Chris Hedges’s profound and provocative examination of America in crisis is “an exceedingly…provocative book, certain to arouse controversy, but offering a point of view that needs to be heard” (Booklist), about how bitter hopelessness and malaise have resulted in a culture of sadism and hate.

America, says Pulitzer Prize-winning reporter Chris Hedges, is convulsed by an array of pathologies that have arisen out of profound hopelessness, a bitter despair, and a civil society that has ceased to function. The opioid crisis; the retreat into gambling to cope with economic distress; the pornification of culture; the rise of magical thinking; the celebration of sadism, hate, and plagues of suicides are the physical manifestations of a society that is being ravaged by corporate pillage and a failed democracy. As our society unravels, we also face global upheaval caused by catastrophic climate change. All these ills presage a frightening reconfiguration of the nation and the planet.

Donald Trump rode this disenchantment to power. In his “forceful and direct” (Publishers Weekly) America: The Farewell Tour, Hedges argues that neither political party, now captured by corporate power, addresses the systemic problem. Until our corporate coup d’etat is reversed these diseases will grow and ravage the country. “With a trademark blend of…sharply observed detail, Hedges writes a requiem for the American dream” (Kirkus Reviews) and seeks to jolt us out of our complacency while there is still time.

Twenty-five years ago, when Pat Robertson and other radio and televangelists first spoke of the United States becoming a Christian nation that would build a global Christian empire, it was hard to take such hyperbolic rhetoric seriously. Today, such language no longer sounds like hyperbole but poses, instead, a very real threat to our freedom and our way of life. In American Fascists, veteran journalist Chris Hedges challenges the Christian Right’s religious legitimacy and argues that at its core it is a mass movement fueled by unbridled nationalism and a hatred for the open society.
Hedges, who grew up in rural parishes in upstate New York where his father was a Presbyterian pastor, attacks the movement as someone steeped in the Bible and Christian tradition. He points to the hundreds of senators and members of Congress who have earned between 80 and 100 percent approval ratings from the three most influential Christian Right advocacy groups as one of many signs that the movement is burrowing deep inside the American government to subvert it. The movement’s call to dismantle the wall between church and state and the intolerance it preaches against all who do not conform to its warped vision of a Christian America are pumped into tens of millions of American homes through Christian television and radio stations, as well as reinforced through the curriculum in Christian schools. The movement’s yearning for apocalyptic violence and its assault on dispassionate, intellectual inquiry are laying the foundation for a new, frightening America.
American Fascists, which includes interviews and coverage of events such as pro-life rallies and week-long classes on conversion techniques, examines the movement’s origins, its driving motivations, and its dark ideological underpinnings. Hedges argues that the movement currently resembles the young fascist movements in Italy and Germany in the 1920s and 1930s, movements that often masked the full extent of their drive for totalitarianism and that were willing to make concessions until they achieved unrivaled power. The Christian Right, like these early fascist movements, does not openly call for dictatorship, nor does it use physical violence to suppress opposition-in short, the movement is not yet revolutionary. But the ideological architecture of a Christian fascism is being cemented in place. The movement has roused its followers to a fever pitch of despair and fury. All it will take, Hedges writes, is one more national crisis on the order of September 11 for the Christian Right to make a concerted drive to destroy American democracy. The movement awaits a crisis. At that moment they will reveal themselves for what they truly are-the American heirs to fascism. Hedges issues a potent, impassioned warning: We face an imminent threat. His book reminds us of the dangers liberal, democratic societies face when they tolerate the intolerant.

The liberal class plays a vital role in a democracy, and posits itself as the conscience of the nation. It permits us to define ourselves as a good and noble people. Most importantly, the liberal class offers a safety valve for popular frustrations and discontentment by discrediting those who talk of profound structural change. Once this class loses its role, then democracy breaks down and the liberal class becomes an object of ridicule and hatred. The Death of the Liberal Class examines the failure of the liberal class to confront the rise of the corporate state and the consequences of a bankrupt liberalism, making the liberal class irrelevant to society at large and ultimately the corporate power elite they once served.

