A girl, a laptop, and a waddle of penguins. In this witty and genre-defying memoir, a young writer can travel anywhere she wants to finally finish her novel—and ends up on a frozen island at the bottom of the world.
 
Twenty-seven-year-old Nell Stevens was determined to write a novel, but life kept getting in the way. Then came a game-changing opportunity: she won a fellowship that would let her live, all expenses paid, anywhere in the world to research and write a book. Would she choose a glittering metropolis, a romantic village, an exotic paradise? Not exactly. Nell picked Bleaker Island, a snowy, windswept pile of rock in the Falklands. There, in a guesthouse where she would be the only guest, she could finally rid herself of distractions and write. Before the spring thaw, surely she’d have a novel.
     And indeed, other than sheep, penguins, paranoia, and the weather, there aren’t many distractions on Bleaker. Nell gets to work on a charming Dickensian fiction she calls Bleaker House—only to discover that total isolation and 1,085 calories a day are far from ideal conditions for literary production. With deft humor, the memoir traces Nell’s island days and slowly reveals details of the life and people she has left behind in pursuit of her writing. They pop up in her novel, too, and in other fictional pieces that dot the book. It seems that there is nowhere Nell can run—an island or the pages of her notebook—to escape the big questions of love, art and ambition.
     Terrifically smart, full of wry writing advice, and with a clever puzzle of a structure, Bleaker House marks the arrival of a fresh new voice in creative nonfiction.

*A Cosmopolitan Best Book of Summer * One of BuzzFeed‘s Most Anticipated LGBTQ+ Books*

An “exquisite…too lovely to bear” (The New York Times Book Review) debut novel from an award-winning writer: a playful and daring tale about a teenage ghost who falls in love with the writer George Sands.

In 1473, fourteen-year-old Blanca dies in a hilltop monastery in Mallorca. Nearly four hundred years later, when George Sand, her two children, and her lover Frederic Chopin arrive in the village, Blanca is still there: a spirited, funny, righteous ghost, she’s been hanging around the monastery since her accidental death, spying on the monks and the townspeople and keeping track of her descendants.

Blanca is enchanted the moment she sees George, and the magical novel unfolds as a story of deeply felt, unrequited longing–a teenage ghost pining for a woman who can’t see her and doesn’t know she exists. As George and Chopin, who wear their unconventionality, in George’s case, literally on their sleeves, find themselves in deepening trouble with the provincial, 19th-century villagers, Blanca watches helplessly and reflects on the circumstances of her own death (which involved an ill-advised love affair with a monk-in-training).

Charming, original, and emotionally moving, this “deeply wild debut follows the unconventional love triangle” (Cosmopolitan) between George, Chopin, and Blanca–a gorgeous and surprising exploration of artistry, desire, and life after death.

In this tale of two writers, Nell Stevens interweaves her own life as a twenty-something graduate student with that of the English author, Elizabeth Gaskell. Although they are separated by more than 150 years, Nell finds herself drawn to the Victorian novelist by their shared experiences of unrequited love—Gaskell for an American critic she met in Rome, Nell for a soulful American screenwriter living in Paris. As Nell’s romance founders and her passion for academia fails to materialize, she finds herself wondering if the indomitable Mrs. Gaskell might rescue her pursuit of love, family, and a writing career. Lively, witty, and impossible to put down, The Victorian and the Romantic is a moving chronicle of two women, each charting a way of life beyond the rules of her time.