Thirteen-year-old Stanley Mitchel Jr. spends most of his time helping his family run the town’s drive-in movie theater, reading ten-cent comics, and playing with his dog Nub.
Life in East Texas circa 1958 is not very exciting until Stanley discovers a stash of old, crumbling love letters in a pile of burnt rubble behind the drive-in. As Stanley reads through the letters, he finds himself in the middle of a town mystery and discovering the secrets of his sleepy town.
Stanley, with the help of the old projectionist and his older sister, uncovers the identities of the people who penned the letters and sheds light on a shocking twenty-year-old murder plot. As Stanley unearths more and more truths, he realizes the injustices of life in East Texas in the 1950s including class, race, gender, and the cruelty of unrequited love. Stanley feels betrayed by his family and his town as he takes a closer look at the dark truth and refuses to allow himself to succumb to the darkness.
Contains mature themes.

From the Edgar Award-winning author of the Hap and Leonard mysteries comes a shocking crime thriller to chill the even the warmest summer’s night. By turns vivid, raw, and darkly comedic, this mystery classic inspired the 2014 major motion picture Cold in July, starring Michael C. Hall (Dexter) Sam Shepard (Black Hawk Down), and Don Johnson (Miami Vice). Richard Dane has killed a man. He cannot unhear the firing of the gun or unsee the blood on his living room wall. But everybody in the small town of LaBorde, Texas knows Dane acted in self defense. Everybody except Ben Russel, the ex-con father of the small-time criminal who invaded Dane’s home. When Russel comes looking for revenge against Dane’s family, the two are unexpectedly drawn into a conspiracy that conceals the vilest of crimes. Surrounded by police corruption, mafia deception, and underworld brutality, Dane, Russel, and eccentric PI Jim Bob Luke have discovered a game they may not survive.

Deadwood meets Cthulhu in this wild and profane Western romp featuring zombies, werewolves, evil spirits, and one pissed-off gunslinging preacher.

The Wild West has never seen the likes of the Reverend Jebidiah Mercer, a hard man wielding a burning Bible in the battle between God and the devil, in an endless struggle he’s not sure he cares who wins. With its five stories laced with fast-paced action, nonstop humor, and spine-tingling horror, Deadman’s Road is your ride to hell, in which a vengeful shaman curses a town by conjuring a seemingly unstoppable army of the undead; an ill-advised shortcut leads to a bees’ nest of terror; a man stands condemned, not for murdering his wife but for raising the Lovecraftian horror that killed her; a woman is attacked by werewolves and left for dead in a ghost town; and a mining camp faces off with a horde of cannibalistic fiends.

From the Dusty Great Depression to the far future, to the wild west, to the era of big fin automobiles, soda shops and double features, as well as dark journey on an icy ocean full of ravenous sharks and a fantastic shipwreck that leads its survivors into a nightmarish Lovecraftian world of monsters and mystery, Joe R. Lansdale returns with a pack of stories for your consumption and enjoyment.
There’s even killer machines, a big ole grizzly bear, and entertaining story notes.
Joe R. Lansdale has been writing novels and stories, as well as screenplays and comics, for over forty-five years, and this is his latest concoction, encompassing stories informed by a variety of genres, but not quite comfortably fitting into any of them.
The reason is simple.
Joe R. Lansdale is his own genre.

Dot waitresses on roller skates at the Dairy Bob, doesn’t care for smoking, at least partly on account of her dad having never returned from a cigarette run, and carries on the family tradition of philosophizing. Life hasn’t done her any favors in her seventeen years so far. But if there was ever a heroine built for turning things upside down and seeing what shakes out, it’s Dot. Determined to find out who she is and why she’s the way she is, an opportunity presents itself when her heretofore-unknown uncle suddenly moves his camper into the front yard.

As in his classic novels The Bottoms and The Magic Wagon, Lansdale instills place with character and character with place. Here is an overlooked world and a cast of real folks that prove unforgettable, all rendered in one of American fiction’s most authentic voices.

After a botched holdup, Bill, a not-too-bright bungler who has been living with his dead mother in order to collect her social security checks, hides out in a traveling freak show populated by a bizarre assortment of bearded ladies, hermaphrodites, dogmen, and a mysterious frozen man.
Contains mature themes.

“It Washed Up” is a short horror story by Joe R. Lansdale, one of 35 entries in the audio horror anthology Come Join Us by the Fire.

A creature emerges from the sea. It will not return alone.

