Herman Melville’s tale of corporate discontent, Bartleby, the Scrivener, tells the story of a quiet, hardworking legal copyist who works in an office in the Wall Street area of New York City. The business where he works handles the official financial paperwork of wealthy men. One day, Bartleby’s employer requests he proofread one of the documents he has copied. Bartleby declines the assignment with the inscrutable “I would prefer not,” the first of what will become many refusals. The utterance of this remark sets off a confounding set of actions and behavior, making the unsettling character of Bartleby one of Melville’s most enigmatic and unforgettable creations.

In Manhattan, an elderly lawyer’s business is growing. Having two scriveners in his employ, the lawyer advertises for a third to meet demand. Enter Bartleby, a glum albeit quality scrivener. However, the lawyer quickly discovers that something is off with his new employee. When asked to perform any duties outside of copywriting, Bartleby responds with a canned ‘I would prefer not to.’ Soon Bartleby is living at the office and performing less and less at work. Finally fed up with his strange new scrivener, the lawyer asks Bartleby to leave, only to find himself on the receiving end of yet another ‘I would prefer not to.’

Bartleby, the Scrivener: A Story of Wall Street is a novella by the American novelist Herman Melville (1819–1891). It first appeared anonymously in two parts in the November and December 1853 editions of Putnam’s Magazine, and was reprinted with minor textual alterations in his The Piazza Tales in 1856.
Among Melville’s best-known works are Moby-Dick; Typee , a romanticized account of his experiences in Polynesia; and Billy Budd, Sailor, a posthumously published novella. Although his reputation was not high at the time of his death, the 1919 centennial of his birth was the starting point of a Melville revival, and Moby-Dick grew to be considered one of the great American novels.
During his last years, he privately published two volumes of poetry, and left one volume unpublished. The novella Billy Budd was left unfinished at his death, but was published posthumously in 1924. Melville died from cardiovascular disease in 1891.

With its intense mix of mystery, adventure, and a surprise ending, Benito Cereno at first seems merely a provocative example from the genre Herman Melville created with his early bestselling novels of the sea. However, most Melville scholars consider it his most sophisticated work, and many, such as novelist Ralph Ellison, have hailed it as the most piercing look at slavery in all of American literature.

Based on a real life incident—the character names remain unchanged—Benito Cereno tells what happens when an American merchant ship comes upon a mysterious Spanish ship where the nearly all-black crew and their white captain are starving and yet remain hostile to offers of help. Melville’s most focused political work, it is rife with allusions (a ship named after Santo Domingo, site of the slave revolt led by Toussaint L’Ouverture), analogies (does the good-hearted yet obtuse American captain refer to the American character itself?), and mirroring images that deepen our reflections on human oppression and its resultant depravities.

It is, in short, a multilayered masterpiece that rewards repeated readings and deepens our appreciation of Melville’s genius.

Captain Delano is approached on the open sea by a battered-looking ship lead by Captain Benito Cereno. Cereno, always accompanied by his personal slave Babo, explains that his crew was transporting a group of slaves from Africa when their ship was caught and damaged in severe weather. He is polite but always timid, and requests supplies for his ships remaining journey. Captain Delano agrees to help but begins to notice the strange social interactions and atmosphere of Cereno’s crew and the slaves. Delano begins to believe that Cereno is hiding something, and turns out to be right, as a climactic battle breaks out between the two crews, Benito Cereno greatest secret is uncovered.

Billy Budd, an orphaned, illegitimate child suffused with innocence, openness, and natural charisma, has been impressed into service aboard the HMS Bellipotent. He is adored by the crew but for unexplained reasons arouses the antagonism of the ship’s master-at-arms, John Claggart, who falsely accuses Billy of conspiracy to mutiny. Set in 1797, Billy Budd exploits the tension of this period during the war between England and France to create a tale of satanic treachery, tragedy, and great pathos that explores human relationships and the inherently ambiguous nature of man-made justice.

Melville’s stories are masterpieces to be appreciated on more than one level. They are rich with symbolism and spiritual depth and show the timeless poetic power of Melville’s writing as he consciously uses the disguise of allegory in various ways and to various ends.

In 1797, young Billy Budd is impressed into naval service. It is a perilous time for a British Royal Navy still reeling from mutinies and marauding French ships. When Billy is forcibly transferred to HMS Bellipotent, he evokes the wrath of John Claggart, the ship’s Master-at-arms. Claggart falsely accuses Billy of conspiracy to mutiny, a charge that will have a profound effect on the fates of both seamen.

