“Mrs. Parks was often paid in gold dust, but she paid her girls in dollars …”

From the beloved Pulitzer Prize-winning and best-selling author: a rollicking murder mystery set in Gold Rush California, as two young prostitutes follow a trail of missing girls

Monterey, 1851. Ever since her husband was killed in a bar fight, Eliza Ripple has been working in a brothel. It seems like a better life, at least at first. The madam, Mrs. Parks, is kind, the men are (relatively) well behaved, and Eliza has attained
what few women have: financial security. But when the dead bodies of young women start appearing outside of town, a darkness descends that she can’t resist confronting. Side by side with her friend Jean, and inspired by her reading,
especially by Edgar Allan Poe’s detective, Dupin, Eliza pieces together an array of clues to try to catch the killer, all the while juggling clients who begin to seem more and more suspicious.

Eliza and Jean are determined not just to survive, but to find their way in a nascent town on the fringes of the Wild West–a bewitching combination of beauty and danger–as what will become the Civil War looms on the horizon. As
Mrs. Parks says, “Everyone knows that this is a dangerous business, but between you and me, being a woman is a dangerous business, and don’t let anyone tell you otherwise.”

When eighth grader Abby Lovitt looks out at those pure-gold rolling hills, she knows there’s no place she’d rather be than her family’s ranch–even with all the hard work of tending to nine horses. But some chores are no work at all, like grooming young Jack. At eight months, his rough foal coat has shed out, leaving a smooth, rich silk, like chocolate. As for Black George, such a good horse, it turns out he’s a natural jumper. When he and Abby clear four feet easy as pie, heads start to turn at the ring–“buyers'” heads–and Abby knows Daddy won’t turn down a good offer. Then a letter arrives from a private investigator, and suddenly Abby stands to lose not one horse but two. The letter states that Jack’s mare may have been sold to the Lovitts as stolen goods. A mystery unfolds, more surprising than Abby could ever expect. Will she lose her beloved Jack to his rightful owners? Pulitzer Prize winner Jane Smiley raises horses of her own, and her affection and expertise shine through in this inviting horse novel for young readers, set in 1960s California horse country and featuring characters from “The Georges and the Jewels.”

Winner of both the Pulitzer Prize and the National Book Critics Circle Award, Jane Smiley’s spellbinding novel also headed best-seller lists for many months. A Thousand Acres is the powerful, mythic story of an American farm family and the land that nourishes and consumes its members. Three daughters and their husbands are pulled into a tangle of love, jealousy, and fear when their father, Larry Cook, grows too old to manage the family’s fertile thousand acre farm. As each couple struggles with their own tragedies and challenges, they know their father is judging them in light of the weighty inheritance that hovers within their reach. The Cook family, and the farm community around them, are part of a mosaic that is as enduring as the fences and fields of the broad midwestern landscape. But this endurance exacts an immense price from them in return. You will find that this nationally-acclaimed, breathtaking story, in a stirring narration by C.J. Critt, is an unforgettable listening experience.

Infused with sharp insight, honesty, and emotion, At Paradise Gate is a treat for both the heart and the intellect. In this poignant story, best-selling author Jane Smiley pens a graceful portrait of an ordinary midwestern family confronting the mysteries of death and regeneration. While her 77-year-old husband lies upstairs, dying, Anna Robison spends her depleting energy defending their home. Their three middle-aged daughters and 23-year-old granddaughter have invaded, radiating vigor and good intentions. But the younger women temper their help with squabbling, ill-considered advice, and an abundant supply of their own problems. Pulitzer Prize-winning author Jane Smiley brilliantly captures the simple pleasures and troubles common to everyday life. With her dramatic performance, narrator Suzanne Toren highlights the satisfying family ties and the underlying domestic tensions. You won’t want to miss another spell-binding title by Jane Smiley: A Thousand Acres.

Best-selling author and Pulitzer-Prize winner Jane Smiley crafts compelling novels filled with quiet strength and emotion. In Barn Blind she portrays a middle-aged woman so galvanized with success that she drives a wedge between herself and those who love her most. Kate Karlson’s only focus in life is her Midwestern horse farm. Ignoring her husband, she spends long days giving riding lessons and training horses. To showcase her teaching ability, she enters her three sons and daughter in all the equestrian shows. But when her family dares to thwart her interests, the results bring tragedy and devastation. In this spellbinding tale of love, work, and duty, Jane Smiley examines the excesses we sometimes commit in the name of ambition. Narrator Suzanne Toren’s dramatic performance highlights the daily rigors and joys of the equestrian life.

