A wide-ranging collection, including two novellas and ten stories exploring complex identities, from the acclaimed author of Corregidora, The Healing, and Palmares

“Gayl Jones’s work represents a watershed in American literature. From a literary standpoint, her form is impeccable . . . and as a Black woman writer, her truth-telling, filled with beauty, tragedy, humor, and incisiveness, is unmatched.”
—Imani Perry, author of, Looking for Lorraine and Breathe

Gayl Jones, who was first edited by Toni Morrison, has been described as one of the great literary writers of the 20th century and was recently a finalist for the Pulitzer Prize in fiction. This new collection of short fiction is only the second in her rich career, and one that displays her strengths in the genre in many facets. Opening with two novella-length works, “Butter” and “Sophia,” this collection features Jones’s legendary talents in a range of settings and styles, from the hyper-realist to the mystical, in intricate multi-part stories, in more traditional forms, and even in short fragments.

Her narrators are women and men, Black, Brown, Indigenous; her settings are historical and contemporary, in South America, Mexico and the US; her themes center on complex identities, unorthodox longings and aspirations. She writes about spies, photographers, playground designers, cartoonists, and baristas, about workers and revolutionaries, about environmentalism, feminism, poetry, film and love, but above all about our multicultural, multiethnic and multiracial society.

The new edition of an American masterpiece, this is the harrowing story of Ursa Corregidora, a blues singer in the early 20th century forced to confront the inherited trauma of slavery.

A literary classic that remains vital to our understanding of the past, Corregidora is Gayl Jones’s powerful debut novel, examining womanhood, sexuality, and the psychological residue of slavery. Jones masterfully tells the story of Ursa, a Kentucky blues singer, who, in the wake of a tragic loss, confronts her maternal history and the legacy of Corregidora, the Portuguese slave master who fathered both her mother and grandmother. Consumed and haunted by her hatred of the man who irrevocably shaped her life and the lives of her family, Ursa Corregidora must come to terms with a past that is never too distant from the present.

Selected and first edited by Toni Morrison, it is “the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women,” (James Baldwin) and “a tale as American as Mount Rushmore and as murky as the Florida swamps.” (Maya Angelou).

2022 Pulitzer Prize Finalist in Fiction

A NPR BOOKS WE LOVE 2021 Selection

A New York Times “Biggest New Books Coming Out in September” Selection · A New York Times Book Review Editors Choice Pick · A Guardian “50 Biggest Books of Autumn 2021” Selection · An Esquire “Best Books of Fall 2021” Selection · A Buzzfeed “Best Books Coming Out This Fall” Selection · A Bustle “Most Anticipated Books of September 2021” Selection  · A LitHub “22 Novels You Need to Read This Fall” Selection · A Kirkus Reviews “16 Best Books to Read in September” Selection · A Root September “PageTurner”

“This story shimmers. Shakes. Wails. Moves to rhythms long forgotten . . . in many ways: holy. [A] masterpiece.”—The New York Times Book Review

The epic rendering of a Black woman’s journey through slavery and liberation, set in 17th-century colonial Brazil; the return of a major voice in American literature.

First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is ready to publish again. Palmares is the first of five new works by Gayl Jones to be published in the next two years, rewarding longtime fans and bringing her talent to a new generation of readers.

Intricate and compelling, Palmares recounts the journey of Almeyda, a Black slave girl who comes of age on Portuguese plantations and escapes to a fugitive slave settlement called Palmares. Following its destruction, Almeyda embarks on a journey across colonial Brazil to find her husband, lost in battle.

Her story brings to life a world impacted by greed, conquest, and colonial desire. She encounters a mad lexicographer, desperate to avoid military service; a village that praises a god living in a nearby cave; and a medicine woman who offers great magic, at a greater price.

Combining the author’s mastery of language and voice with her unique brand of mythology and magical realism, Jones reimagines the historical novel. The result is a sweeping saga spanning a quarter century, with vibrant settings and unforgettable characters, steeped in the rich oral tradition of its world. Of Gayl Jones, the New Yorker noted, “[Her] great achievement is to reckon with both history and interiority, and to collapse the boundary between them.” Like nothing else before it, Palmares embodies this gift.

NATIONAL BOOK AWARD FINALIST 2022

“Gayl Jones’s work represents a watershed in American literature.”
—Imani Perry

Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile

Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is publishing again. In the wake of her long-awaited fifth novel, Palmares, The Birdcatcher is another singular achievement, a return to the circles of her National Book Award finalist, The Healing.

Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island.

A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature—rewarding longtime fans and bringing her talent to a new generation of readers.

National Book Award finalist follows a black faith healer whose shrewd observations about human nature are told with the rich lyricism of the oral storytelling tradition.

From the acclaimed author of Corregidora, The Healing follows Harlan Jane Eagleton as she travels to small towns, converting skeptics, restoring minds, and healing bodies. But before she found her calling, Harlan had been a minor rock star’s manager and, before that, a beautician. Harlan retraces her story to the beginning, when she once had a fling with the rock star’s ex-husband and found herself infatuated with an Afro-German horse dealer. Along the way she’s somehow lost her own husband, a medical anthropologist now traveling with a medicine woman across eastern Africa. Harlan draws us deeper into her world and the mystery at the heart of her tale: the story of her first healing.

The Healing is a lyrical and at times humorous exploration of the struggle to let go of pain, anger, and even love. Slipping seamlessly back through Harlan’s memories in a language rich with the textured cadences of unfiltered dialogue, Gayl Jones weaves her story to its dramatic—and unexpected—beginning.