A NATIONAL BOOK FOUNDATION “5 UNDER 35” HONOREE

“Exquisite and wise.” – New York Times

“There is so much heart in these pages, so much wisdom on how we love. This book had me in its orbit, from beginning to end.” – Weike Wang, author of Joan is Okay

Kathleen Cheng has blown up her life. She’s gone through a humiliating breakup, dropped out of her graduate program, and left everything behind. Now she’s back in her childhood home in Oakland, wondering what’s next.

To her surprise, her mother isn’t the same person Kathleen remembers. No longer depressed or desperate to return to China, the new Marissa Cheng is sporty, perky, and has been transformed by love. Kathleen thought she’d be planning her own wedding, but instead finds herself helping her mother plan hers—to a Silicon Valley tech entrepreneur.

Grasping for direction, Kathleen takes a job at a start-up that specializes in an unconventional form of therapy based on touch. While she negotiates new ideas about intimacy and connection, an unforeseen attachment to someone at work pushes her to rethink her relationships—especially the one with Marissa. Will they succeed in seeing each other anew, adult to adult?

As they peel back the layers of their history—the old wounds, cultural barriers, and complex affection—they must come to a new understanding of how they can propel each other forward, and what they’ve done to hold each other back. Brilliantly observant, tender, and warm, Holding Pattern is a hopeful novel about immigration and belonging, mother-daughter relationships, and the many ways we learn to hold each other.

Shaped around moments of puncture and release, The Rupture Tense registers what leaks across the breached borders between past and future, background and foreground, silence and utterance. In polyphonic and formally restless sequences, Jenny Xie cracks open reverberant, vexed experiences of diasporic homecoming, intergenerational memory transfer, state-enforced amnesia, public secrecies, and the psychic fallout of the Chinese Cultural Revolution. Across these poems, memory—historical, collective, personal—stains and erodes. Xie voices what remains irreducible in our complex entanglements with familial ties, language, capitalism, and the histories in which we find ourselves lodged.The Rupture Tense begins with poems provoked by the photography of Li Zhensheng, whose negatives, hidden under his floorboards to avoid government seizure, provide one of the few surviving visual archives of the Chinese Cultural Revolution, and concludes with an aching elegy for the poet’s grandmother, who took her own life shortly after the end of the Revolution. This extraordinary collection records the aftershocks and long distances between those years and the present, echoing out toward the ongoing past and a trembling future.