At various times in a span of fifteen years, John McPhee made geological field surveys in the company of Eldridge Moores, a tectonicist at the University of California at Davis. The result of these trips is Assembling California, a cross-section in human and geologic time, from Donner Pass in the Sierra Nevada through the golden foothills of the Mother Lode and across the Great Central Valley to the wine country of the Coast Ranges, the rock of San Francisco, and the San Andreas family of faults. The two disparate time scales occasionally intersect–in the gold disruptions of the nineteenth century no less than in the earthquakes of the twentieth–and always with relevance to a newly understood geologic history in which half a dozen large and separate pieces of country are seen to have drifted in from far and near to coalesce as California. McPhee and Moores also journeyed to remote mountains of Arizona and to Cyprus and northern Greece, where rock of the deep-ocean floor has been transported into continental settings, as it has in California. Global in scope and a delight to read, Assembling California is a sweeping narrative of maps in motion, of evolving and dissolving lands.

To geologists, rocks are beautiful, roadcuts are windowpanes, and the earth is alive-a work in progress. The cataclysmic movement that gives birth to mountains and oceans is ongoing and can still be seen at certain places on our planet. One of these is the Basin and Range region centered in Nevada and Utah. In this first book of a Pulitzer Prize-winning collection, the author crosses the spectacular Basin and Range with geology professor Kenneth Deffeyes in tow. McPhee draws on Deffeyes’ expertise to dazzle you with the vast perspective of geologic time and the fascinating history of vanished landscapes. The effect is guaranteed to expand your mind. McPhee’s enthusiasm is infectious, as he provides one of the best introductions to plate tectonics and the New Geology. His elegant style is more pleasing than ever with narrator Nelson Runger’s smooth, enthusiastic delivery. Runger mines the book’s rich veins of poetic prose and subtle humor-and the result is pure gold.

Those who have traveled into America’s only remaining frontier rarely come back out the same. Only in Alaska can we come close to understanding what our forefathers must have felt upon their arrival in the New World. McPhee brings to this narrative the qualities that have distinguished him in the field of travel literature-tolerance, brisk, and entertaining prose, and a fascination with things most of us never bother to notice.

With his Pulitzer Prize-winning Annals of the Former World, John McPhee explores not only the richly varied surface of the United States, but the geological wonders hidden deep beneath our feet. In this final book of the series, he embarks on a fascinating journey across the basement of the continent-the land masses forming Illinois, Iowa, Nebraska, and thereabouts-with a professor and geochronologist acting as a guide. Whether Randy Van Schmus is out in the field with his students, or grinding rock in the university lab, he insists the flat plains of middle America are anything but dull. He tells the story of eons of violent upheaval that is written in the features lying far below the shimmering wheat fields. As he shares how scientists are unlocking the secrets of the earth’s timetable, millions of years seem but brief moments. John McPhee’s enthusiasm and peerless writing style make the study of geology both accessible and entertaining. Nelson Runger’s thought-provoking performance ensures you will view the earth with fresh insight.

The long-awaited guide to writing long-form nonfiction by the legendary author and teacher Draft No. 4 is an elucidation of the writer’s craft by a master practitioner. In a series of playful but expertly wrought essays, John McPhee shares insights he’s gathered over his career and refined during his long-running course at Princeton University, where he has launched some of the most esteemed writers of several generations. McPhee offers a definitive guide to the crucial decisions regarding structure, diction, and tone that shape nonfiction pieces, and presents extracts from some of his best-loved work, subjecting them to wry scrutiny. The result is a vivid depiction of the writing process, from reporting to drafting to revising-and revising, and revising. More than a compendium of advice, Draft No. 4 is enriched by personal detail and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Enlivened by his keen sense of writing as a way of being in the world, Draft No. 4 is the long-awaited master class given by America’s most renowned writing instructor.

John McPhee’s Pulitzer Prize-winning Annals of the Former World takes readers on mind-expanding adventures in geology. In the first book, Basin and Range, McPhee traveled to Nevada with a proponent of plate techtonics. Now, an engaging sceptic working for the United States Geological Survey is his guide to some of eastern America’s most fascinating geologic formations. Respected geologist Anita Harris doesn’t completely accept the reigning gospel of plate tectonics. Rather than limiting herself to one theory, the Brooklyn native insists on letting the rocks tell their own stories. Pickaxe and hydrochloric acid in hand, Harris guides McPhee to terrain that speaks of sudden, cataclysmic events and the spectacular, relatively recent, movement of glaciers. Author John McPhee is celebrated for his elegant style and skill in making specialized material accessible. When the narrative talents of Nelson Runger are added, you will discover that the intricacies of geology become not only understandable, but most entertaining.

