New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

Laura Lippman, the acclaimed New York Times bestselling author of The Most Dangerous Thing, I’d Know You Anywhere, and What the Dead Know, returns with an addictive story that explores how one man’s disappearance echoes through the lives of the wife, mistress, and daughters he left behind.

When Felix Brewer meets Bernadette “Bambi” Gottschalk at a Valentine’s Dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative–if not all legal–businesses, she and their three little girls live in luxury. But on the Fourth of July, 1976, Bambi’s comfortable world implodes when Felix, newly convicted and facing prison, mysteriously vanishes.

Though Bambi has no idea where her husband–or his money–might be, she suspects one woman does: his mistress, Julie. When Julie disappears ten years to the day that Felix went on the lam, everyone assumes she’s left to join her old lover–until her remains are eventually found.

Now, twenty-six years after Julie went missing, Roberto “Sandy” Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web stretching over three decades that connects five intriguing women. And at the center is the missing man Felix Brewer.

Somewhere between the secrets and lies connecting past and present, Sandy will find the truth. And when he does, no one will ever be the same.

“Laura Lippman’s stories aren’t just mysteries; they are deeply moving explorations of the human heart. She is quite simply one of the best crime novelists writing today.”
–Tess Gerritsen, author of The Mephisto Club

Already praised as “a writing powerhouse” (USA Today) and “among the select group of novelists who have invigorated the crime fiction arena with smart, innovative, and exciting work” (George Pelecanos), New York Times bestseller Laura Lippman is constantly sending reviewers back to their thesauruses in search of new and greater accolades. Her brilliant stand-alone novel, And When She Was Good, only reinforces the fact that she stands tall among today’s bestselling elite–including Kate Atkinson, Tana French, Jodi Picoult, and Harlan Coben (who raves, “I love her books!”) Based on her acclaimed, multi-award-nominated short story Scratch a Woman, And When She Was Good is the powerfully gripping, intensely emotional story of a suburban madam, a convicted murderer whose sentence is about to be overturned, and the child they will both do anything to keep. Lippman has already won virtually every prize the mystery genre has to offer–the Edgar(r), Anthony, Agatha, and Nero Wolfe Awards, to name but a few. They’ll now have to invent a few new awards just to keep up with her.

New York Times Bestseller

Award-winning and New York Times bestselling author Laura Lippman’s Tess Monaghan–first introduced in the classic Baltimore Blues–must protect an up-and-coming Hollywood actress, but when murder strikes on a TV set, the unflappable PI discovers everyone’s got a secret.

“[A] welcome addition to Tess Monaghan’s adventures and an insightful look at the desperation that drives those grasping for a shot at fame and those who will do anything to keep it.”–San Francisco Chronicle

When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series Mann of Steel while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set “accidents” that have wreaked havoc with its shooting schedule. As a result, Mann’s creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard. Tumulty’s concern may be well founded. Recently, a Baltimore man was discovered dead in his home, surrounded by photos of the beautiful–if difficult–aspiring star.

In the past, Tess has had enough trouble guarding her own body. Keeping a spoiled movie princess under wraps may be more than she can handle since Selene is not as naive as everyone seems to think, and instead is quite devious. Once Tess gets a taste of this world of make-believe–with their vanities, their self-serving agendas, and their remarkably skewed visions of reality–she’s just about ready to throw in the towel.

But she’s pulled back in when a grisly on-set murder occurs, threatening to topple the wall of secrets surrounding Mann of Steel as lives, dreams, and careers are scattered among the ruins.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

In a city where someone is murdered almost every day, attorney Michael Abramowitz’s death should be just another statistic. But the slain lawyer’s notoriety–and his taste for illicit midday trysts–make the case front-page news in every local paper except the Star, which crashed and burned before Abramowitz did. A former Star reporter who knows every inch of this town–from historic Fort McHenry to the crumbling projects of Cherry Hill–now-unemployed journalist Tess Monaghan also knows the guy the cops like for the killing: cuckolded fiance Darryl “Rock” Paxton. The time is ripe for a career move–anything to pay the rent–so when rowing buddy Rock wants to hire her to do some unorthodox snooping to help clear his name, Tess agrees. But there are lethal secrets hiding in the Charm City shadows, and Tess’ own name could end up on that ever-expanding list of Baltimore dead.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

