The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

“Divorcing: A Fragment,” the sixteenth story in the Maples saga, offers a glimpse into the heartbreaking complexity of a relationship’s collapse, no matter how flawed.

A stunning collection of poems that John Updike wrote during the last seven years of his life and put together only weeks before he died for this, his final book.

The opening sequence, “Endpoint,” is made up of a series of connected poems written on the occasions of his recent birthdays and culminates in his confrontation with his final illness. He looks back on the boy that he was, on the family, the small town, the people, and the circumstances that fed his love of writing, and he finds endless delight and solace in “turning the oddities of life into words.”

“Other Poems” range from the fanciful (what would it be like to be a stolen Rembrandt painting? he muses) to the celebratory, capturing the flux of life. A section of sonnets follows, some inspired by travels to distant lands, others celebrating the idiosyncrasies of nature in his own backyard.

For John Updike, the writing of poetry was always a special joy, and this final collection is an eloquent and moving testament to the life of this extraordinary writer.

Photograph of John Updike © Jill Krementz

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this ninth story, “Eros Rampant,” the loves and loyalties of Maple family are revealed, to the heartbreak of some.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

Gertrude and Claudius are the “villains” of Hamlet: he the killer of Hamlet’s father and usurper of the Danish throne; she his lusty consort, who marries Claudius before her late husband’s body is cold. But in this imaginative “prequel” to the play, John Updike makes a case for the royal couple that Shakespeare only hinted at. Gertrude and Claudius are seen afresh against a background of fond intentions and family dysfunction, on a stage darkened by the ominous shadow of a sullen, erratic, disaffected prince. “I hoped to keep the texture light,” Updike said of this novel, “to move from the mists of Scandinavian legend into the daylight atmosphere of the Globe. I sought to narrate the romance that preceded the tragedy.”

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In the fifteenth installment, “Gesturing,” Richard finally leaves the Maples’ suburban town after their summer separation, taking an apartment in nearby Boston. Though both he and Joan continue to see their lovers, they can’t escape the bond they forged over years of marriage and raising children.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

This third story in the collection finds Richard and Joan Maple in their ninth year of marriage. A brilliant metaphor full of irony and eloquent prose, “Giving Blood” reveals to listeners a hint of the tension and verbal lacerations that are slowly but surely causing the destruction of a marriage.

Make it easy on yourself – read John Updike in Large Print!

* All Random House Large Print Editions are published in a 16-point type

Golf is neither work nor play, John Updike tells us: “Golf is a trip.”

Golf has been the subject of many books and the province of many experts, but few have written as sympathetically, or as knowingly, about the peculiar charms of bad golf, and the satisfactions of an essentially losing struggle.

John Updike has been writing about golf since he took the game up at the age of twenty-five. In the nearly forty years of pleasurable bafflement that have followed, he has composed essays for Golf Digest and short stories for The New Yorker concerning the sport.

His memories, insights, and witty remarks make this a truly unique audiobook. John Updike will tell you, in his own voice and his own words, how he learned the game, plays the game, and loves the game.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

“Grandparenting,” the final installation of The Maples Stories, concludes with Joan and Richard transitioning into new roles as grandparents for the first time, navigating the strange world of a split yet unified family years after their divorce.

These recordings of twentieth-century American authors interpreting their own works were highly praised when first released in the 1960s. Today the cultural and historical value of these recordings makes them an essential part of our literary heritage.

In this collection, James Baldwin reads from Giovanni’s Room and Another Country, exploring the challenges of being black and gay in mid-twentieth century America. William Styron reads about a disabled child finding brief moments of joy in Lie Down in Darkness, his novel about a troubled Southern family. James Jones reads the most famous passage from his celebrated World War II novel, From Here to Eternity. And Philip Roth does a hilarious comic turn in a bizarre scene from his early novel, Letting Go.

Additionally, Nelson Algren reads from his most famous novel, The Man with the Golden Arm, about the decline and fall of a drug dealer and card sharp. Bernard Malamud’s devastating selection from The Magic Barrel portrays poor, embittered old Jews who achieve a moment of grace after fierce antagonism. In John Updike’s story from Pigeon Feathers and Other Stories, a seminary student working as a lifeguard draws a witty and lyrical contrast between saving souls and bodies. And James Jones’ account of a World War II battle in Japan in The Thin Red Line shows young soldiers at their most heroic and perilous moments.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In “Here Come the Maples,” the seventeenth story in the series, Richard reminisces about his and Joan’s early married life as he finalizes the divorce.

