feminism, sexuality, and aging. She reminds us of how far we have come, and how far we still have to go. In Manifesto, Evaristo charts her theory of unstoppability, showing creative people how they too can visualize and find success in their work, ignoring the naysayers.

Both unconventional memoir and inspirational text, Manifesto is a unique reminder to us all to persist in doing work we believe in, even when we might feel overlooked or discounted. Evaristo shows us how we too can follow in her footsteps, from first vision, to insistent perseverance, to eventual triumph.

Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he’s lived in Hackney, London, for years. A flamboyant character with a fondness for William Shakespeare, Barrington is a husband, father, grandfather–and also secretly gay.

His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away?

With an abundance of laugh-out-loud humor and wit, Mr. Loverman explodes cultural myths and shows the extent of what can happen when people fear the consequences of being true to themselves.

Stanley Williams, angst-ridden banker and boffin, wonders whether there’s more to life than his daily nine-to-five grind. One night he’s dragged to a disco at Piccadilly Circus and there he meets Jessie: artiste, motormouth, ducker, and diver. She swoops Stanley out of his soulless life and off on a rollercoaster road trip across Europe, bringing him face to face with a host of forgotten luminaries from the rich mix of black European history and literature.
Contains mature themes.

Bernardine Evaristo’s tale of forbidden love in bustling third-century London is an intoxicating cocktail of poetry, history, and fiction. Feisty, precocious Zuleika, a restless teenage bride of a rich Roman businessman, craves passion and excitement. She wanders through his villa, bored, or sneaks out to see her old friends, seeking an outlet for her creativity. Then she begins an affair with the emperor, Septimus Severus, remembered to history as the “African Emperor,” and she knows her life will never be the same. Streetwise, seductive, and lyrical, The Emperor’s Babe is a “glittering fiction” with a “heroine of ancient times for the modern age” (the Times).
Contains mature themes.