Jane Smiley’s talent for creating emotionally-gripping tales of family relationships was celebrated when she was awarded the Pulitzer Prize and the National Book Award for A Thousand Acres. In Duplicate Keys, Smiley displays her flair for creating a haunting mystery. Everyone has keys to Susan’s New York apartment: all her friends, and friends of friends. So one afternoon, when Alice unlocks Susan’s door to water the plants, she isn’t surprised to find two men sitting in the living room. However, that they are both dead is a shock. Now Alice must sort through a tangle of personal connections, schemes and motives to find the key to who killed them and why. As she talks with the police, the answer that starts to nag Alice is a chilling one. Ruth Ann Phimister’s narration underscores the finely-phrased atmosphere and suspense.

From the Pulitzer Prize-winner: the second installment, following Some Luck, of her widely acclaimed, best-selling American trilogy, which brings the journey of a remarkable family with roots in the Iowa heartland into mid-century America

Early Warning opens in 1953 with the Langdon family at a crossroads. Their stalwart patriarch, Walter, who with his wife, Rosanna, sustained their farm for three decades, has suddenly died, leaving their five children, now adults, looking to the future. Only one will remain in Iowa to work the land, while the others scatter to Washington, D.C., California, and everywhere in between.

As the country moves out of post–World War II optimism through the darker landscape of the Cold War and the social and sexual revolutions of the 1960s and ’70s, and then into the unprecedented wealth—for some—of the early 1980s, the Langdon children each follow a different path in a rapidly changing world. And they now have children of their own: twin boys who are best friends and vicious rivals; a girl whose rebellious spirit takes her to the notorious Peoples Temple in San Francisco; and a golden boy who drops out of college to fight in Vietnam—leaving behind a secret legacy that will send shock waves through the Langdon family into the next generation. 

Capturing a transformative period through richly drawn characters we come to know and care deeply for, Early Warning continues Smiley’s extraordinary epic trilogy, a gorgeously told saga that began with Some Luck and will span a century in America. But it also stands entirely on its own as an engrossing story of the challenges—and rewards—of family and home, even in the most turbulent of times, all while showcasing a beloved writer at the height of her considerable powers.

Gee Whiz is a striking horse, and only part of that is because of his size. He is tall, but also graceful, yet his strides big but precise. At the same time, he keeps his eye on things, not as if he’s suspicious, but as if he’s curious. When Abby is confronted with an onslaught of reminders of just how little of the world she has seen, she finds herself connecting with Gee Whiz’s calm and curious nature, and his desire to know more. Her brother receives a draft notice to Vietnam, her friends return for the holidays with stories from their boarding school in Southern California, and the wise, lovable Brother Abner opens her eyes with tales of his many years spent traveling. At the same time, her beloved Jack and True Blue are both faced with opportunities to broaden their horizons away from the ranch. Will she let them go, with hopes that she might one day do the same?

From the winner of the Pulitzer Prize: the much-anticipated final volume, following Some Luck and Early Warning, of her acclaimed American trilogy—a richly absorbing new novel that brings the remarkable Langdon family into our present times and beyond
 
A lot can happen in one hundred years, as Jane Smiley shows to dazzling effect in her Last Hundred Years trilogy. But as Golden Age, its final installment, opens in 1987, the next generation of Langdons face economic, social, political—and personal—challenges unlike anything their ancestors have encountered before.

Michael and Richie, the rivalrous twin sons of World War II hero Frank, work in the high-stakes world of government and finance in Washington and New York, but they soon realize that one’s fiercest enemies can be closest to home; Charlie, the charming, recently found scion, struggles with whether he wishes to make a mark on the world; and Guthrie, once poised to take over the Langdons’ Iowa farm, is instead deployed to Iraq, leaving the land—ever the heart of this compelling saga—in the capable hands of his younger sister.

Determined to evade disaster, for the planet and her family, Felicity worries that the farm’s once-bountiful soil may be permanently imperiled, by more than the extremes of climate change. And as they enter deeper into the twenty-first century, all the Langdon women—wives, mothers, daughters—find themselves charged with carrying their storied past into an uncertain future.

Combining intimate drama, emotional suspense, and a full command of history, Golden Age brings to a magnificent conclusion the century-spanning portrait of this unforgettable family—and the dynamic times in which they’ve loved, lived, and died: a crowning literary achievement from a beloved master of American storytelling.