We now live in two Americas. One-now the minority-functions in a print-based, literate world that can cope with complexity and can separate illusion from truth. The other-the majority-is retreating from a reality-based world into one of false certainty and magic. To this majority-which crosses social class lines, though the poor are overwhelmingly affected-presidential debate and political rhetoric is pitched at a sixth-grade reading level. In this “other America,” serious film and theater, as well as newspapers and books, are being pushed to the margins of society.
In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Pulitzer Prize winner Chris Hedges navigates this culture-attending WWF contests, the Adult Video News Awards in Las Vegas, and Ivy League graduation ceremonies-to expose an age of terrifying decline and heightened self-delusion.

The New York Times bestselling author, Chris Hedges, speaks out against those who attack religion to advance their own agenda: global capitalism, intolerance, and imperial projects.
There are two radical and dangerous sides to the debate on faith and religion in America: Christian fundamentalists, who see religious faith as their exclusive prerogative, and New Atheists, who brand all religious belief as irrational. Too often, the religious majority-those committed to tolerance and compassion as well as their faith-are caught in the middle.
Chris Hedges critiques the mindset that rages against religion and faith. He accuses the New Atheists-led by Sam Harris, Richard Dawkins, and Christopher Hitchens-of promoting a belief system that is not, as they claim, based on reason and science, but on a simplified worldview of us vs. them, intolerance toward behaviors that are not understood, and the false myths of human progress and moral superiority. Ultimately, he makes way for new, moderate voices to join the debate. A timely, compelling work for anyone who wants to understand the true state of the battle about faith today.

A powerfully moving book that “could make graspable why today’s prisons are contemporary slave plantations” (Alice Walker, author of The Color Purple), giving voice to the poorest among us and laying bare the cruelty of a penal system that too often defines their lives.

Pulitzer Prize-winning journalist Chris Hedges has taught courses in drama, literature, philosophy, and history since 2013 in the college degree program offered by Rutgers University at East Jersey State Prison and other New Jersey prisons. In his first class at East Jersey State Prison, where students read and discussed plays by Amiri Baraka and August Wilson, among others, his class set out to write a play of their own. In writing the play, Caged, which would run for a month in 2018 to sold-out audiences at The Passage Theatre in Trenton, New Jersey, and later be published, students gave words to the grief and suffering they and their families have endured, as well as to their hopes and dreams. The class’s artistic and personal discovery, as well as transformation, is chronicled in heartbreaking detail in Our Class.

This “magnificent” (Cornel West, author of Race Matters) book gives a human face and a voice to those our society too often demonizes and abandons. It exposes the terrible crucible and injustice of America’s penal system and the struggle by those trapped within its embrace to live lives of dignity, meaning, and purpose.

In fifteen short chapters, Chris Hedges astonishes us with his clear and cogent argument against war, not on philosophical grounds or through moral arguments, but in an irrefutable stream of personal encounters with the victims of war, from veterans and parents to gravely wounded American serviceman who served in the Iraq War, to survivors of the Holocaust, to soldiers in the Falklands War, among others. Hedges reported from Sarajevo, and was in the Balkans to witness the collapse of the Soviet Union.

In 2002 he published War Is a Force That Gives Us Meaning, which the Los Angeles Times described as “the best kind of war journalism . . . bitterly poetic and ruthlessly philosophical” and the New York Times called “a brilliant, thoughtful, timely, and unsettling book.” In the twenty years since, Hedges has not wanted to write another book on the subject of war-until now, with the outbreak of war in Ukraine. It is important again to be reminded who are the victors of the spoils of war and of other unerring truths, not only in this war but in all modern wars, where civilians are always the main victims, and the tools and methods of war are capable of so much destruction it boggles the mind. This book is an unflinching indictment of the horror and obscenity of war by one of our finest war correspondents.

As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive. “It gives us purpose, meaning, a reason for living.”
Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.