Faith ultimately bursts into flame as Updike’s major new novel, charting the lives of one family through four generations, shows readers an America whose dream of perfection is translated into an obsession with God and the Moving Picture. Paterson, New Jersey, 1910: When a Presbyterian minister suddenly loses his faith and leaves the pulpit to become a salesman, he becomes a movie addict as well.

This well-known short story appears in Pigeon Feathers and Other Stories, one of John Updike’s earliest books and is narrated by a divinity student at his summer job. From the heights of his wooden throne, the fastidious and aloof young narrator delivers a silent sermon addressed to the beachgoers–“the middle-aged, burdened with children and aluminum chairs.” Though full of himself and his mission, he appeals to us by virtue of his earnestness and promise, and the call for which he waits. Updike reads with a tender, ironic understanding of his haughty hero.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

The fifth story in this collection, “Marching through Boston,” finds Richard and Joan Maple still holding on to the tattered threads of their marriage. As Joan is caught up in the civil rights movement, an unwell Richard joins her at a march in Boston.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In the thirteenth story, “Nakedness,” Joan and Richard encounter two errant young nudists at the beach, an experience that exhumes memories of nudity and awakens their sense of their current physicality.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this tenth story, “Plumbing,” Richard Maple reflects on the past as his family moves into a new home.

PULITZER PRIZE WINNER • One of the most gifted American writers of the twentieth century brings back ex-basketball player Harry “Rabbit” Angstrom, the late middle-aged hero of Rabbit, Run, who has acquired heart trouble, a Florida condo, and a second grandchild, and is looking for reasons to live. 

“Brilliant…the best novel about America to come out of America for a very, very long time.”—The Washington Post Book World

Rabbit’s son, Nelson, is behaving erratically; his daughter-in-law, Pru, is sending out mixed signals; and his wife, Janice, decides in midlife to become a working girl. As, through the winter, spring, and summer of 1989, Reagan’s debt-ridden, AIDS-plagued America yields to that of George Bush, Rabbit explores the bleak terrain of late middle age, looking for reasons to live. The geographical locale is divided between Brewer, in southestern Pennyslvania, and Deleon, in southwestern Florida.

PULITZER PRIZE WINNER • The middle-aged hero of Rabbit, Run, returns—from one of the most gifted American writers of the twentieth century. 

The hero of John Updike’s Rabbit, Run (1960), ten years after the hectic events described in Rabbit Redux (1971), has come to enjoy considerable prosperity as Chief Sales Representative of Springer Motors, a Toyota agency in Brewer, Pennsylvania. The time is 1979: Skylab is falling, gas lines are lengthening, the President collapses while running in a marathon, and double-digit inflation coincides with a deflation of national confidence. Nevertheless, Harry Angstrom feels in good shape, ready to enjoy life at last—until his son, Nelson, returns from the West, and the image of an old love pays a visit to his lot. New characters and old populate these scenes from Rabbit’s middle age, as he continues to pursue, in his erratic fashion, the rainbow of happiness.

“A triumph.”

NEWSDAY

The assumptions and obsessions that control our daily lives are explored in tantalizing detail by master novelist John Updike in this wise, witty, and sexy story. Harry Angstrom–known to all as Rabbit, one of America’s most famous literary characters–finds his dreary life shattered by the infidelity of his wife, Janice. How he resolves or further complicates his problems makes for a novel of the first order.

Set ten years after Harry “Rabbit” Angstrom’s death, Rabbit Remembered returns readers to the small Pennsylvania town where Harry’s widow, Janice, and his son, Nelson, still reside. They are faced with a surprise when Annabelle, Harry’s 39-year-old illegitimate daughter, arrives on the scene, bringing with her ghosts from the past.

“A lacerating story of loss and of seeking, written in prose that is charged with emotion but is always held under impeccable control.”—Kansas City Star

Rabbit, Run is the book that established John Updike as one of the major American novelists of his—or any other—generation. Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

A riveting novel that takes place in one day about an elderly painter and the New Yorker interviewing her—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. • “A brief novel of deep feeling.”—Time

On a day that contains much conversation and some rain, the seventy-eight-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through the story of her own career, the triumphant, poignant saga of postwar American art. In the evolving relation between the two women, the interviewer and interviewee move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time is the early spring of 2001.