Tess Monaghan has finally made the move and hung out her shingle as a PI-for-hire, complete with an office in Butchers Hill. Maybe it’s not the best address in Baltimore, but you gotta start somewhere, and Tess’ greyhound Esskay has no trouble taking marathon naps anywhere there’s a roof. Then in walks Luther Beale, the notorious vigilante who five years ago shot a boy for vandalizing his car. Just out of prison, he says he wants to make reparations to the kids who witnessed his crime, so he needs Tess to find them. But once she starts snooping, the witnesses start dying. Is the Butcher of Butchers Hill at it again? Like it or not, Tess is embroiled in a case that encompasses the powers that be, a heartless system that has destroyed the lives of children, and a nasty trail of money and lies leading all the way back to Butchers Hill.

Award-winning and New York Times bestselling author Laura Lippman’s Tess Monaghan–first introduced in the classic Baltimore Blues–must track down a missing wife and unravel the secrets in her marriage that led her to flee.

Mark Rubin’s family is missing–and the police won’t get involved because all the evidence indicates that his wife left willingly. So the successful Baltimore furrier turns to Tess Monaghan, hoping she can help him find his wife and three children. Tess doesn’t quite know what to make of Rubin, who doles out vitally important information in grudging dribs and drabs. According to her client, he and his beautiful wife, Natalie, had a flawless, happy marriage. Yet one day, without any warning or explanation, Natalie gathered up their children and vanished.

Tapping into a network of fellow investigators spread across the country, Tess is soon able to locate the runaway wife and the children who have been moving furtively from state to state, town to town. But the Rubins are not alone. A mysterious man is traveling with them, a stranger described by witnesses as “handsome” and “charming” but otherwise unremarkable. And the deeper Tess digs, the more she suspects that the motive behind Natalie’s reckless flight lies somewhere in the gap between what Rubin will not say and what he refuses to believe.

An intricate web of betrayal and vengeance is beginning to unfold. Suddenly, much more than one man’s future happiness and stubborn pride are in peril. For the lives of three innocent children are dangling by the slenderest of threads.

Mark Rubin’s family is missing–and the police won’t get involved because all the evidence indicates that his wife left willingly. So the successful Baltimore furrier turns to Tess Monaghan, hoping she can help him find his wife and three children. Tess doesn’t quite know what to make of Rubin, who doles out vitally important information in grudging dribs and drabs. According to her client, he and his beautiful wife, Natalie, had a flawless, happy marriage. Yet one day, without any warning or explanation, Natalie gathered up their children and vanished.

Tapping into a network of fellow investigators spread across the country, Tess is soon able to locate the runaway wife and the children who have been moving furtively from state to state, town to town. But the Rubins are not alone. A mysterious man is traveling with them, a stranger described by witnesses as “handsome” and “charming” but otherwise unremarkable. And the deeper Tess digs, the more she suspects that the motive behind Natalie’s reckless flight lies somewhere in the gap between what Rubin will not say and what he refuses to believe.

An intricate web of betrayal and vengeance is already beginning to unfold, as memory begets rage, and rage begets desperation…and murder. Suddenly, much more than one man’s future happiness and stubborn pride are in peril. For the lives of three innocent children are dangling by the slenderest of threads.

PI Tess Monaghan knows and loves every inch of her native Baltimore. It’s a quirky city where baseball reigns, but lately homicide seems to be the second most popular sport. Business tycoon Wink Wynkowski is trying to change all that by bringing pro basketball to town–until a devastating expos+(r) appears in the Baltimore Beacon Light. The newspaper’s editors thought they’d killed the piece. Instead, the piece killed Wink, who’s found dead in his garage. Tess is hired to find the unknown hacker who planted the lethal story.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

“My dream novel. I devoured this in three days. The sharpest, clearest-eyed take on our #MeToo reckoning yet. Plus: enthralling.” —Megan Abbott, Edgar Award-winning author of Dare Me and The Fever

Following up on her acclaimed and wildly successful New York Times bestseller Lady in the Lake, Laura Lippman returns with a dark, complex tale of psychological suspense with echoes of Misery involving a novelist, incapacitated by injury, who is plagued by mysterious phone calls.

In the end, has anyone really led a blameless life?

Injured in a freak fall, novelist Gerry Andersen is confined to a hospital bed in his glamorous high-rise apartment, dependent on two women he barely knows: his incurious young assistant, and a dull, slow-witted night nurse.

