“Narrator Eboni Flowers creates the perfect voice for the charismatic Naema in this thoughtful story meshing magic and media.” — AudioFile Magazine

THE LATEST NOVEL FROM YA SENSATION BETHANY C. MORROW

Meet Naema Bradshaw: a beautiful Eloko, once Portland-famous, now infamous, as she navigates a personal and public reckoning where confronting the limits of her privilege will show Naema what her magic really is, and who it makes her.

Teen influencer Naema Bradshaw has it all: she’s famous, stylish, gorgeous–and she’s an Eloko, a charismatic person gifted with a melody that people adore. Everyone loves her–until she’s cast as the villain who exposed a Siren to the whole world.

Dragged by the media, and canceled by her fans, no one understands her side: not her boyfriend, not her friends, not even her fellow Eloko. Villified by those closest to her, Naema heads to the Southwest where she is determined to stage a comeback… to her family, her real self, and the truth about her magic. What she finds is a new community in a flourishing group of online fans who support her.

At first, it feels like it used to–the fandom, the adoration, the community that takes her side–but when her online advocates start targeting other Black girls, Naema will realize that–for Black girls like her–even the privilege of fame has its limits. And only Naema can discover the true purpose of her power, and how to use it.

“A watery and melodic crossroads of the real and the mythic, A Chorus Rises lures readers with its seductive and beautifully Black siren song. An enthralling tale of Black girl magic and searing social commentary ready to rattle the bones.” —Dhonielle Clayton, New York Times bestselling author of The Belles series

A Chorus Rises is a timely confrontation of the evolving nature of popularity in a society that chooses “exceptions” and rewards “model minorities.”

A Macmillan Audio production from Tor Teen

Bethany C. Morrow’s A Song Below Water is the story for today’s listeners — a captivating modern fantasy about black mermaids, friendship, and self-discovery set against the challenges of today’s racism and sexism.

In a society determined to keep her under lock and key, Tavia must hide her siren powers.

Meanwhile, Effie is fighting her own family struggles, pitted against literal demons from her past. Together, these best friends must navigate through the perils of high school’s junior year.

But everything changes in the aftermath of a siren murder trial that rocks the nation, and Tavia accidentally lets out her magical voice at the worst possible moment.

Soon, nothing in Portland, Oregon, seems safe. To save themselves from drowning, it’s only Tavia and Effie’s unbreakable sisterhood that proves to be the strongest magic of all.

A Macmillan Audio production from Tor Teen

“An enthralling tale of black girl magic and searing social commentary ready to rattle the bones.” — Dhonielle Clayton, New York Times bestselling author of The Belles

Named a Most Anticipated Book of 2022 by PopSugar, Ms. magazine, Medium, Book Riot, BookPage, CrimeReads, Tor Nightfire, Bookshop, Book Talk, BiblioLifestyle, and more! 

From bestselling author Bethany C. Morrow comes a new adult social horror novel in the vein of Get Out meets My Sister, the Serial Killer, about Farrah, a young, calculating Black girl who manipulates her way into the lives of her Black best friend’s white, wealthy, adoptive family but soon suspects she may not be the only one with ulterior motives. . . .

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a white, wealthy family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she’s convinced she’s always had over her life by staying with Cherish, the only person she loves—even when she hates her.

As troubled Farrah manipulates her way further into the Whitman family, the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them—if they didn’t think something was wrong with Farrah, too. When strange things start happening at the Whitman household—debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish’s hotheaded boyfriend, and a mysterious journal that seems to keep track of what is happening to Farrah—it’s nothing she can’t handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it’s anyone’s guess who is really in control.

Told in Farrah’s chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.

Mem is a rare novel, a small book carrying very big ideas, the kind of story that stays with you long after you’ve finished reading it.

Set in the glittering art deco world of a century ago, Mem makes one slight alteration to history: a scientist in Montreal discovers a method allowing people to have their memories extracted from their minds, whole and complete. The Mems exist as mirror-images of their source–zombie-like creatures destined to experience that singular memory over and over, until they expire in the cavernous Vault where they are kept.

And then there is Dolores Extract #1, the first Mem capable of creating her own memories. An ageless beauty shrouded in mystery, she is allowed to live on her own, and create her own existence, until one day she is summoned back to the Vault. What happens next is a gorgeously rendered, heart-breaking novel in the vein of Kazuo Ishiguro’s Never Let Me Go.

Debut novelist Bethany Morrow has created an allegory for our own time, exploring profound questions of ownership and how they relate to identity, memory, and history, all in the shadows of Montreal’s now forgotten slave trade.

This program includes an author’s note read by the author.

North Carolina, 1863. As the American Civil War rages on, the Freedpeople’s Colony of Roanoke Island is blossoming, a haven for the recently emancipated. Black people have begun building a community of their own, a refuge from the shadow of the “old life.” It is where the March family has finally been able to safely put down roots with four young daughters:

Meg, a teacher who longs to find love and start a family of her own.

Jo, a writer whose words are too powerful to be contained.

Beth, a talented seamstress searching for a higher purpose.

Amy, a dancer eager to explore life outside her family’s home.

As the four March sisters come into their own as independent young women, they will face first love, health struggles, heartbreak, and new horizons. But they will face it all together.

A Macmillan Young Listeners Production from Feiwel & Friends

Praise for So Many Beginnings: A Little Women Remix

“Morrow’s ability to take the lingering stain of slavery on American history and use it as a catalyst for unbreakable love and resilience is flawless. That she has remixed a canonical text to do so only further illuminates the need to critically question who holds the pen in telling our nation’s story.” —Booklist, starred review

“Bethany C. Morrow’s prose is a sharpened blade in a practiced hand, cutting to the core of our nation’s history. … A devastatingly precise reimagining and a joyful celebration of sisterhood. A narrative about four young women who unreservedly deserve the world, and a balm for wounds to Black lives and liberty.” –Tracy Deonn, New York Times-bestselling author of Legendborn

“A tender and beautiful retelling that will make you fall in love with the foursome all over again.” –Tiffany D. Jackson, New York Times-bestselling author of White Smoke and Grown