A wildly over-the-top social satire reimagining the mad misadventures of the iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc.History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them.Ludwig, simultaneously spoiled and punished for his softness and “unmanly” interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity.A tragicomic tour de force, Empty Theatre immerses readers in Ludwig and Sisi’s rarefied, ridiculous, restrictive world—where the aesthetics of excess belie the isolation of its inhabitants. With wit, pathos, and imagination, Jac Jemc takes us on an unforgettable journey through two extraordinary parallel lives and the complex, tenuous friendship that linked them.

In Jac Jemc’s dislocating second story collection, False Bingo, we watch as sinister forces (some supernatural, some of this earth, some real, and some not) work their ways into the mundanity of everyday life.
In “Strange Loop,” an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in “Delivery,” a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. “Dont Let’s” finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts.
Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.

Julie and James settle into a house in a small town outside the city where they met. The move–prompted by James’ penchant for gambling, his inability to keep his impulses in check–is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh.

But this house, which sits between lake and forest, has plans for the unsuspecting couple. As Julie and James try to settle into their home and their relationship, the house and its surrounding terrain become the locus of increasingly strange happenings. The architecture–claustrophobic, riddled with hidden rooms within rooms–becomes unrecognizable, decaying before their eyes. Stains are animated on the wall–contracting, expanding–and map themselves onto Julie’s body in the form of bruises; mold spores taint the water that James pours from the sink. Together the couple embark on a panicked search for the source of their mutual torment, a journey that mires them in the history of their peculiar neighbors and the mysterious residents who lived in the house before Julie and James.

Written in creepy, potent prose, The Grip of It is an enthralling, psychologically intense novel that deals in questions of home: how we make it and how it in turn makes us, inhabiting the bodies and the relationships we cherish.