The writer known as Elena Ferrante has taken pains to hide her identity in the hope that readers would focus on her body of work. But in this volume, she invites us into her workshop and offers a glimpse into the drawers of her writing desk–those drawers from which emerged her three early standalone novels and the four installments of the Neapolitan Novels, the New York Times bestselling “enduring masterpiece” (The Atlantic).

Consisting of over twenty years of letters, essays, reflections, and interviews, Frantumaglia is a unique depiction of an author who embodies a consummate passion for writing. Ferrante answers many of her readers’ questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.

Four new and revelatory essays by the author of My Brilliant Friend and The Lost Daughter

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors.” Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer; she describes the perils of “bad language” and suggests ways in which it has long excluded women’s truth; and she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others.

Here is a subtle yet candid book by “one of the great novelists of our time” about adventures in literature, both in and out of the margins.

Elena Ferrante is the bestselling author of My Brilliant Friend, now an HBO original series. Collected here for the first time are the seeds of future novels, the timely reflections of this internationally beloved storyteller, the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (New York Times).

“This is my last column, after a year that has scared and inspired me … I have written as an author of novels, taking on matters that are important to me and that–if I have the will and the time–I’d like to develop within real narrative mechanisms.”

With these words, Elena Ferrante bid farewell to her year-long collaboration with the Guardian newspaper. For a full year, she wrote weekly articles, the subjects of which had been suggested by Guardian editors, making the writing process a sort of prolonged interlocution. The subjects ranged from first love to climate change, from enmity among women to the experience of seeing her novels adapted for film and TV.

Translated by Ann Goldstein, the acclaimed translator of Ferrante’s novels, this volume is a must for all curious readers.

Now an HBO series: the first volume in the New York Times bestselling “enduring masterpiece” (The Atlantic) about a lifelong friendship between two women from Naples

Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Elena Ferrante’s four-volume story spans almost sixty years, as its main characters, the fiery and unforgettable Lila and the bookish narrator, Elena, become women, wives, mothers, and leaders, all the while maintaining a complex and at times conflicted friendship.

This first novel in the series follows Lila and Elena from their fateful meeting as ten-year-olds through their school years and adolescence. Through the lives of these two women, Ferrante tells the story of a neighborhood, a city, and a country as it is transformed in ways that, in turn, also transform the relationship between two women.

A “beautifully written” (Washington Post) dark fable from a doll’s point of view by the New York Times bestselling author of The Lost Daughter and the Neapolitan Novels

Readers of Elena Ferrante’s The Lost Daughter may recall the little doll–lost or stolen–around which that novel revolves. Here, Ferrante retells the tale from the doll’s perspective. Celina is having a terrible night, one full of jealousy for the new kitten, Minu; feelings of abandonment and sadness; misadventures at the hands of the beach attendant; and dark dreams. But she will be happily found by Mati, her child, once the sun rises.

The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage.

With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even refrain from assaulting him physically.

Olga conveys her journey from denial to devastating emptiness–and when she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal.

An edgy tale of mixed feelings and motherhood by the New York Times bestselling author of My Brilliant Friend

Leda, a middle-aged divorcee, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her.

After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family in this “arresting” (Publishers Weekly) novel by the author of the New York Times bestselling Neapolitan Novels, which have sold millions of copies and been adapted into an HBO series.

Soon to be a NETFLIX Original Series.

A POWERFUL NEW NOVEL set in a divided Naples by ELENA FERRANTE, the New York Times best-selling author of My Brilliant Friend and The Lost Daughter.

“There’s no doubt [the publication of The Lying Life of Adults] will be the literary event of the year.”—Elle 

Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is.

Giovanna is searching for her reflection in two kindred cities that fear and detest one another: a Naples of the heights, which assumes a mask of refinement, and a Naples of the depths, a place of excess and vulgarity. She moves between both in search of the truth, but neither city seems to offer answers or escape.

Named one of 2016’s most influential people by TIME Magazine and frequently touted as a future Nobel Prize-winner, Elena Ferrante has become one of the world’s most read and beloved writers. With this novel about the transition from childhood to adolescence to adulthood, Ferrante proves once again that she deserves her many accolades. In The Lying Life of Adults, listeners will discover another gripping, highly addictive, and totally unforgettable Neapolitan story.

A MOST ANTICIPATED BOOK OF 2020
The New York Times Book Review ・ Vogue ・ Entertainment Weekly ・ ELLE Magazine ・ BuzzFeed ・ The Millions ・ The Seattle Times ・ USA Today ・ Town & Country ・ Thrillist ・ Publishers Weekly ・ Library Journal ・ Harper’s Bazaar ・ BookPage ・ Literary Hub ・ BBC Culture

The follow-up to My Brilliant Friend, The Story of a New Name continues the epic New York Times bestselling literary quartet that has inspired an HBO series, and returns us to the world of Lila and Elena, who grew up together in post-WWII Naples, Italy.

In The Story of a New Name, Lila has recently married and made her entree into the family business; Elena, meanwhile, continues her studies and her exploration of the world beyond the neighborhood that she so often finds stifling. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. Yet the two young women share a complex and evolving bond that is central to their emotional lives and a source of strength in the face of life’s challenges.

In these Neapolitan Novels, Elena Ferrante, “one of the great novelists of our time” (New York Times), gives us a poignant and universal story about friendship and belonging, a meditation on love and jealousy, freedom and commitment–at once a masterfully plotted page-turner and an intense, generous-hearted family saga.

The Story of the Lost Child concludes the dazzling saga of two women–the brilliant, bookish Elena and the fiery, uncontainable Lila–who first met amid the shambles of postwar Italy.

In this book, life’s great discoveries have been made; its vagaries and losses have been suffered. Through it all, Elena and Lila’s friendship remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved.

Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet, somehow, this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief.

In the third book in the New York Times bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood.

Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons.

Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal).

A woman goes home to Naples after her mother’s mysterious death in a “tour de force” (Seattle Times) by the New York Times bestselling author of My Brilliant Friend.

Following her mother’s untimely and unexplained drowning, which was preceded by a series of strange phone calls, forty-five-year-old Delia leaves Rome and embarks on a voyage of discovery through the beguiling yet often hostile streets of her native Naples. She is searching for the truth about her family and the men in her mother’s life, past and present, including an abusive husband.

What Delia discovers will be more unsettling than she imagines, but will also reveal truths about herself, in this psychological mystery marked by “tactile, beautifully restrained prose” (Publishers Weekly) about mothers and daughters and the complicated knot of lies and emotions that binds them.