“Captivating…equal parts memoir and cultural history, Henry Alford seamlessly interweaves heartwarming and hilarious anecdotes about his deep dive into all things dance” (Misty Copeland, The New York Times Book Review).

When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, stress reliever, confidence builder, an excuse to travel, a source of ongoing wonder, and–when he dances with Alzheimer’s patients–even a kind of community service.

Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), Alford’s grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human. And Then We Danced “is in one sense a celebration of hoofer in all its wonder and variety, from abandon to refinement. But it is also history, investigation, memoir, and even, in its smart, sly way, self-help…very funny, but more, it is joyful–a dance all its own” (Vanity Fair).

“We all know bad manners when we see them,” NPR and Vanity Fair contributor Henry Alford observes at the beginning of his new book. But what, he asks, do good manners look like in our day and age? When someone answers their cell phone in the middle of dining with you, or runs you off the sidewalk with their doublewide stroller, or you enter a post-apocalyptic public restroom, the long-revered wisdom of Emily Post can seem downright prehistoric.

Troubled by the absence of good manners in his day-to-day life-by the people who clip their toenails on the subway or give three-letter replies to one’s laboriously crafted missives-Alford embarks on a journey to find out how things might look if people were on their best behavior a tad more often. He travels to Japan (the “Fort Knox Reserve” of good manners) to observe its culture of collective politesse. He interviews etiquette experts both likely (Judith Martin, Tim Gunn) and unlikely (a former prisoner, an army sergeant). He plays a game called Touch the Waiter. And he volunteers himself as a tour guide to foreigners visiting New York City in order to do ground-level reconnaissance on cultural manners divides. Along the way (in typical Alford style) he also finds time to teach Miss Manners how to steal a cab; designates the World’s Most Annoying Bride; and tosses his own hat into the ring, volunteering as an online etiquette coach.

Ultimately, by tackling the etiquette questions specific to our age-such as Why shouldn’t you ask a cab driver where’s he’s from?, Why is posting baby pictures on Facebook a fraught activity? and What’s the problem with “No problem”?-Alford finds a wry and warm way into a subject that has sometimes been seen as pedantic or elitist. And in this way, he looks past the standard “dos” and “don’ts” of good form to present an illuminating, seriously entertaining book about grace and civility, and how we can simply treat each other better.