“Astute and consistently surprising critic” (NPR) Olivia Laing investigates the body and its discontents through the great freedom movements of the twentieth century.

The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement.

Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century ? among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X.

Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

“One of the finest writers of the new non-fiction” (Harper’s Bazaar) explores the role of art in the tumultuous twenty-first century.
In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the twenty-first century generates anxiety and makes it difficult to know how to react. Olivia Laing makes a brilliant, inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living.
Funny Weather brings together a career’s worth of Laing’s writing about art and culture, and their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Wolfgang Tillmans, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, Funny Weather celebrates art as an antidote to a terrifying political moment.

An expertly crafted work of reportage, memoir, and biography on the subject of loneliness told through the lives of six iconic artists, by the acclaimed author of The Trip to Echo Spring.

You can be lonely anywhere, but there is a particular flavor to the loneliness that comes from living in a city, surrounded by thousands of strangers. The Lonely City is a roving cultural history of urban loneliness, centered on the ultimate city: Manhattan, that teeming island of gneiss, concrete, and glass.

What does it mean to be lonely? How do we live if we’re not intimately involved with another human being? How do we connect with other people, particularly if our sexuality or physical body is considered deviant or damaged? Does technology draw us closer together or trap us behind screens?

Olivia Laing explores these questions by traveling deep into the work and lives of some of the century’s most original artists, among them Andy Warhol, David Wojnarowicz, Edward Hopper, Henry Darger, and Klaus Nomi.

Part memoir, part biography, part dazzling work of cultural criticism, The Lonely City is not just a map, but a celebration of the state of loneliness. It’s a voyage out to a strange and sometimes lovely island, adrift from the larger continent of human experience, but visited by many–millions, say–of souls.

OLIVIA LAING’S WIDELY ACCLAIMED ACCOUNT OF WHY SOME OF THE BEST LITERATURE HAS BEEN CREATED BY WRITERS IN THE GRIP OF ALCOHOLISM

In The Trip to Echo Spring, Olivia Laing examines the link between creativity and alcohol through the work and lives of six of America’s finest writers: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver.

All six of these men were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast. Often, they did their drinking together: Hemingway and Fitzgerald ricocheting through the cafes of Paris in the 1920s; Carver and Cheever speeding to the liquor store in Iowa in the icy winter of 1973.

Olivia Laing grew up in an alcoholic family herself. One spring, wanting to make sense of this ferocious, entangling disease, she took a journey across America that plunged her into the heart of these overlapping lives. As she travels from Cheever’s New York to Williams’ New Orleans, and from Hemingway’s Key West to Carver’s Port Angeles, she pieces together a topographical map of alcoholism, from the horrors of addiction to the miraculous possibilities of recovery. Beautiful, captivating, and original, The Trip to Echo Spring strips away the myth of the alcoholic writer to reveal the terrible price creativity can exert.

Over sixty years after Virginia Woolf drowned in the River Ouse, Olivia Laing set out one midsummer morning to walk its banks, from source to sea. Along the way, she explores the roles that rivers play in human lives, tracing their intricate flow through literature, mythology, and folklore.

Lyrical and stirring, To the River is a passionate investigation into how history resides in a landscape–and how ghosts never quite leave the places they love.