After the untimely death of Prince Albert, the Queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert’s death was so extreme, that its like would not be seen again until the death of Princess Diana one hundred and thirty-six years later.Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Helen Rappaport offers a new perspective on this compelling historical psychodrama-the crucial final months of the prince’s life and the first long, dark ten years of the Queen’s retreat from public view. She draws a portrait of a queen obsessed with her husband and-after his death-with his enduring place in history. Magnificent Obsession also sheds new light on the true nature of the prince’s chronic physical condition, overturning for good the one hundred and fifty-year-old myth that he died of typhoid fever.

From Helen Rappaport, the New York Times bestselling author of The Romanov Sisters comes After the Romanovs, the story of the Russian aristocrats, artists, and intellectuals who sought freedom and refuge in the City of Light.

Paris has always been a city of cultural excellence, fine wine and food, and the latest fashions. But it has also been a place of refuge for those fleeing persecution, never more so than before and after the Russian Revolution and the fall of the Romanov dynasty. For years, Russian aristocrats had enjoyed all that Belle Epoque Paris had to offer, spending lavishly when they visited. It was a place of artistic experimentation, such as Diaghilev’s Ballets Russes. But the brutality of the Bolshevik takeover forced Russians of all types to flee their homeland, sometimes leaving with only the clothes on their backs.

Arriving in Paris, former princes could be seen driving taxicabs, while their wives who could sew worked for the fashion houses, their unique Russian style serving as inspiration for designers like Coco Chanel. Talented intellectuals, artists, poets, philosophers, and writers struggled in exile, eking out a living at menial jobs. Some, like Bunin, Chagall and Stravinsky, encountered great success in the same Paris that welcomed Americans like Fitzgerald and Hemingway. Political activists sought to overthrow the Bolshevik regime from afar, while double agents from both sides plotted espionage and assassination. Others became trapped in a cycle of poverty and their all-consuming homesickness for Russia, the homeland they had been forced to abandon.

This is their story.

A Macmillan Audio production from St. Martin’s Press.

From the New York Times bestselling author of The Romanov Sisters, Caught in the Revolution is Helen Rappaport’s masterful telling of the outbreak of the Russian Revolution through eye-witness accounts left by foreign nationals who saw the drama unfold.

This program includes a bonus interview with the author and her editor.

Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil – felt nowhere more keenly than on the fashionable Nevsky Prospekt. There, the foreign visitors who filled hotels, clubs, offices and embassies were acutely aware of the chaos breaking out on their doorsteps and beneath their windows.

Among this disparate group were journalists, diplomats, businessmen, bankers, governesses, volunteer nurses and expatriate socialites. Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareva.

Helen Rappaport draws upon this rich trove of material, much of it previously unpublished, to carry us right up to the action – to see, feel and hear the Revolution as it happened to an assortment of individuals who suddenly felt themselves trapped in a “red madhouse.”

From New York Times bestselling author Helen Rappaport comes a superb and revealing biography of Mary Seacole that is testament to her remarkable achievements and corrective to the myths that have grown around her.

Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing—and for her compassion—became almost legendary.

Popularly known as “Mother Seacole,” she was the most famous Black celebrity of her generation—an extraordinary achievement in Victorian Britain. She regularly mixed with illustrious royal and military patrons, and they, along with grateful war veterans, helped her recover financially when she faced bankruptcy. However, after her death in 1881, she was largely forgotten.

More recently, her profile has been revived and her reputation lionized, with a statue of her standing outside St. Thomas’s Hospital in London and her portrait—rediscovered by the author—now on display in the National Portrait Gallery.

This book is the fruit of almost twenty years of research and reveals the truth about Seacole’s personal life, her “rivalry” with Florence Nightingale, and other misconceptions.

Vivid and moving, In Search of Mary Seacole shows that reality is often more remarkable and more dramatic than the legend.