Then late one night, the phone rings. The caller claims to be the “real” Aubrey, the alluring title character from his most successful novel, Dream Girl. But there is no real Aubrey. She’s a figment born of a writer’s imagination, despite what many believe or claim to know. Could the cryptic caller be one of his three ex-wives playing a vindictive trick after all these years? Or is she Margot, an ex-girlfriend who keeps trying to insinuate her way back into Gerry’s life?

And why does no one believe that the call even happened?

Isolated from the world, drowsy from medication, Gerry slips between reality and a dreamlike state in which he is haunted by his own past: his faithless father, his devoted mother; the women who loved him, the women he loved.

And now here is Aubrey, threatening to visit him, suggesting that she is owed something. Is the threat real or is it a sign of dementia? Which scenario would he prefer? Gerry has never been so alone, so confused – and so terrified.

Chilling and compulsively readable, touching on timely issues that include power, agency, appropriation, and creation, Dream Girl is a superb blend of psychological suspense and horror that reveals the mind and soul of a writer.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

One of mystery writing’s most acclaimed novelists for her brilliant Tess Monaghan series, Laura Lippman won the Anthony and Barry Awards for this riveting stand-alone. Kicked out of a birthday party, 11-year-olds Alice and Ronnie walk home and encounter a baby left in a carriage. Their earnest desire to do a good deed ends tragically, however, and seven years later they are released from “kid prison” to start their lives anew..

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

For people who have yet to listen to Lippman, get ready to experience the spellbinding power of “one of today’s most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations,” (San Diego Union-Tribune), who has “invigorated the crime fiction arena with smart, innovative, and exciting work” (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you’ll discover that you hardly know her.

This audio contains the individual short story “Hardly Knew Her”, from the collection Hardly Knew Her.

“Lippman is a writing powerhouse.”

—USA Today

New York Times bestselling author and winner of every major prize awarded for crime fiction–including the Edgar(r), Anthony, Shamus, Agatha, and Nero Wolfe Awards–Laura Lippman brilliantly demonstrates her astonishing agility as a short story writer with Hardly Knew Her. A sterling collection of sixteen suspenseful short fictions and novellas–most set in and around her beloved Baltimore and several featuring her popular series character private investigator Tess Monaghan–Hardly Knew Her was called, “Riveting…One of the best collections released in some time” by the Boston Globe. The Seattle Times says, “something in the short-story form brings out the wicked in Laura Lippman,” and this exceptional collection is indisputable proof that Lippman is without peer as she walks boldly on the dark and dangerous side.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestselling author Laura Lippman plunges Baltimore private investigator Tess Monaghan into a twisted and disturbing case.

Tess Monaghan has encountered almost every possible criminal motive throughout her career: greed, revenge, jealousy, rage. But there are crimes that defy all attempts at understanding, where a search for motive seems pointless.

Melisandre Harris Dawes committed such a crime. Found not guilty by reason of insanity, she fled the country, leaving her two daughters with their father. Twelve years later, she’s back in Baltimore, and Tess is asked to provide security detail while Melisandre films a documentary about her attempts to reconcile with her now teenaged children.

Tess, juggling work with caring for her demanding toddler, is uneasy about the case. Still, Melisandre’s lawyer is family. And there is something about the woman herself–confident, beautiful, shrewdly intelligent–that draws Tess in. Is she a master manipulator or someone who was driven to temporary madness? Cold and calculating, or a mother concerned for her daughters’ well being? Someone is leaving Melisandre enigmatic, threatening notes. Soon Tess, insecure about her parenting abilities and receiving cryptic messages of her own, isn’t sure whether she should be protecting Melisandre from harm–or protecting everyone else from Melisandre.

When Melisandre becomes the prime suspect in a murder, Tess must uncover the truth. Doing so will mean confronting her deepest beliefs about what separates good parents from bad, madness from sanity, and what lengths even the most rational person will go to, to protect what they cherish most.

“Laura Lippman is among the select group of novelists who have invigorated the crime fiction arena with smart, innovative, and exciting work.”
–George Pelecanos

“Lippman’s taut, mesmerizing, and exceptionally smart drama of predator and prey is at once unusually sensitive and utterly compelling.
—Booklist

Laura Lippman, New York Times bestselling author of What the Dead Know, Life Sentences, and the acclaimed Tess Monaghan p.i. series, delivers a stunning stand-alone novel that explores the lasting effects on lives touched by crime. With I’d Know You Anywhere, Lippman–master of mystery and psychological suspense, winner of every major literary prize given for crime fiction, including the Edgar(r), Agatha, and Nero Wolfe Awards–tells a gripping and richly textured tale of a young woman whose life dangerously entwines once again with a man on Death Row who had kidnapped her when she was a teenager. This is superior mystery writing in the vein of Kate Atkinson.