Come Join Us by the Fire, edited by Theresa DeLucci, is an audio-only horror anthology of 35 short stories from Nightfire Books, a horror imprint of Tor Books. The collection showcases the breadth of talent writing in the horror genre today, with contributions from a wide range of bestselling genre luminaries including China Mieville, Chuck Wendig, Richard Kadrey, and Victor LaValle; Shirley Jackson Award winners Paul Tremblay, Priya Sharma, and Sam J. Miller; Nebula Award winners Brooke Bolander, Alyssa Wong, Kij Johnson; and many, many more.

Jane has lost her job at the laundry due to a ketchup package she forgot to remove from an expensive item, and her prospects look dim. To top off matters, her younger sister, who lives up north, and who Jane has problems with, is getting married and has mailed her an invitation that Jane believes was sent due to her sister not expecting her to be able to come.

A long bout of sibling rivalry makes Jane all the more determined to go, even if her car has gone to hell. To make the journey, Jane forms an uncomfortable alliance with a grumpy, one-eyed, weight-lifting lady named Henry, who may or may not abandon her along the way, and has plans to see a doctor Henry claims can renew her sight. Add past memories of a sexual dalliance with a drunk preacher in the back lot of the church across from her house; an infamous naked run along a creek bank; failed marriages, including an ex-husband that has a bit of goat ardor; and with a shoe full of money; Jane and Henry hit the road. They meet up with modern slavers, panty snatchers, disabled thieves with a sense of grandeur, a country singer named Cheryl who is on the downhill slide, and a quest for the world’s greatest toaster that can toast four slices of bread all at once, or in sequence, and has a clock on it. It’s one incredible quest consisting of rides in cow trailers, a stolen car, and a convertible, a pirate outfit for children, and what will become a unique friendship.

Edgar Award winner Joe R. Lansdale writes outrageous fiction that rockets along with violent spikes of action and intense humor. Gulf War vet Cason Statler has moved back to his East Texas hometown after losing his job as a reporter in Houston (sleeping with both the boss’ wife and 30-year-old stepdaughter has a way of ruining career prospects). But when his new gig has him investigating a local girl’s disappearance, Cason opens a can of worms that might get him killed.

Daniel Russell war erst 13 Jahre alt, als sein Vater versuchte, sich selbst und seinen Sohn zu töten. Er fuhr von einer Brücke direkt in die Fluten des Moon Lake in Ost-Texas. Doch wie durch ein Wunder überlebte der Junge.
Jahre später, nachdem er neue Informationen über sein Kindheitstrauma erhalten hat, kehrt Daniel zurück an den Moon Lake. Er hofft, das Auto und die Knochen seines Vaters bergen zu können.
Aber tief verborgen unter dem glitzernden Wasser des Sees entdeckt er etwas Schockierendes, das mit einer Reihe ungewöhnlicher Morde in Verbindung steht …

From an Edgar award-winning author comes the gripping and unexpected tale of a lost town and the dark secrets that lie beneath the glittering waters of an East Texas lake.

He has been called “hilarious . . . refreshing . . . a terrifically gifted storyteller with a sharp country-boy wit” (Washington Post Book World), and praised for his “folklorist’s eye for telling detail and [his] front-porch raconteur’s sense of pace” (New York Times Book Review). Now, Joe R. Landsdale gives us a fast-moving, electrifying new novel: a murder mystery set in a steamy backwater of Depression-era East Texas.
It begins with an explosion: Sunset Jones kills her husband with a bullet to the brain. Never mind that he was raping her. Pete Jones was constable of the small sawmill town of Camp Rapture (“Camp Rupture” to the local blacks), where no woman, least of all Pete’s, refuses her husband what he wants.

So most everyone is surprised and angry when, thanks to the unexpected understanding of her mother-in-law—three-quarter owner of the mill—Sunset is named the new constable. And they’re even more surprised when she dares to take the job seriously: beginning an investigation into the murder of a woman and an unborn baby whose oil-drenched bodies are discovered buried on land belonging to the only black landowner in town. Yet no one is more surprised than Sunset herself when the murders lead her—through a labyrinth of greed, corruption, and unspeakable malice—not only to the shocking conclusion of the case, but to a well of inner strength she never knew she had.

Landsdale brings the thick backwoods and swamps of East Texas vividly to life, and he paints a powerfully evocative picture of a time when Jim Crow and the Klan ruled virtually unopposed, when the oil boom was rolling into and over Texas, when any woman who didn’t know her place was considered a threat and a target. In Sunset, he gives us a woman who defies all expectations, wrestling a different place for herself with spirit and spit, cunning and courage. And in Sunset and Sawdust he gives us a wildly energetic novel—galvanizing from first to last.