Greed. Envy. Sex. Property. In her subversively funny and genuinely moving new novel, Jane Smiley nails down several American obsessions with the expertise of a master carpenter. Forthright, likable Joe Stratford is the kind of local businessman everybody trusts, for good reason. But it’s 1982, and even in Joe’s small town, values are in upheaval: not just property values, either. Enter Marcus Burns, a would-be master of the universe whose years with the IRS have taught him which rules are meant to be broken. Before long he and Joe are new best friends-and partners in an investment venture so complex that no one may ever understand it. Add to this Joe’s roller coaster affair with his mentor’s married daughter. The result is as suspenseful and entertaining as any of Jane Smiley’s fiction

Jane Smiley, the Pulitzer Prize-winning author of A Thousand Acres, instantly captured the admiration and laughter of readers everywhere when Moo was published. A New York Times best- seller, it is a hilarious tour through the inner sanctums of a Midwestern university. Everyone at the large agricultural college dubbed Moo U. has an agenda. Whether it’s massaging data, running secret experiments, or seducing the powerful, each person is dedicated to a plan. Meet Dr. Lionel Gift, who feels that his economic principles come directly from God. See Earl Butz, who is being groomed to be the biggest hog in history. Mull over The Common Wisdom, what every secretary knows. As these agendas begin to collide, Moo trots toward a deliciously loony climax. Although Moo focuses a sharp eye on academia, its satire is tempered by loveable characters who ring absolutely true. Through narrator Suzanne Toren’s performance, you’ll soon feel like part of the lively herd at Moo U.

A joyful, captivating story of three extraordinary animals and a young boy

Paras, short for “Perestroika,” is a spirited racehorse at a racetrack west of Paris. One afternoon at dusk, she finds the door of her stall open and–she’s a curious filly–wanders all the way to the City of Light. She’s dazzled and often mystified by the sights, sounds, and smells around her, but she isn’t afraid. Soon she meets an elegant dog, a German shorthair pointer named Frida, who knows how to get by without attracting the attention of suspicious Parisians. Paras and Frida coexist for a time in the city’s lush green spaces, nourished by Frida’s strategic trips to the vegetable market. They keep company with two irrepressible ducks and an opinionated raven. But then Paras meets a human boy, Etienne, and discovers a new, otherworldly part of Paris: the ivy-walled house where the boy and his nearly-one-hundred-year-old great-grandmother live in seclusion. As the cold weather and Christmas near, the unlikeliest of friendships bloom. But how long can a runaway horse stay undiscovered in Paris? How long can a boy keep her hidden and all to himself? Jane Smiley’s beguiling new novel is itself an adventure that celebrates curiosity, ingenuity, and the desire of all creatures for true love and freedom.

Abby Lovitt doesn’t realize how unprepared she is when she takes her beloved horse, True Blue, to a clinic led by the most famous equestrian anyone knows. The biggest surprise, though, is that Sophia, the girl who never makes a mistake, suddenly makes so many that she stops riding. Who will ride her horse? Abby’s dad seems to think it will be Abby. Pie in the Sky is the most expensive horse Abby has ever ridden. But he is proud and irritable, and he takes Abby’s attention away from the continuing mystery that is True Blue. And then there’s high school–Abby finds new friends, but also new challenges, and a larger world that sometimes seems strange and intimidating. She begins to wonder if there is another way to look at horses, people, and life itself. Accompanied by the beautiful imagery of 1960s Northern California, Abby’s charming mix of innocence and wisdom guide us through Pulitzer Prize winner Jane Smiley’s latest middle-grade horse novel.

A riveting new novel from the Pulitzer Prize–winner that traverses the intimate landscape of one woman’s life, from the 1880s to World War II.

Margaret Mayfield is nearly an old maid at twenty-seven in post–Civil War Missouri when she marries Captain Andrew Jackson Jefferson Early. He’s the most famous man their small town has ever produced: a naval officer and a brilliant astronomer—a genius who, according to the local paper, has changed the universe. Margaret’s mother calls the match “a piece of luck.”

Margaret is a good girl who has been raised to marry, yet Andrew confounds her expectations from the moment their train leaves for his naval base in faraway California. Soon she comes to understand that his devotion to science leaves precious little room for anything, or anyone, else. When personal tragedies strike and when national crises envelop the country, Margaret stands by her husband. But as World War II approaches, Andrew’s obsessions take a different, darker turn, and Margaret is forced to reconsider the life she has so carefully constructed.