A Mystery Guild selection, In a Strange City stars PI Tess Monaghan in a chilling thriller. When a murder occurs during the annual visit of a cloaked individual to Edgar Allan Poe’s grave, Tess is drawn into unearthing a killer. “Lippman’s second Tess Monaghan novel is a perfectly good mystery, but even more, it’s an homage to the city of Baltimore.”-Booklist

First as a reporter and then as a PI, Tess Monaghan has learned how to survive and thrive on the streets of Baltimore. But a new case will force her to confront her own past, and a man she loved and lost. It starts when she gets a newspaper photograph of her old boyfriend with a tantalizing shard of headline attached: In Big Trouble. The answers lie far from Baltimore, deep in a world of good-time music, old-fashioned ambition, and rich people’s games. For Tess must find out what happened to a man she thought she knew, to a woman who may have changed him forever, and to the victims of a killer who dances to a different–and deadly–drummer.

2020 Audie Awards(r) Finalist – Thriller/Suspense

The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that combines modern psychological insights with elements of classic noir, about a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman.

In 1966, Baltimore is a city of secrets that everyone seems to know–everyone, that is, except Madeline “Maddie” Schwartz. Last year, she was a happy, even pampered housewife. This year, she’s bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.

Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl–assistance that leads to a job at the city’s afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake.

Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie–and the dead woman herself. Maddie’s going to find the truth about Cleo’s life and death. Cleo’s ghost, privy to Maddie’s poking and prying, wants to be left alone.

Maddie’s investigation brings her into contact with people that used to be on the periphery of her life–a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people–including the man who shares her bed, a black police officer who cares for Maddie more than she knows.

“From its gripping opening pages…Life Sentences may be the most absorbing, entertaining mystery published in the last year.”

—Boston Globe

USA Today calls Laura Lippman, “A writing powerhouse,” and Life Sentences powerfully confirms it. Past and present, truth and memory collide in this searing novel from a New York Times bestselling author whose novels have won virtually every major prize bestowed for crime fiction–from the Edgar(r) to the Anthony to the Agatha to the Nero Wolfe Award. As she did in her blockbuster What the Dead Know, Lippman takes a brief hiatus from her popular series character, Baltimore p.i. Tess Monaghan, to tell a riveting story of deceptions and dangerously fragile truths that People magazine says, “Succeeds brilliantly.”

Liza Jane believed she could find better parents. So she fired her mom and dad and hired the first applicant who came to the door–what could possibly go wrong? And at first everything was fun. The dragon did whatever Liza Jane wanted him to do. But it turned out the dragon had only one response to all problems–opening his mouth and belching fire. Suddenly, people were scared of Liza Jane. The pizza delivery man didn’t want to come to her house. No one wanted to play with her. And all that fire was very bad for the furniture. Could Liza Jane have been wrong about what kind of qualities she wanted in a parent?

New York Times bestselling author Laura Lippman, a journalist for many years, collects here her recent essays exploring motherhood as an older mom, her life as a reader, her relationships with her parents, friendship, and other topics that will resonate with a large audience. Her voice is wry and relatable, her takes often surprising.

Meet the Woman Behind the Books…

In this collection of new and previously published essays, New York Times bestselling author Laura Lippman offers her take on a woman’s life across the decades. Her childhood and school years, her newspaper career, her experiences as a novelist–Lippman finds universal touchstones in an unusual life that has as many twists as her award-winning crime fiction.

Essays include:

* Men Explain The Wire to Me

* Game of Crones

* My Life as a Villainess

* My Father’s Bar

* The 31^st Stocking

These candid essays offer long-time readers insight into the experiences that helped Lippman become one of the most successful crime novelists of her generation.

Award-winning and New York Times bestselling author Laura Lippman’s Tess Monaghan–first introduced in the classic Baltimore Blues–becomes involved in a complicated investigation that will force her to question her loyalties.

For Tess Monaghan, the unsolved murder of a young federal prosecutor is nothing more than a theoretical problem, one of several cases to be deconstructed in her new gig as a consultant to the local newspaper. But it becomes all too tangible when her boyfriend, Crow, brings home a young street kid who’s a juvenile con artist and who doesn’t even realize he holds an important key to the sensational homicide.