Billy Budd: Booktrack Edition adds an immersive musical soundtrack to your audiobook listening experience! In 1797, young Billy Budd is impressed into naval service. It is a perilous time for a British Royal Navy still reeling from mutinies and marauding French ships. When Billy is forcibly transferred to HMS Bellipotent, he evokes the wrath of John Claggart, the ship’s Master-at-arms. Claggart falsely accuses Billy of conspiracy to mutiny, a charge that will have a profound effect on the fates of both seamen.

Critically acclaimed for more than 100 years, Herman Melville’s sea tale, Billy Budd, is considered to be one of the small masterpieces of American fiction. An engaging plot on the surface, the exciting yarn set in 1791 also raises profound questions about the very nature of man himself. Handsome, young Billy Budd is well-liked by the other sailors aboard the British warship, the H.M.S. Indomitable. But the ship’s cruel Master-at-Arms, insanely jealous of Billy’s popularity, falsely accuses Billy of fomenting mutiny. Attempting to defend himself, the young sailor strikes out-only to find himself facing an even more serious charge. His years working on whaleships enabled Herman Melville to create realistic characters in authentic settings. The battle between good and evil, conscience and honor bursts from the page with Frank Muller’s stirring narration.

Widely considered one of the great American novels, Herman Melville’s masterpiece went largely unread during his lifetime and was out of print at the time of his death in 1891. Called the greatest book about the sea ever written by D.H. Lawrence, Moby Dick features detailed descriptions of whale hunting and whale oil extraction as well as beautiful, incisive writing on race, class, religion, art, and society. The story, loosely based on a real whaling shipwreck, features the unforgettable, vengeful Captain Ahab, who obsessively hunts a great white whale who bit his leg off below the knee.

Melville’s epic tale of one man versus a great white whale will delight Melville devotees as well as those who have yet to sail on this adventure in this mesmerizing new recording read by Jonathan Epstein.
The mountain whose whale-like shape first gave Melville the idea of writing Moby Dick rests in the Berkshire Hills, Massachusetts, a short drive away from The Alison Larkin Presents recording studio. “I’d been wanting to produce Moby Dick ever since I moved to Western Massachusetts” says producer Alison Larkin, “but I wanted to wait to find the perfect actor first. Then I found Jonathan Epstein, who drove up from Florida during the pandemic to record this.”
At the end of the recording, Larkin interviews Jonathan Epstein and recording engineer Galen Wade about the experience recording the great novel during the pandemic.
Jonathan Epstein is an acclaimed actor who has performed on and Off-Broadway, in London’s West End, and with the world-renowned Shakespeare & Company. Epstein is the two-time recipient of Boston’s coveted Elliot Norton acting Award.

Moby-Dick; or, The Whale is an 1851 novel by American writer Herman Melville. The book is the sailor Ishmael’s narrative of the obsessive quest of Ahab, captain of the whaling ship Pequod, for revenge on Moby Dick, the giant white sperm whale that on the ship’s previous voyage bit off Ahab’s leg at the knee. A contribution to the literature of the American Renaissance, the work’s genre classifications range from late Romantic to early Symbolist.
Its reputation as a “Great American Novel” was established only in the 20th century, after the centennial of its author’s birth.
Produced by Devin Lawrence in Vrindavana
Production executive Avalon Giuliano in London
ICON Intern Eden Giuliano in Delhi
Music By AudioNautix With Their Kind Permission
©2020 Icon Audio Arts (P) 2020 Icon Audio Arts LLC

Moby Dick est le nom d’un cachalot que le capitaine Achab traque depuis toujours sur son baleinier le Péquod. Tous les marins présents dans le bateau de chasse ont une histoire, que nous raconte le héros, Ismaël. La traversée en mer devient une épopée pour tous ces hommes, en quête d’aventures !

On a previous voyage, a mysterious white whale had ripped off the leg of a sea captain named Ahab. Now the crew of the Pequod, on a pursuit that features constant adventure and horrendous mishaps, must follow the mad Ahab into the abyss to satisfy his unslakeable thirst for vengeance. Narrated by the cunningly observant crew member Ishmael, Moby Dick is the tale of the hunt for the elusive, omnipotent, and ultimately mystifying white whale-Moby Dick.