Private Life is a beautiful evocation of a woman’s inner world: of the little girl within the hopeful bride, of the young woman filled with yearning, and of the faithful wife who comes to harbor a dangerous secret. But it is also a heartbreaking portrait of marriage and the mysteries that endure even in lives lived side by side; a wondrously evocative historical panorama; and, above all, a masterly, unforgettable novel from one of our finest storytellers.

Longlisted for the 2014 National Book Award

From the winner of the Pulitzer Prize: a powerful, engrossing new novel—the life and times of a remarkable family over three transformative decades in America. 

On their farm in Denby, Iowa, Rosanna and Walter Langdon abide by time-honored values that they pass on to their five wildly different children: from Frank, the handsome, willful first born, and Joe, whose love of animals and the land sustains him, to Claire, who earns a special place in her father’s heart.

Each chapter in Some Luck covers a single year, beginning in 1920, as American soldiers like Walter return home from World War I, and going up through the early 1950s, with the country on the cusp of enormous social and economic change. As the Langdons branch out from Iowa to both coasts of America, the personal and the historical merge seamlessly: one moment electricity is just beginning to power the farm, and the next a son is volunteering to fight the Nazis; later still, a girl you’d seen growing up now has a little girl of her own, and you discover that your laughter and your admiration for all these lives are mixing with tears.   

Some Luck delivers on everything we look for in a work of fiction. Taking us through cycles of births and deaths, passions and betrayals, among characters we come to know inside and out, it is a tour de force that stands wholly on its own. But it is also the first part of a dazzling epic trilogy—a literary adventure that will span a century in America: an astonishing feat of storytelling by a beloved writer at the height of her powers.

It is the morning after the 2003 Academy Awards. Max-an Oscar-winning writer/director whose fame has waned-and his lover, Elena, luxuriate in bed, still groggy from last night’s red-carpet festivities. They are talking about movies, talking about love, and talking about the war in Iraq, recently begun. But soon their house will be full of guests, and guests like these demand attention. There is Max’s ex-wife, “the legendary Zoe Cunningham,” a dazzling half-Jamaican movie star, with her new lover, the enigmatic healer, Paul (fraudulent? enlightened?). Max’s agent, Stoney, a perhaps too easygoing version of his legendary agent father, can’t stay away, and neither can Zoe and Max’s daughter, Isabel, though she would prefer to maintain her hard-won independence. And of course there is the next-door neighbor, Cassie, who seems to know everyone’s secrets. As they share their stories of Hollywood past and present, watch films in Max’s opulent screening room, gossip by the swimming pool, and tussle in the many bedrooms, the tension mounts, sparks fly, and Smiley delivers an exquisitely woven, virtuosic work-a Hollywood novel as only she could fashion it, told with bravura, rich with delightful characters, spiced with her signature wit. It is a joyful, sexy, and wondrously insightful pleasure

Six years after her Pulitzer Prize-winning best-seller, A Thousand Acres, and three years after her witty, acclaimed, and best-selling novel of academe, Moo, Jane Smiley once again demonstrates her extraordinary range and brilliance.

Her new novel, set in the 1850s, speaks to us in a splendidly quirky voice–the strong, wry, no-nonsense voice of Lidie Harkness of Quincy, Illinois, a young woman of courage, good sense, and good heart. It carries us into an America so violently torn apart by the question of slavery that it makes our current political battlegrounds seem a peaceable kingdom.

Lidie is hard to scare. She is almost shockingly alive–a tall, plain girl who rides and shoots and speaks her mind, and whose straightforward ways paradoxically amount to a kind of glamour. We see her at twenty, making a good marriage–to Thomas Newton, a steady, sweet-tempered Yankee who passes through her hometown on a dangerous mission. He belongs to a group of rashly brave New England abolitionists who dedicate themselves to settling the Kansas Territory with like-minded folk to ensure its entering the Union as a Free State.

Lidie packs up and goes with him. And the novel races alongside them into the Territory, into the maelstrom of “Bloody Kansas,” where slaveholding Missourians constantly and viciously clash with Free Staters, where wandering youths kill you as soon as look at you–where Lidie becomes even more fervently abolitionist than her husband as the young couple again and again barely escape entrapment in webs of atrocity on both sides of the great question.