Tess agrees to protect the boy’s identity no matter what, especially when one of his friends is killed in what appears to be a case of mistaken identity. But as she soon discovers, her ethical decision to protect him has dire consequences. And with federal agents determined to learn the boy’s name at any cost, Tess finds out just how far even official authorities will go to get what they want.

It isn’t long before Tess finds herself facing felony charges. To make matters worse, Crow has gone into hiding with his young protege. So Tess can’t deliver the kid to investigators even if she wants to. Now her only recourse is to get to the heart of the sordid and deadly affair while they’re all still free…and still breathing.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestseller Laura Lippman showcases why she is one of today’s top crime writers in this acclaimed collection of suspenseful stories featuring fierce women–including one never-before-published novella.

“A first-rate collection, an obvious must for the legions of Lippman fans, but also great reading for anyone who savors short crime fiction.” — Booklist (starred review)

The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories.

In the never-before-published “Just One More,” a married couple–longing for that old romantic spark–creates a playful diversion that comes with unexpected consequences.

Lippman’s beloved Baltimore PI Tess Monaghan keeps a watchful eye on a criminally resourceful single father in “Seasonal Work,” while her mother, Judith, realizes that the life of “The Everyday Housewife” is an excellent cover for all kinds of secrets.

In “Slow Burner,” a husband’s secret cell phone proves to be a dicey temptation for a suspicious wife.

A father’s hidden past piques the curiosity of a young snoop in “The Last of Sheila-Locke Holmes.”

Plus seven other brilliantly crafted stories of deception, murder, dangerous games, and love gone wrong–irrefutable evidence that Laura Lippman’s riveting fiction will more than satisfy any crime reader.

New York Times bestselling author Laura Lippman returns with a superb novel of psychological suspense about a pair of lovers with the best intentions and the worst luck: two people locked in a passionate yet uncompromising game of cat and mouse. But instead of rules, this game has dark secrets, forbidden desires, inevitable betrayals–and cold-blooded murder.

One is playing a long game. But which one?

They meet at a local tavern in the small town of Belleville, Delaware. Polly is set on heading west. Adam says he’s also passing through. Yet she stays and he stays–drawn to this mysterious redhead whose quiet stillness both unnerves and excites him. Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other–dangerous, even lethal, secrets.

Then someone dies. Was it an accident, or part of a plan? By now, Adam and Polly are so ensnared in each other’s lives and lies that neither one knows how to get away–or even if they want to. Is their love strong enough to withstand the truth, or will it ultimately destroy them?

Something–or someone–has to give.

Which one will it be?

Inspired by James M. Cain’s masterpieces The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce, Sunburn is a tantalizing modern noir from the incomparable Laura Lippman.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

“Lippman is a writing powerhouse. ”

—USA Today

“I love her books.”

–Harlan Coben

New York Times bestselling author Laura Lippman–winner of the Edgar(r) Award and every other major literary prize given for mystery and crime fiction–embroils Baltimore p.i. Tess Monaghan in the strange case of The Girl in the Green Raincoat. Originally serialized in the New York Times, The Girl in the Green Raincoat is now in book form for the very first time–a masterful thriller in the Alfred Hitchcock mode that places a very pregnant, homebound Tess in the center of a murderous puzzle that could cost her her life and the life of her unborn child.

Laura Lippman has claimed all the major prizes in mystery writing and is a New York Times best-selling author. In this seventh novel from Lippman’s acclaimed series, Baltimore investigator Tess Monaghan has her hands full with five murder cases that have gone cold. Each has a domestic violence angle, and the cases also share a disturbing connection-one that points to Tess herself.

“One of the best novelists around, period.”
—Washington Post

“Lippman has enriched literature as a whole.
—Chicago Sun-Times

One of the most acclaimed novelists in America today, Laura Lippman has greatly expanded the boundaries of mystery fiction and psychological suspense with her Tess Monaghan p.i. series and her New York Times bestselling standalone novels (What the Dead Know, Life Sentences, I’d Know You Anywhere, etc.). With The Most Dangerous Thing, the multiple award winning author–recipient of the Anthony, Edgar(r), Shamus, and Agatha Awards, to name but a few–once again demonstrates how storytelling is done to perfection. Set once again in the well-wrought environs of Lippman’s beloved Baltimore, it is the shadowy tale of a group of onetime friends forced to confront a dark past they’ve each tried to bury following the death of one of their number. Rich in the compassion and insight into flawed human nature that has become a Lippman trademark while telling an absolutely gripping story, The Most Dangerous Thing will not be confined by genre restrictions, reaching out instead to captive a wide, diverse audience, from Harlan Coben and Kate Atkinson fans to readers of Jodi Picoult and Kathryn Stockett.