Fabulously entertaining and filled with the intriguing trivia of life, Irons in the Fire is another impeccably crafted collection of seven essays by John McPhee. His peerless writing-punctuated with a sharp sense of humor and fascinating detail-has earned him legions of fans across the country. Whether he’s riding with a cattle brand inspector in wild and wide-open eastern Nevada, or following Plymouth Rock through its various sizes, shapes and resting places, McPhee provides the listener with an intimate glimpse into ordinary people and the extraordinary interests that shape their lives. These delightful pieces-including Irons in the Fire, Travels of the Rock, Release, In Virgin Forest, The Gravel Page, Duty of Care, and Rinard at Manheim-reveal the fascinating worlds hiding right under our noses. Narrator Nelson Runger’s studied voice conveys McPhee’s understated and thought-provoking writing. If you have never sampled McPhee’s inspired prose, this audiobook will turn you into a lifelong fan.

This account of a tennis match played by Arthur Ashe against Clark Graebner at Forest Hills in 1968 begins with the ball rising into the air for the initial serve and ends with the final point. McPhee provides a brilliant, stroke-by-stroke description
while examining the backgrounds and attitudes which have molded the players’ games.

Annals of the Former World is the result of a 20-year journey. During that time, John McPhee, author of 25 books and noted writer for The New Yorker, crisscrossed the United States, roughly following the 40th parallel. The geological insights and wonderful descriptions McPhee packed into his accounts of these trips earned his remarkable book a Pulitzer Prize. The third part, Rising From the Plains, takes McPhee to the high country of Utah along the Continental Divide. His guide is David Love, “the grand old man of Rocky Mountain geology.” Helping McPhee see the physical changes that have shaped this region over millions of years, Love also traces his own family’s history in this oil-rich, windswept land. As McPhee climbs into the granite landscape of the Rockies, Rising From the Plains creates a fascinating picture of the interdependence of geology, commerce and culture. Nelson Runger’s clear narration further enhances McPhee’s engaging text.

A WONDROUS BOOK OF MCPHEE’S PROSE PIECES-IN MANY ASPECTS HIS MOST PERSONAL IN FOUR DECADES The brief, brilliant essay “Silk Parachute,” which first appeared in The New Yorker over a decade ago, has become John McPhee’s most anthologized piece of writing. In the nine other pieces here- highly varied in length and theme-McPhee ranges with his characteristic humor and intensity through lacrosse, long-exposure view-camera photography, the weird foods he has sometimes been served in the course of his reportorial travels, a U.S. Open golf championship, and a season in Europe “on the chalk” from the downs and sea cliffs of England to the Maas valley in the Netherlands and the champagne country of northern France. Some of the pieces are wholly personal. In luminous recollections of his early years, for example, he goes on outings with his mother, deliberately overturns canoes in a learning process at a summer camp, and germinates a future book while riding on a jump seat to away games as a basketball player. But each piece-on whatever theme-contains somewhere a personal aspect in which McPhee suggests why he was attracted to write about the subject, and each opens like a silk parachute, lofted skyward and suddenly blossoming with color and form. Author bio: John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with The New Yorker, where he has been a staff writer since 1965. The same year he published his first book, A Sense of Where You Are, with FSG, and soon followed with The Headmaster (1966), Oranges (1967), The Pine Barrens (1968), A Roomful of Hovings and Other Profiles (collection, 1969), The Crofter and the Laird (1969), Levels of the Game (1970), Encounters with the Archdruid (1972), The Deltoid Pumpkin Seed (1973), The Curve of Binding Energy (1974), Pieces of the Frame (collection, 1975), and The Survival of the Bark Canoe (1975). Both Encounters with the Archdruid and The Curve of Binding Energy were nominated for National Book Awards in the category of science.