On its surface, Moby Dick is a vivid documentary of life aboard a nineteenth-century whaler, a virtual encyclopedia of whales and whaling, replete with facts, legends, and trivia that Herman Melville had gleaned from personal experience and scores of sources. But as the quest for the whale becomes increasingly perilous, the tale works on allegorical levels, likening the whale to human greed, moral consequence, good, evil, and life itself. Who is good? The great white whale who, like Nature, asks nothing but to be left in peace? Or the bold Ahab who, like scientists, explorers, and philosophers, fearlessly probes the mysteries of the universe? Who is evil? The ferocious, man-killing sea monster? Or the revenge-obsessed madman who ignores his own better nature in his quest to kill the beast?

Its famous opening line, “Call me Ishmael,” dramatic in its stark simplicity, begins an epic that is widely regarded as the greatest novel ever written by an American. Labeled variously a realistic story of whaling, a romance of unusual adventure and eccentric characters, a symbolic allegory, and a drama of heroic conflict, Moby Dick is first and foremost a great story. It has both the humor and poignancy of a simple sea ballad, as well as the depth and universality of a grand odyssey. When Melville’s father died in 1832, the young man’s financial security went too. For a while he turned to school-mastering and clerking, but failed to make a sustainable income. In 1840 he signed up on the whaler, Acushnet, out of New Bedford, Massachusetts. He was just 21. A whaler’s life turned out to be both arduous and dangerous, and in 1842, Melville deserted ship. Out of this experience and a wealth of printed sources, Melville crafted his masterpiece.

Moby-Dick is one of the great epics in all of literature. Captain Ahab’s hunt for the white whale drives the narrative at a relentless pace, while Ishmael’s meditations on whales and whaling, on the sublime indifference of nature, and on the grimy physical details of the extraction of oil provide a reflective counterpoint to the headlong idolatrous quest. Sometimes read as a terrifying study of monomania or as a critical inquiry into the effects of reducing life to symbols, Moby-Dick also offers colorful and often comic glimpses of life aboard a whaling ship.

One of the great works of American literature, Moby-Dick is the epic tale of one man’s fight against a force of nature. The outcast youth Ishmael, succumbing to wanderlust during a dreary New England autumn, signs up for passage aboard a whaling ship. The Pequod sails under the command of the one-legged Captain Ahab, who has set himself on a monomaniacal quest to capture the cunning white whale that robbed him of his leg: Moby-Dick. Capturing life on the sea with robust realism, Melville details the adventures of the colorful crew aboard the ship as Ahab pursues his crusade of revenge, heedless of all cost. This masterfully symbolic drama of the conflict between man and his fate has a special intensity that listeners will not soon forget.

Pierre Glendinning is the nineteen-year-old heir to the manor at Saddle Meadows in upstate New York. Engaged to the blonde Lucy Tartan in a match approved by his domineering mother, Pierre encounters the dark and mysterious Isabel Banford, who claims to be his half-sister, the illegitimate and orphaned child of his father and a European refugee. Driven by his magnetic attraction to Isabel, Pierre devises a remarkable scheme to preserve his father’s name, spare his mother’s grief, and give Isabel her proper share of the estate.

First published in 1852, Pierre was condemned by critics of the time: “a dead failure,” “this crazy rigmarole,” and “a literary mare’s nest.” Latter-day critics, however, have recognized in the story of Melville’s idealistic young hero a corrosive satire of the sentimental gothic novel and a revolutionary foray into modernist literary techniques.

Considered to be the least characteristic of Melville’s stories, somewhat resembling the work of Nathaniel Hawthorne and Edgar Allan Poe, The Bell-Tower is a dark literary work that explores, though never fully reveals, its central mystery. An eccentric artist and architect dreams up plans for a magnificent bell tower. After receiving approval from the city, he happily begins construction. When city residents begin to notice strange occurrences associated with the project, their complaints eventually force the city magistrates to investigate. Showing the magistrates around the tower, the artist proudly shows off his work and answers their questions, but one curiosity remains unanswered-what lies beneath the shroud in the bell-tower?

In his ninth and final novel, cultural observer, novelist, and poet Herman Melville gives us a picture of everything wrong with America in the decade preceding the Civil War.