He has been called “hilarious . . . refreshing . . . a terrifically gifted storyteller with a sharp country-boy wit” (Washington Post Book World), and praised for his “folklorist’s eye for telling detail and [his] front-porch raconteur’s sense of pace” (New York Times Book Review). Now, Joe R. Landsdale gives us a fast-moving, electrifying new novel: a murder mystery set in a steamy backwater of Depression-era East Texas.
It begins with an explosion: Sunset Jones kills her husband with a bullet to the brain. Never mind that he was raping her. Pete Jones was constable of the small sawmill town of Camp Rapture (“Camp Rupture” to the local blacks), where no woman, least of all Pete’s, refuses her husband what he wants.

So most everyone is surprised and angry when, thanks to the unexpected understanding of her mother-in-law—three-quarter owner of the mill—Sunset is named the new constable. And they’re even more surprised when she dares to take the job seriously: beginning an investigation into the murder of a woman and an unborn baby whose oil-drenched bodies are discovered buried on land belonging to the only black landowner in town. Yet no one is more surprised than Sunset herself when the murders lead her—through a labyrinth of greed, corruption, and unspeakable malice—not only to the shocking conclusion of the case, but to a well of inner strength she never knew she had.

Landsdale brings the thick backwoods and swamps of East Texas vividly to life, and he paints a powerfully evocative picture of a time when Jim Crow and the Klan ruled virtually unopposed, when the oil boom was rolling into and over Texas, when any woman who didn’t know her place was considered a threat and a target. In Sunset, he gives us a woman who defies all expectations, wrestling a different place for herself with spirit and spit, cunning and courage. And in Sunset and Sawdust he gives us a wildly energetic novel—galvanizing from first to last.

Peculiar weather settles over a bustling Texas sea port, a city made prosperous off the cotton trade and thick with racial inequality. The sky above Galveston, Texas, darkens to the sickly green of a healing bruise, the sea turns black, and the inhabitants of the city have no idea the force of the hammer about to drop on them.
The wild wind blows boxer John McBride into town, a white prize fighter with seemingly superhuman fury and skill. As black boxer Jack L’il Arthur Johnson prepares to fight this fierce opponent, the storm closes in. If he can survive the ring and the vicious undercurrents of the Jim Crow south, L’il Arthur will still have to fight his way through the storm winds, the rising flood waters, and the violent night.
On September 8, 1900, a hurricane ripped apart Galveston, Texas, killing nearly 8,000 people and nearly obliterating the town. Lansdale’s story brings dimension to many who lost their lives that day, and a few who survived.
Contains mature themes.

This Edgar Award winner is “equal parts morality tale and page-turning thriller” (Denver Post)-classic American storytelling in its truest, darkest, and most affecting form, with echoes of William Faulkner and Harper Lee.
It’s 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man. Together with his younger sister, Harry sets out to discover who the real killer is, and to do so they will search for a truth that resides far deeper than any river or skin color.
Contains mature themes.

Edgar award-winning author Joe R. Lansdale beams a light on an East Texas town held in the grip of conspiracy.
Charlie Garner has a bad feeling. His ex-wife, Meg, has been missing for over a week and one quick peek into her home shows all her possessions packed up in boxes. Neighbors claim she’s running from bill collectors, but Charlie suspects something more sinister is afoot. Meg was last seen working at the local donut shop, a business run by a shadow group most refer to as ‘The Saucer People’; a space-age, evangelist cult who believe their compound to be the site of an extraterrestrial Second Coming.
 
Along with his brother, Felix, and beautiful, randy journalist Amelia “Scrappy” Moon, Charlie uncovers strange and frightening details about the compound (read: a massive, doomsday storehouse of weapons, a leashed chimpanzee!) When the body of their key informer is found dead with his arms ripped out of their sockets, Charlie knows he’s in danger but remains dogged in his quest to rescue Meg.
 
Brimming with colorful characters and Lansdale’s characteristic bounce, this rollicking crime novel examines the insidious rise of fringe groups and those under their sway with black comedy and glints of pathos.

In the field of country noir-the dark side of rural and small-town America-Lansdale staked his claim to East Texas with The Nightrunners. A ’66 Chevy bears down on the countryside, with a carful of vicious teenagers and evil of Biblical proportions, in this terrifying morality tale of sex and violence.
Contains mature themes.