Acclaimed across the world, prescribed in over 100 universities and colleges, and included in part in The Century’s Greatest Reportage (Ordfront, 2000), alongside the works of Gabriel Garcia Marquez, Studs Terkel and John Reed, Everybody Loves a Good Drought is the established classic on rural poverty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them.

An illuminating introduction accompanying this twentieth-anniversary edition reveals, alarmingly, how a large section of India continues to suffer in the name of development so that a small percentage may prosper. Besides exposing chronic misgovernance, it is also a devastating comment on the media’s failure to speak for the voiceless.

 ‘So who really spearheaded India’s Freedom Struggle? Millions of ordinary people-farmers, labourers, homemakers, forest produce gatherers, artisans and others-stood up to the British. People who never went on to be ministers, governors, presidents, or hold other high public office.
They had this in common: their opposition to Empire was uncompromising.
In The Last Heroes, these footsoldiers of Indian freedom tell us their stories. The men, women and children featured in this book are Adivasis, Dalits, OBCs, Brahmins, Muslims, Sikhs and Hindus. They hail from different regions, speak different languages and include atheists and believers, Leftists, Gandhians and Ambedkarites.
The people featured pose the intriguing question: What is freedom? They saw that as going beyond Independence. And almost all of them continued their fight for freedoms long after 1947.
The post-1947 generations need their stories.
To learn what they understood. That freedom and independence are not the same thing. And to learn to make those come together.