And when, suddenly, cold-blooded murder invades her own intimate circle, Lidie doesn’t falter. She cuts off her hair, disguises herself as a boy, and rides into Missouri in search of the killers–a woman in a fiercely male world, an abolitionist spy in slave territory. On the run, her life threatened, her wits sharpened, she takes on yet another identity–and, in the very midst of her masquerade, discovers herself.

Lidie grows increasingly important to us as we follow her travels and adventures on the feverish eve of the War Between the States. With its crackling portrayal of a totally individual and wonderfully articulate woman, its storytelling drive, and its powerful recapturing of an almost forgotten part of the American story, this is Jane Smiley at her enthralling and enriching best.

A Pulitzer Prize winner makes her debut for young readers. Abby Lovitt has been riding horses for as long as she can remember, but Daddy hasn’t let her name a single one. He calls all their geldings George and their mares Jewel and warns her not to get attached. The horses are there on the ranch to be sold, plain and simple. But with all the stress at school (the Big Four–Linda, Mary A., Mary N., Joan–have turned against her) and home (nothing feels right with her brother, Danny, gone), Abby can’t help but seek comfort in the Georges and the Jewels, who greet her every day with soft nickers. Except for one: the horse who won’t meet her gaze, the horse who bucks her off, the horse Daddy insists she ride and train. Abby knows not to cross her father, but she knows, too, that she can’t get back on Ornery George. And suddenly the horses seem like no refuge at all. From Pulitzer Prize winner Jane Smiley comes an emotionally charged and action-filled novel for young readers, set in the vibrant landscape of 1960s California horse country

From one of our most acclaimed novelists, a  David-and-Goliath biography for the digital age.

One night in the late 1930s, in a bar on the Illinois–Iowa border, John Vincent Atanasoff, a professor of physics at Iowa State University, after a frustrating day performing tedious mathematical calculations in his lab, hit on the idea that the binary number system and electronic switches, com­bined with an array of capacitors on a moving drum to serve as memory, could yield a computing machine that would make his life and the lives of other similarly burdened scientists easier. Then he went back and built the machine. It worked. The whole world changed.

Why don’t we know the name of John Atanasoff as well as we know those of Alan Turing and John von Neumann? Because he never patented the device, and because the developers of the far-better-known ENIAC almost certainly stole critical ideas from him. But in 1973 a court declared that the patent on that Sperry Rand device was invalid, opening the intellectual property gates to the computer revolution.

Jane Smiley tells the quintessentially American story of the child of immigrants John Atanasoff with technical clarity and narrative drive, making the race to develop digital computing as gripping as a real-life techno-thriller.

Long acclaimed as one of America’s preeminent novelists, Jane Smiley is also an unparalleled observer of the craft of writing. In The Questions That Matter Mostthis Pulitzer Prize–winning writer offers steady and penetrating essays on some of the aesthetic and cultural issues that mark any
serious engagement with reading and writing. Beginning with a personal introduction tracing Smiley’s migration from Iowa to California, the author reflects on her findings in the varied literature of the Golden State, whose writers have for decades litigated the West’s contested legacies of racism,
class conflict, and sexual politics through their pens.
As she considers the ambiguity of character and the weight of history, her essays provide new entry points into literature, and we lucky readers can see how Smiley draws inspiration from across the literary spectrum to invigorate her own writing.
With enthusiasm and meticulous attention, Smiley dives beneath surface-level interpretations to examine the works of Marguerite de Navarre, Charles Dickens,Anthony Trollope, Harriet Beecher Stowe, Louisa May Alcott, Mark Twain, Willa Cather, Franz Kafka, Halldór Laxness, and Jessica Mitford.
Throughout, Smiley seeks to think harder and, in her words, with “more clarity and nuance” about the questions that matter most.

True Blue is a beauty, a dappled gray, and when Abby gets to take him to her family’s ranch, she can hardly believe her luck. The horse needs a home: his owner–a woman brand new to the riding stable–was tragically killed in a car crash and no one has claimed him. Daddy is wary, as always. But Abby is smitten. True Blue is a sweetheart, and whenever Abby calls out, “Blue, Blue, how are you?” he whinnies back. But sometimes True Blue seems . . . spooked. He paces, and always seems to be looking for something. Or someone. Filled with riding scenes and horse details, this newest middle-grade novel from a Pulitzer Prize winner offers a mysterious and suspenseful almost-ghost story.