A short story featuring Tess Monaghan, New York Times Bestselling author Laura Lippman’s acclaimed private eye

Tess Monaghan and Whitney Talbot witness an altercation between a boorish restaurant patron and a shoeshine man. When it is discovered that the mild-mannered shoeshine man is wanted for a murder that occurred 40 years in the past, a friend of Tess’s asks her to investigate and the case turns out to be full of surprises.

“Powerful….A gripping tale that is a mystery only in the same sense as To Kill a Mockingbird was….Brilliant, insightful, moving.”
—Chicago Sun-Times

There are excellent reasons why New York Times bestselling author Laura Lippman has won the Edgar(r), Agatha, Anthony, Nero Wolfe, and every other major award the mystery genre has to offer. To the Power of Three is just one of those reasons. Lippman’s brilliant and disturbing tale of three inseparable high school girlfriends in an affluent Baltimore suburb who share dark secrets literally until death, To the Power of Three is this “writing powerhouse” (USA Today), who has “exploded the boundaries of the mystery genre to become one of the most significant social realists of our time” (Madison Smartt Bell) operating at the very top of her game. Not merely crime fiction, but fiction that gets to the deep psychological, emotional, and human roots of a terrible crime, Lippman’s novel is one that will not be easily forgotten–a must read for fans of Kate Atkinson, Tana French, Jodi Picoult, and Harlan Coben

There are excellent reasons why New York Times bestselling author Laura Lippman has won the Edgar(r), Agatha, Anthony, Nero Wolfe, and every other major award the mystery genre has to offer. To the Power of Three is just one of those reasons. Lippman’s brilliant and disturbing tale of three inseparable high school girlfriends in an affluent Baltimore suburb who share dark secrets literally until death, To the Power of Three is this “writing powerhouse” (USA Today), who has “exploded the boundaries of the mystery genre to become one of the most significant social realists of our time” (Madison Smartt Bell) operating at the very top of her game. Not merely crime fiction, but fiction that gets to the deep psychological, emotional, and human roots of a terrible crime, Lippman’s novel is one that will not be easily forgotten–a must read for fans of Kate Atkinson, Tana French, Jodi Picoult, and Harlan Coben.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories–and reveals another level of mastery.

In Femme Fatale, a chance encounter in a Starbucks introduces a 68-year-old widow to the world of fetish porn and to a way out of her money worries.

Thirty years ago two sisters disappeared from a shopping mall. Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who’or what’could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness?

Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been, why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn’t a shred of evidence to support her story, and every lead she gives the police seems to be another dead-end’a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household.

In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

An African-American man accused of rape by a humiliated girl. A vengeful father. A courageous attorney. A worshipful daughter. Think you know this story? Think again.

Laura Lippman, the “extravagantly gifted” (Chicago Tribune) New York Times bestselling author, delivers “one of her best novels ” (Washington Post)–a modern twist on To Kill a Mockingbird. Scott Turow writes in the New York Times, “Wilde Lake is a real success.”

Luisa “Lu” Brant is the newly elected state’s attorney representing suburban Maryland–including the famous planned community of Columbia, created to be a utopia of racial and economic equality. Prosecuting a controversial case involving a disturbed drifter accused of beating a woman to death, the fiercely ambitious Lu is determined to avoid the traps that have destroyed other competitive, successful women. She’s going to play it smart to win this case–and win big–cementing her political future.

But her intensive preparation for trial unexpectedly dredges up painful recollections of another crime–the night when her brother, AJ, saved his best friend at the cost of another man’s life. Only eighteen, AJ was cleared by a grand jury. Justice was done. Or was it? Did the events of 1980 happen as she remembers them? She was only a child then. What details didn’t she know?

As she plunges deeper into the past, Lu is forced to face a troubling reality. The legal system, the bedrock of her entire life, does not have all the answers. But what happens when she realizes that, for the first time, she doesn’t want to know the whole truth?