John Updike reads six stories he has selected from the hundred-odd he has published.

“A&P”, recounting a moral crisis on the checkout counter, is his most anthologized story.

“Pigeon Feathers,” the longest story included, tells of a fourteen-year-old boy’s fear of death and the answer he finds.

“The Family Meadow” describes a piece of America, a picnic reunion in New Jersey.

“The Witnesses” and “The Alligators” both deal with love, as felt by a middle-aged man and a fifth-grade boy.

“Separating” recounts the June day when Richard and Joan Maple separate, in front of their four children.

Mr. Updike, when asked to described his method of reading aloud, said “I try to picture the things describes, and to speak the words distinctly, and to let the emotion come through on its own.”
The method works beautifully.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

“Separating,” the fourteenth story in the collection, details the Maples’ decision to part ways, their pragmatism about the split concealing their underlying emotions as they struggle to relate the news to their four nearly-grown children.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this first story from the collection, Richard and Joan Maple, newlyweds still feeling out married life, receive a visit from their friend Rebecca Cune.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this twelfth story, “Sublimating,” Richard buys a cabbage, Joan enjoys the car wash, and the two of them give up on sex.

Pulitzer Prize-winning author John Updike comments on how writing fiction can push the writer’s boundaries, in “Testing the Limits of What I Know and Feel,” his contribution to NPR’s This I Believe series.

This I Believe is a National Public Radio program that features Americans, from the famous to the unknown, completing the thought that begins with the series title. The pieces that make up the program compel listeners to re-think not only what and how they have arrived at their own personal beliefs, but also the extent to which they share them with others.

Featuring a star-studded list of contributors that includes John McCain, Isabel Allende, and Colin Powell, as well as pieces from the original 1950’s series including Helen Keller and Jackie Robinson, the This I Believe collection also contains essays by a Brooklyn lawyer, a woman who sells yellow pages advertising in Fort Worth, and a man who serves on the state of Rhode Island’s parole board. The result is a stirring, funny and always provocative trip inside the minds and hearts of a diverse group of Americans whose beliefs, and the incredibly varied ways in which they choose to express them, reveal the American spirit at its best.

This short audio essay is an excerpt from the audiobook edition of the This I Believe anthology.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

WINNER OF THE NATIONAL BOOK AWARD AND THE PRIX DU MEILLEUR LIVRE ÉTRANGER
 
The Centaur is a modern retelling of the legend of Chiron, the noblest and wisest of the centaurs, who, painfully wounded yet unable to die, gave up his immortality on behalf of Prometheus. In the retelling, Olympus becomes small-town Olinger High School; Chiron is George Caldwell, a science teacher there; and Prometheus is Caldwell’s fifteen-year-old son, Peter. Brilliantly conflating the author’s remembered past with tales from Greek mythology, John Updike translates Chiron’s agonized search for relief into the incidents and accidents of three winter days spent in rural Pennsylvania in 1947. The result, said the judges of the National Book Award, is “a courageous and brilliant account of a conflict in gifts between an inarticulate American father and his highly articulate son.”

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

Collected together for the first time on audio, these eighteen classic stories from across John Updike’s career form a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published a story, “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this eleventh story, “The Red-Herring Theory” Richard and Joan, after hosting a party, talk about love and deceit in the suburbs.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this sixth story from The Maples Stories, Richard and Joan attend a party, after which an intoxicated Richard gets behind the wheel. With his wife in the backseat and Eleanor, a woman to whom Richard is undeniably attracted, in the passenger seat, he sets off into the snowy night.

More than three decades have passed since the events described in John Updike’s The Witches of Eastwick. The three divorcées–Alexandra, Jane, and Sukie–have left town, remarried, and become widows. They cope with their grief and solitude as widows do: they travel the world, to such foreign lands as Canada, Egypt, and China, and renew old acquaintance. Why not, Sukie and Jane ask Alexandra, go back to Eastwick for the summer? The old Rhode Island seaside town, where they indulged in wicked mischief under the influence of the diabolical Darryl Van Horne, is still magical for them. Now Darryl is gone, and their lovers of the time have aged or died, but enchantment remains in the familiar streets and scenery of the village, where they enjoyed their lusty primes as free and empowered women. And, among the local citizenry, there are still those who remember them, and wish them ill. How they cope with the lingering traces of their evil deeds, the shocks of a mysterious counterspell, and the advancing inroads of old age, form the burden of Updike’s delightful, ominous sequel.