Evoking Chaucer’s Canterbury Tales, this is a story of interlocking tales from a group of steamboat passengers traveling down the Mississippi toward New Orleans. Aboard the Fidèle can be found all manner of con man, from those selling stock in failing companies and herbal cure-all “medicines” to those who are raising money for a supposed charitable organization and those who simply ask for money outright. One man sneaks aboard ship to test the so-called confidence of the passengers, and everyone is forced to confront that in which he places his trust before journey’s end.

Mixing his trademark satirical style with allegory and metaphysical treatise, Melville’s The Confidence-Man is a precursor to the twentieth-century literary preoccupations with nihilism, existentialism, and absurdism.

The Encantadas (or Enchanted Isles), is a series of ten descriptive sketches, and a reminiscence from Melville’s sailor days revealing the ecologically pristine Galapagos Islands as both enchanting and horrifying. Containing some of Melville’s most memorable prose, The Encantadas were a critical success at a time when Melville’s fortunes were down. After publication, the New York Dispatch cited the chapters as universally considered among the most interesting papers of that popular Magazine, and each successive chapter was read with avidity by thousands. The reviewer called the sketches a sort of mixture of ‘Mardi’ and ‘Robinson Crusoe’–though far more interesting than the first named work.

Chosen for inclusion in William Evans Burton’s Cyclopediae of Wit and Humor of 1857, with an illustration by Henry Louis Stephens, The Lightning-Rod Man was the one Melville tale to be available throughout his lifetime, thanks to reissues of this volume. More a parable than a character-driven story, The Lightning-rod man is a charlatan who tries to profit by selling fearful people lightning-rods during thunderstorms. The narrator has a difficult encounter with the Lightning-Rod man in this story about overcoming fear and superstition.

Written as an introductory story to The Piazza Tales, the protagonist of The Piazza, idealizes a radiant spot on the mountain he looks upon from his piazza. Traveling to the spot he realizes it is a house, occupied by the unhappy girl Marianna, who longs to see the lucky individual who lives in the white house she looks upon from her window. The narrator realizes he has been the object of a fantasy alike to his own, and leaves thinking how all idealism is an illusion.

Written in seclusion following the intense negative public reaction to the publication of his novel Pierre, The Piazza Tales is Melville’s accessible and entertaining collection of short stories concerning love, labor and loss. The collection includes the author’s three most important achievements in the genre of short fiction, Bartleby, the Scrivener, Benito Cereno, and The Encantadas, his sketches of the Galapagos Islands. Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but settled on the definitive title after he had written the introductory story, which concerns the coincidental meeting of mutual long-distance admirers separated by a valley in the mountains.

Based on Melville’s real-life experiences after having jumped ship in the Marquesas Islands, his first novel was extremely popular, provoking public skepticism until the events within were corroborated by a fellow castaway. Typee is properly considered a work of fiction, as the three weeks stay on which the author based his story is here extended to four months, and the book is supplemented with imaginative reconstruction and adaptation of material from other Pacific exploration books of the time. The title refers to the province of Tai Pi Vai. Typee was Melville’s most popular work during his lifetime; making him notorious as the man who lived among the cannibals.

“I may truly pronounce the Typees to be as polished a community as ever the sun shone upon.”

Herman Melville’s first novel, Typee: A Peep at Polynesian Life, is a fictionalized account of his time in the South Pacific Marquesas Islands, and it was his most popular work during his lifetime.

Tommo has been aboard a whaling ship for six months of grueling travel when he decides, with his friend Toby, to escape and hide on a wild island. They are not alone on Nukuheva. The island is home to a tribe called the Typees known for being cannibals. But when Tommo breaks his leg, they can no longer avoid the valley the Typees call home. They venture down into the tribe’s territory, but instead of the violence they have been expecting, the Typees greet them happily with food and shelter. Tommo and Toby quickly become accustomed to life in the tribe and even prefer aspects of island life to their life in so-called “civilized” society, but they are unable to squash their fear of the rumored cannibalism.

Even with Tommo and Toby’s fears of the island and its people, Melville’s novel acknowledges the hypocrisy of the violence of English and American missionaries on these communities when confronted with their own terror of unfamiliar customs.

Herman Melville is one of the greatest figures in literary history. His classic Moby Dick is generally considered the finest novel ever written by an American. Yet in Melville’s day, Typee was a far more popular book. Largely autobiographical, this classic adventure story is set in the South Seas, where a runaway sailor is captured by the Typees. Described as “a fierce and unrelenting tribe of savages,” the islanders have no intention of letting their captive go.