A literary legend’s engaging review of his career, stressing the work he never completed, and why. Over seven decades, John McPhee has set a standard for literary nonfiction. Assaying mountain ranges, bark canoes, experimental aircraft, the Swiss Army, geophysical hot spots, ocean shipping, shad fishing, dissident art in the Soviet Union, and an even wider variety of other subjects, he has consistently written narrative pieces of immaculate design. In Tabula Rasa, Volume 1, McPhee looks back at his career from the vantage point of his desk drawer, reflecting wryly upon projects he once planned to do but never got around to—people to profile, regions he meant to portray. There are so many examples that he plans to go on writing these vignettes, an ideal project for an old man, he says, and a “reminiscent montage” from a writing life. This first volume includes, among other things, glimpses of a frosty encounter with Thornton Wilder, interrogative dinners with Henry Luce, the allure of western Spain, criteria in writing about science, fireworks over the East River as seen from Malcolm Forbes’s yacht, the evolving inclinations of the Tower of Pisa, the islands among the river deltas of central California, teaching in a pandemic, and persuading The New Yorker to publish an entire book on oranges. The result is a fresh survey of McPhee’s singular planet.

The Founding Fish is the shad, and John McPhee’s veneration for it is both scientific and culinary. McPhee was awarded the Pulitzer Prize for Annals of the Former World. Noted for his accessible and perceptive studies of the physical world, he weaves together strands of personal, natural, and national history in this absorbing study that traces the shad’s importance from the 17th century to his family’s dinner table.

An “album quilt,” an artful assortment of nonfiction writings by John McPhee that have not previously appeared in any book. The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, “The Sporting Scene,” consists of pieces on fishing, football, golf, and lacrosse-from fly casting for chain pickerel in fall in New Hampshire to walking the links land of St. Andrews at an Open Championship. Part 2, called “An Album Quilt,” is a montage of fragments of varying length from pieces done across the years that have never appeared in book form-occasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the author’s purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out seventy-five per cent of them, and randomly assembled the remaining fragments as “An Album Quilt.” Among other things, it is a covert memoir.

For a person who has not encountered John McPhee’s lively writing, The Second John McPhee Reader is the perfect introduction. McPhee, author of Coming Into the Country, and Assembling California punctuates his delightful prose with a sharp sense of humor and a fascination with things most of us never bother to notice. Whether he’s working for a farmer in the Greenmarkets in Harlem, Brooklyn or the Upper East Side in Giving Good Weight, or trekking through Switzerland in La Place de la Concorde Suisse, McPhee gives the listener an intimate and provocative glimpse of the physical landscape and the people who are shaped by it. This Reader showcases a writer who not only is in absolute command of his craft, but also who revels in the pleasures of a fragile world. Narrator Nelson Runger’s gravelly voice powerfully conveys McPhee’s understated writing. Intriguing and thought-provoking, this audiobook is a must-listen for anyone interested in the natural or human worlds.

For a person who has not encountered John McPhee’s lively writing, The Second John McPhee Reader is the perfect introduction. McPhee, author of Coming Into the Country, punctuates his delightful prose with a sharp sense of humor, and a fascination with things most of us never bother to notice. Whether he’s profiling a northern Maine game warden named John McPhee in Table of Contents, or tracking down a fortune in “unofficial” art from the Soviet Union’s Khrushchev-Brezhnev era in The Ransom of Russian Art, McPhee gives the listener an intimate and provocative glimpse at the physical landscape and into the people who are shaped by it. This Reader showcases a writer who not only is in absolute command of his craft, but also who revels in the pleasures of a fragile world. Narrator Nelson Runger’s gravelly voice powerfully conveys McPhee’s understated writing. Intriguing and thought-provoking, this audiobook is a must-listen for anyone interested in the natural or human worlds.

From Pulitzer Prize-winner John McPhee-author of The Founding Fish -comes the fascinating story of an often overlooked, yet vitally important part of America. This first-hand account of the transportation sector features evocative portraits of the men and women who deliver our consumer and industrial goods. McPhee begins his adventure riding with Don Ainsworth, owner and operator of an 18-wheeler hauling nearly 30 tons of highly toxic chemicals from North Carolina to Washington. He continues his journey on a towboat pushing over 1,000 feet of barge up the narrow channel of the Illinois River. He rounds out his account crawling through Nebraska, Kansas, and the Powder River Basin of Wyoming in massive coal trains. Along the way, he tells the stories of the people he meets and the places he visits. McPhee’s sense of humor, incisive observations, and historical asides make for a highly entertaining journey across America. “Read this colorful journalism and you will never view an 18-wheeler, freight train, or UPS truck in quite the same way.”-Kirkus Reviews