Fascinating, never-before-published interviews with Broadway’s leading men offer behind-the-scenes looks at the careers of some of the most beloved perfomers today.

In A Wonderful Guy, a follow up to Nothing Like a Dame: Conversations with the Great Women of Musical Theater, theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with nineteen of Broadway’s most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vareen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff and a host of others dig deep into each actor’s career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past fifty years.

Alan Cumming described Nothing Like a Dame, as “an encyclopedia of modern musical theatre via a series of tender meetings between a diehard fan and his idols. Because of Eddie Shapiro’s utter guilelessness, these women open up and reveal more than they ever have before, and we get to be the third guest at each encounter.” A Wonderful Guy brings more fly-on-the-wall opportunities for fans to savour, students to study, and even the unindoctrinated to understand the life of the performing artist.

In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the
majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on
Broadway over the last century, and the art (and thrill) of taking the stage night after night. Chita Rivera describes the experience of starring in musicals in each of the last seven decades; Audra McDonald gives her thoughts on the work that
went into the five Tony Awards she won before turning forty-one; and Carol Channing reflects on how she has revisited the same starring role generation after generation, and its effects on her career. Here too is Sutton Foster, who
contemplates her breakout success in an age when stars working predominately in theater are increasingly rare. Each of these conversations is guided by Shapiro’s expert knowledge of these women’s careers, Broadway lore, and the details of
famous (and infamous) musicals. He also includes dozens of photographs of these players in their best-known roles.

This fascinating collection reveals the artistic genius and human experience of the women who have made Broadway musicals more popular than ever–a must for anyone who loves the theater.