Helen Rappaport, an expert in the field of Russian history, brings you the riveting day-by-day account of the last fourteen days of the Russian Imperial family, in this first of two books about the Romanovs.
The brutal murder of the Russian Imperial family on the night of July sixteenth to seventeenth, 1918 has long been a defining moment in world history. The Last Days of the Romanovs reveals in exceptional detail how the conspiracy to kill them unfolded.
In the vivid style of a TV documentary, Helen Rappaport reveals both the atmosphere inside the family’s claustrophobic prison and the political maneuverings of those who wished to save-or destroy-them. With the watching world and European monarchies proving incapable of saving the Romanovs, the narrative brings this tragic story to life in a compellingly new and dramatic way, culminating in a bloody night of horror in a cramped basement room.

On the 100th Anniversary of the murder of the Russian Imperial Family, acclaimed historian Helen Rappaport embarks on a quest to uncover the many international plots to save them, why they failed, and who was responsible.

The murder of the Romanov family in July 1918 horrified the world and its aftershocks still reverberate today. In Putin’s autocratic Russia, the Revolution itself is considered a crime and its anniversary was largely ignored. In stark contrast, the centenary of the massacre of the Imperial Family was commemorated in 2018 by a huge ceremony to be attended by the Patriarch of the Russian Orthodox Church.

While the murder itself has received major attention, what has never been investigated in detail are the various plots behind the scenes to save the family—on the part of their royal relatives, other governments, and Russian monarchists loyal to the Tsar. Rappaport refutes the claim that the fault lies entirely with King George V, as has been the traditional claim for the last century. The responsibility for failing the Romanovs must be equally shared. The question of asylum for the Tsar and his family was an extremely complicated issue that presented enormous political, logistical and geographical challenges at a time when Europe was still at war.

Like a modern day detective, Helen Rappaport draws on new and never-before-seen sources from archives in the US, Russia, Spain and the UK, creating a powerful account of near misses and close calls with a heartbreaking conclusion. With its up-to-the-minute research, The Race to Save the Romanovs is sure to replace outdated classics as the final word on the fate of the Romanovs.

Praise for The Race to Save the Romanovs:

“Rappaport, a historian, turns the question of why European relatives and Allied governments failed to save Czar Nicholas and family into a thriller, full of juicy tidbits for Romanov completists.” — Newsweek

“Devastating, complex, and fast-moving…This is a well-researched account of a colorful, suspenseful, and tragic series of events.” — Publishers Weekly

A New York Times Bestseller for 12 weeks!
“Helen Rappaport paints a compelling portrait of the doomed grand duchesses.” —People magazine

“The public spoke of the sisters in a gentile, superficial manner, but Rappaport captures sections of letters and diary entries to showcase the sisters’ thoughtfulness and intelligence.” —Publishers Weekly (starred review)

They were the Princess Dianas of their day–perhaps the most photographed and talked about young royals of the early twentieth century. The four captivating Russian Grand Duchesses–Olga, Tatiana, Maria and Anastasia Romanov–were much admired for their happy dispositions, their looks, the clothes they wore and their privileged lifestyle.

Over the years, the story of the four Romanov sisters and their tragic end in a basement at Ekaterinburg in 1918 has clouded our view of them, leading to a mass of sentimental and idealized hagiography. With this treasure trove of diaries and letters from the grand duchesses to their friends and family, we learn that they were intelligent, sensitive and perceptive witnesses to the dark turmoil within their immediate family and the ominous approach of the Russian Revolution, the nightmare that would sweep their world away, and them along with it.

The Romanov Sisters sets out to capture the joy as well as the insecurities and poignancy of those young lives against the backdrop of the dying days of late Imperial Russia, World War I and the Russian Revolution. Helen Rappaport aims to present a new and challenging take on the story, drawing extensively on previously unseen or unpublished letters, diaries and archival sources, as well as private collections. It is a book that will surprise people, even aficionados.