“John Updike is the great genial sorcerer of American letters [and] The Witches of Eastwick [is one of his] most ambitious works. . . . [A] comedy of the blackest sort.”—The New York Times Book Review

Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play. Thenceforth scandal flits through the darkening, crooked streets of Eastwick—and through the even darker fantasies of the town’s collective psyche.

“A great deal of fun to read . . . fresh, constantly entertaining . . . John Updike [is] a wizard of language and observation.”—The Philadelphia Inquirer

“Vintage Updike, which is to say among the best fiction we have.”—Newsday

The theme of trust, betrayed or fulfilled, runs through this collection of short stories: Parents lead children into peril, husbands abandon wives, wives manipulate husbands, and time undermines all. Love pangs, a favorite subject of the author, take on a new urgency as earthquakes, illnesses, lost wallets, and deaths of distant friends besiege his aging heroes and heroines. One man loves his wife’s twin, and several men love the imagined bliss of their pasts; one woman takes an impotent lover, and another must administer her father’s death. Bourgeois comforts and youthful convictions are tenderly seen as certain to erode: “Man,” as one of these stories concludes, “was not meant to abide in paradise.”

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

As Richard and Joan Maple’s story continues in this fourth story in the collection, their marriage is falling apart. Though both intensely desire separation, they continue to hold on to their broken relationship. So rather than get away from each other, they go away with each other–to Rome.

A delightful, witty, passionate novel that follows its hero from the Depression era to the early twenty-first century—from a master of American letters and the Pulitzer Prize-winning author of the acclaimed Rabbit series.

John Updike’s twenty-first novel, a bildungsroman, follows Owen Mackenzie from his birth in the semi-rural Pennsylvania town of Willow to his retirement in the rather geriatric community of Haskells Crossing, Massachusetts.

In between these two settlements comes Middle Falls, Connecticut, where Owen, an early computer programmer, founds with a partner, Ed Mervine, the successful firm of E-O Data, which is housed in an old gun factory on the Chunkaunkabaug River. Owen’s education (Bildung) is not merely technical but liberal, as the humanity of his three villages, especially that of their female citizens, works to disengage him from his youthful innocence. As a child he early felt an abyss of calamity beneath the sunny surface quotidian, yet also had a dreamlike sense of leading a charmed existence.

The women of his life, including his wives, Phyllis and Julia, shed what light they can. At one juncture he reflects, “How lovely she is, naked in the dark! How little men deserve the beauty and mercy of women!” His life as a sexual being merges with the communal shelter of villages: “A village is woven of secrets, of truths better left unstated, of houses with less window than opaque wall.”

This delightful, witty, passionate novel runs from the Depression era to the early twenty-first century.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this eighth story, “Waiting Up,” Richard Maple waits for his wife, Joan, to return from a friend’s house–and realizes the gravity of past mistakes.

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

This second story from the collection finds the Maples seven years–and three children–into their marriage. Despite the effects of time, Richard is still very much in love with, and sexually attracted to, his wife. But the complexities of Joan still elude him.

The extraordinarily evocative stories depict the generation born in a small-town America during the Depression and growing up in a world where the old sexual morality was turned around and material comforts were easily had. Yet, as these stories reflect so accurately, life was still unsettling, and Updike chronicles telling moments both joyful and painful. The texts are taken from his recent omnibus, The Early Stories, 1953-1975.

In describing how he wrote these stories in a small, rented, smoke-filled office in Ipswitch, Massachusetts, he says, “I felt that I was packaging something as delicately pervasive as smoke, one box after another, in that room, where my only duty was to describe reality as it had come to me — to give the mundane its beautiful due.”

The Maples Stories consists of eighteen classic stories from across John Updike’s career, forming a luminous chronicle of the life and times of one marriage in all its rich emotional complexity. In 1956, Updike published the story “Snowing in Greenwich Village,” about a young couple, Joan and Richard Maple, at the beginning of their marriage. Over the next two decades, he returned to these characters again and again, tracing their years together raising children, finding moments of intermittent happiness, and facing the heartbreak of infidelity and estrangement.

In this seventh story, “Your Lover Just Called,” Richard Maple suspects his wife of having affair after receiving a mysterious telephone call.