By the “master of thinly veiled secrets often kept by women who rage underneath their delicate exteriors” (Kirkus Reviews), Beware the Woman is Megan Abbott at the height of her game.

Honey, I just want you to have everything you ever wanted. That’s what Jacy’s mom always told her. And Jacy felt like she finally did. Newly married and with a baby on the way, Jacy and her new husband, Jed, embark on their first road trip together to visit his father, Dr. Ash, in Michigan’s far-flung Upper Peninsula. The moment they arrive at the cottage snug within the lush woods, Jacy feels bathed in love by the warm and hospitable Dr. Ash, if less so by his house manager, the enigmatic Mrs. Brandt.

But their Edenic first days take a turn when Jacy has a health scare. Swiftly, vacation activities are scrapped, and all eyes are on Jacy’s condition. Suddenly, whispers about Jed’s long-dead mother and complicated family history seem to eerily impinge upon the present, and Jacy begins to feel trapped in the cottage, her every move surveilled, her body under the looking glass. But are her fears founded or is it paranoia, or cabin fever, or—as is suggested to her—a stubborn refusal to take necessary precautions? The dense woods surrounding the cottage are full of dangers, but are the greater ones inside?

The Little Men by Megan Abbott: Rumors and strange experiences lead a washed-up actress in 1950s Hollywood to question the suspicious circumstances surrounding the alleged suicide of a former occupant of her low-rent bungalow.

What’s in a Name? by Thomas H. Cook: Rare books dealer and amateur historian Franklin Altman has always wondered how the world might have turned out if the First World War had ended differently. On the fiftieth anniversary of the Armistice Treaty, an ancient German mysteriously appears and presents him with a personal manuscript, the contents of which, he claims, have the power to change history.

The Book of the Lion by Thomas Perry: An anonymous phone call sends Professor Dominic Hallkyn on a mad dash through the streets of Boston in pursuit of a priceless Chaucerian manuscript. But the caller’s demands will lead to a devilish plot twist.

From the Queen by Carolyn Hart: When a priceless, first edition of Agatha Christie’s Poirot Investigates, autographed and inscribed to the Queen of England, disappears from her South Carolina thrift shop, Ellen Gallagher calls on her friend Annie Darling, owner of the mystery bookstore Death on Demand, to track it down.

How does a respectable young woman fall into Los Angeles’ hard-boiled underworld?
Shadow-dodging through the glamorous world of 1950s Hollywood and its seedy flip side, Megan Abbott’s debut, Die a Little, is a gem of the darkest hue. This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney’s office. Lora’s comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past.
Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice’s personal history and possibly jealous of Alice’s hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of drugs, prostitution, and ultimately, murder.
Lora’s fascination with Alice’s “sins” increases in direct proportion to the escalation of her own relationship with Mike Standish, a charmingly amoral press agent who appears to know more about his old friend Alice than he reveals. The deeper Lora digs to uncover Alice’s secrets, the more her own life begins to resemble Alice’s sinister past – and present.
Steeped in atmospheric suspense and voyeuristic appeal, Die a Little shines as a dark star among Hollywood lights.
“Ellen Archer takes Meghan Abbott’s stylish exercise in noir and delivers a dynamite performance.” -AudioFile Magazine

Thirteen-year-old Lizzie Hood and her next-door neighbor Evie Verver are inseparable, best friends who swap clothes, bathing suits, and field-hockey sticks and between whom—presumably—there are no secrets. Then one afternoon, Evie disappears, and as a rabid, giddy panic spreads through the balmy suburban community, everyone turns to Lizzie for answers. Was Evie unhappy, troubled, or upset? Had she mentioned being followed? Would she have gotten into the car of a stranger?

Compelled by curiosity, Lizzie takes up her own furtive pursuit of the truth. Haunted by dreams of her lost friend and titillated by her own new power at the center of the disappearance, Lizzie uncovers secret after secret and begins to wonder if she knew anything at all about her best friend.

Best Book of the Year
NPR • Wall Street Journal • Boston Globe • Library Journal • CrimeReads • LitReactor • Air Mail

New York Times bestselling and award-winning author Megan Abbott’s exquisite and disquieting new novel, “dark and juicy and tinged with horror” (The New York Times Books Review), set against the hothouse of a family-run ballet studio.

With their long necks and matching buns and pink tights, Dara and Marie Durant have been dancers since they can remember. Growing up, they were homeschooled and trained by their glamorous mother, founder of the Durant School of Dance. After their parents’ death in a tragic accident nearly a dozen years ago, the sisters began running the school together, along with Charlie, Dara’s husband and once their mother’s prized student.
 
Marie, warm and soft, teaches the younger students; Dara, with her precision, trains the older ones; and Charlie, sidelined from dancing after years of injuries, rules over the back office. Circling around one another, the three have perfected a dance, six days a week, that keeps the studio thriving. But when a suspicious accident occurs, just at the onset of the school’s annual performance of The Nutcracker—a season of competition, anxiety, and exhilaration—an interloper arrives and threatens the sisters’ delicate balance.

Taut and unnerving, The Turnout is Megan Abbott at the height of her game. With uncanny insight and hypnotic writing, it is a sharp and strange dissection of family ties and sexuality, femininity and power, and a tale that is both alarming and irresistible.