The New York Times bestseller, now available in paperback–“Half memoir, half polemic, and entirely necessary,” (Elle UK) Caitlin Moran’s debut–an instant runaway bestseller in the UK–puts a new face on feminism, cutting to the heart of issues with an irreverent, transcendent, and hilarious touch.

“Caitlin Moran is the profane, witty and wonky best friend I wish I had. She’s the feminist rock star we need right now.”
–Ayelet Waldman, author of Bad Mother

“Caitlin Moran is so fabulous, so funny, so freshly feminist. I don’t want to be like her–I want to be her.”
–Peggy Orenstein, author of Cinderella Ate My Daughter

Caitlin Moran puts a new face on feminism, cutting to the heart of women’s issues today with her irreverent, transcendent, and hilarious How to Be a Woman. “Half memoir, half polemic, and entirely necessary,” (Elle UK), Moran’s debut was an instant runaway bestseller in England as well as an Amazon UK Top Ten book of the year; still riding high on bestseller lists months after publication, it is a bona fide cultural phenomenon. Now poised to take American womanhood by storm, here is a book that Vanity Fair calls “the U.K. version of Tina Fey’s Bossypants….You will laugh out loud, wince, and–in my case–feel proud to be the same gender as the author.”

A hilarious, heartfelt sequel to How to Build a Girl, the breakout novel from feminist sensation Caitlin Moran who the New York Times called, “rowdy and fearless . . . sloppy, big-hearted and alive in all the right ways.”

You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters–but you’re not doing anything together. You live in different countries.

Johanna Morrigan (AKA Dolly Wilde) has it all: at eighteen, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new BritPop scene. Suddenly John exists on another plane of reality: that of the Famouses.

Never one to sit on the sidelines, Johanna hatches a plan: she will Saint Paul his Corinthians, she will Jimmy his Pinocchio–she will write a monthly column, by way of a manual to the famous, analyzing fame, its power, its dangers, and its amusing aspects. In stories, girls never win the girl–they are won. Well, Johanna will re-write the stories, and win John, through her writing.

But as Johanna’s own star rises, an unpleasant one-night stand she had with a stand-up comedian, Jerry Sharp, comes back to haunt in her in a series of unfortunate consequences. How can a girl deal with public sexual shaming? Especially when her new friend, the up-and-coming feminist rock icon Suzanne Banks, is Jimmy Cricketing her?

For anyone who has been a girl or known one, who has admired fame or judged it, and above all anyone who loves to laugh till their sides ache, How to Be Famous is a big-hearted, hilarious tale of fame and fortune-and all they entail.

Now a major motion picture starring Beanie Feldstein!

The New York Times bestselling author hailed as “the UK’s answer to Tina Fey, Chelsea Handler, and Lena Dunham all rolled into one” (Marie Claire) makes her fiction debut with a hilarious yet deeply moving coming of age novel.

What do you do in your teenage years when you realize what your parents taught you wasn’t enough? You must go out and find books and poetry and pop songs and bad heroes–and build yourself.

It’s 1990. Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde–fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer–like Jo in Little Women, or the Brontes–but without the dying young bit.

By sixteen, she’s smoking cigarettes, getting drunk and working for a music paper. She’s writing pornographic letters to rock-stars, having all the kinds of sex with all kinds of men, and eviscerating bands in reviews of 600 words or less.

But what happens when Johanna realizes she’s built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks, enough to build a girl after all?

Imagine The Bell Jar written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.

From the New York Times bestselling author of How to Be a Woman and Moranthology comes a collection of Caitlin Moran’s award-winning London Times columns that takes a clever, hilarious look at celebrities, society, and the wacky world we live in today–including three major new pieces exclusive to this book.

When Caitlin Moran sat down to choose her favorite pieces for her new book, she realized that they all shared a common theme–the same old problems and the same old ass-hats. Then she thought of the word ‘Moranifesto’, and she knew what she had to do…

Introducing every piece and weaving her writing together into a brilliant, seamless narrative–just as she did in Moranthology–Caitlin combines the best of her recent columns with lots of new writing unique to this book as she offers a characteristically fun and witty look at the news, celebrity culture, and society. Featuring strong and important pieces on poverty, the media, and class, Moranifesto also focuses on how socially engaged we’ve become as a society.

And of course, Caitlin is never afraid to address the big issues, such as Benedict Cumberbatch and duffel coats. Who else but Caitlin Moran–a true modern Renaissance woman–could deal with topics as pressing and diverse as the beauty of musicals, affordable housing, Daft Punk, and why the Internet is like a drunken toddler?

Covering everything from Hillary Clinton to UTIs, Caitlin’s manifesto is an engaging and mischievous rallying call for our times.

The follow-up to Caitlin Moran’s breakout hit, How to Be a Woman-A hilarious collection of award-winning columns, available to American listeners for the first time ever.
Possibly the only drawback to the bestselling How to Be a Woman was that its author, Caitlin Moran, was limited to pretty much one subject: being a woman. Moranthology is proof that Caitlin can actually be “quite chatty” about many other things, including cultural, social, and political issues that are usually the province of learned professors or hot-shot wonks-and not of a woman who once, as an experiment, put a wasp in a jar and got it stoned. Caitlin ruminates on-and sometimes interviews-subjects as varied as caffeine, Keith Richards, Ghostbusters, Twitter, transsexuals, the welfare state, the royal wedding, Lady Gaga, and her own mortality, to name just a few. With her unique voice, Caitlin brings insight and humor to everything she writes.
Contains mature themes.

The author of the international bestseller How to Be a Woman returns with another “hilarious neo-feminist manifesto” (NPR) in which she reflects on parenting, middle-age, marriage, existential crises–and, of course, feminism.

A decade ago, Caitlin Moran burst onto the scene with her instant bestseller, How to Be a Woman, a hilarious and resonant take on feminism, the patriarchy, and all things womanhood. Moran’s seminal book followed her from her terrible 13th birthday through adolescence, the workplace, strip-clubs, love, and beyond–and is considered the inaugural work of the irreverent confessional feminist memoir genre that continues to occupy a major place in the cultural landscape.

Since that publication, it’s been a glorious ten years for young women: Barack Obama loves Fleabag, and Dior make “FEMINIST” t-shirts. However, middle-aged women still have some nagging, unanswered questions: Can feminists have Botox? Why isn’t there such a thing as “Mum Bod”? Why do hangovers suddenly hurt so much? Is the camel-toe the new erogenous zone? Why do all your clothes suddenly hate you? Has feminism gone too far? Will your To Do List ever end? And WHO’S LOOKING AFTER THE CHILDREN?

As timely as it is hysterically funny, this memoir/manifesto will have readers laughing out loud, blinking back tears, and redefining their views on feminism and the patriarchy. More Than a Woman is a brutally honest, scathingly funny, and absolutely necessary take on the life of the modern woman–and one that only Caitlin Moran can provide.