A gripping short biography of the extraordinary Alfred Hitchock, the master of suspense.

Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father’s shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become the one of the most respected film directors of the twentieth century?
     As an adult, Hitch rigorously controlled the press’s portrait of him, drawing certain carefully selected childhood anecdotes into full focus and blurring all others out. In this quick-witted portrait, Ackroyd reveals something more: a lugubriously jolly man fond of practical jokes, who smashes a once-used tea cup every morning to remind himself of the frailty of life. Iconic film stars make cameo appearances, just as Hitch did in his own films: Grace Kelly, Cary Grant, and James Stewart despair of his detached directing style and, perhaps most famously of all, Tippi Hedren endures cuts and bruises from a real-life fearsome flock of birds.
     Alfred Hitchcock wrests the director’s chair back from the master of control and discovers what lurks just out of sight, in the corner of the shot.

A brief yet definitive new biography of one of film’s greatest legends, perfect for readers who want to know more about the iconic star but who don’t want to commit to a lengthy work.

He was the very first icon of the silver screen and is one of the most recognizable of Hollywood faces, even a hundred years after his first film. But what of the man behind the moustache? Peter Ackroyd’s biography turns the spotlight on Chaplin’s life as well as his work, from his humble theatrical beginnings in music halls to winning an honorary Academy Award. Everything is here, from the glamor of his golden age to the murky scandals of the 1940s and eventual exile to Switzerland. There are charming anecdotes along the way: playing the violin in a New York hotel room to mask the sound of Stan Laurel frying pork chops and long Hollywood lunches with Mary Pickford and Douglas Fairbanks Jr. This masterful, brief biography offers fresh revelations about one of the most familiar faces of the last century and brings the Little Tramp vividly to life.

In the first in a new series of brief biographies, bestselling author Peter Ackroyd brilliantly evokes the medieval world of England and provides an incomparable introduction to the great poet’s works.
Geoffrey Chaucer, who died in 1400, lived a surprisingly eventful life. He served with the Duke of Clarence and with Edward III, and in 1359 was taken prisoner in France and ransomed. Through his wife, Philippa, he gained the patronage of John of Gaunt, which helped him carve out a career at Court. His posts included Controller of Customs at the Port of London, Knight of the Shire for Kent, and King’s Forester. He went on numerous adventurous diplomatic missions to France and Italy. Yet he was also indicted for rape, sued for debt, and captured in battle.
He began to write in the 1360s, and is now known as the father of English poetry. His Troilus and Criseyde is the first example of modern English literature, and his masterpiece, The Canterbury Tales, the forerunner of the English novel, dominated the last part of his life.
In his lively style, Peter Ackroyd, one of the most acclaimed biographers and novelists writing today, brings us an eye-opening portrait, rich in drama and colorful historical detail, of a prolific, multifaceted genius.

Dominion, the fifth volume in Peter Ackroyd’s masterful History of England, begins in 1815 as national glory following the Battle of Waterloo gives way to a post-war depression and ends with the death of Queen Victoria in January 1901.

Spanning the end of the Regency, Ackroyd takes listeners from the accession of the profligate George IV, whose government was steered by Lord Liverpool, whose face was set against reform, to the “Sailor King” William IV, whose reign saw the modernization of the political system and the abolition of slavery.

But it was the accession of Queen Victoria, at only eighteen years old, that sparked an era of enormous innovation. Technological progress–from steam railways to the first telegram–swept the nation, and the finest inventions were showcased at the first Great Exhibition in 1851. The emergence of the middle-classes changed the shape of society, and scientific advances changed the old pieties of the Church of England and spread secular ideas among the population. Though intense industrialization brought booming times for the factory owners, the working classes were still subjected to poor housing, long work hours, and dire poverty. Yet by the end of Victoria’s reign, the British Empire dominated much of the globe, and Britannia really did seem to rule the waves.

In this massive bestseller in England, one of Britain’s most popular and esteemed historians tells the epic story of the birth of the country.

Peter Ackroyd, whose work has always been underpinned by a profound interest in and understanding of England’s history, now tells the epic story of England itself.

In Foundation,the chronicler of London and of its river, the Thames, takes us from the primeval forests of England’s prehistory to the death of the first Tudor king, Henry VII, in 1509. He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country’s most distant past–a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house–and describes in rich prose the successive waves of invaders who made England English, despite being themselves Roman, Viking, Saxon, or Norman French.

With his extraordinary skill for evoking time and place and his acute eye for the telling detail, Ackroyd recounts the story of warring kings, civil strife, and foreign wars. But he also gives us a vivid sense of how England’s early people lived: the homes they built, the clothes they wore, the food they ate, even the jokes they told. All are brought vividly to life through the narrative mastery of one of Britain’s finest writers.

The sixth and final volume in Peter Ackroyd’s magnificent History of England series, from the Boer War to the Millenium Dome.

Innovation brings Peter Ackroyd’s History of England to a triumphant close. Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades.It was a century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI, and the Queen), the decline of the aristocracy and the rise of the Labor Party, women’s suffrage, the birth of the NHS, the march of suburbia, and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T.S. Eliot, of Kingsley Amis and Philip Larkin, from the end of the postwar slump to the Technicolor explosion of the 1960s, to free love and punk rock, and from Thatcher to Blair.A vividly readable, richly peopled tour de force, Innovation is Peter Ackroyd writing at the height of his powers.

In this second volume in the Ackroyd’s Brief Lives series, bestselling author Peter Ackroyd brings us a man of humble beginnings, crude manners, and prodigious talents, the nineteenth-century painter J. M. W. Turner.

Joseph Mallord William Turner was born in London in 1775. His father was a barber, and his mother came from a family of London butchers. “His speech was recognizably that of a Cockney, and his language was the language of the streets.” As his finest paintings show, his language was also the language of light. Turner’s landscapes—extraordinary studies in light, colour, and texture—caused an uproar during his lifetime and earned him a place as one of the greatest artists in history.

Displaying his artistic abilities as a young child, Turner entered the Royal Academy of Arts when he was just fourteen years old. A year later his paintings appeared in an important public exhibition, and he rapidly achieved prominence, becoming a Royal Academician in 1802 and Professor of Perspective at the Academy from 1807–1837. His private life, however, was less orderly. Never married, he spent much time living in taverns, where he was well known for his truculence and his stinginess with money.

Peter Ackroyd deftly follows Turner’s first loves of architecture, engraving, and watercolours, and the country houses, cathedrals, and landscapes of England. While his passion for Italy led him to oil painting, Turner’s love for London remained central to his heart and soul, and it was within sight of his beloved Thames that he died in 1851. His dying words were: “The sun is God.”

Also available in ACKROYD’S BRIEF LIVES
Chaucer

London: The Biograph is the pinnacle of Peter Ackroyd’s brilliant obsession with the eponymous city. In this unusual and engaging work, Ackroyd brings the listener through time into the city whose institutions and idiosyncrasies have permeated much of his works of fiction and nonfiction.
Peter Ackroyd sees London as a living, breathing organism, with its own laws of growth and change. Reveling in the city’s riches as well as its raucousness, the author traces thematically its growth from the time of the Druids to the beginning of the twenty-first century. Anecdotal, insightful, and wonderfully entertaining, London is animated by Ackroyd’s concern for the close relationship between the present and the past, as well as by what he describes as the peculiar “echoic” quality of London, whereby its texture and history actively affect the lives and personalities of its citizens.
London confirms Ackroyd’s status as what one critic has called “our age’s greatest London imagination.”

In this vividly descriptive short study, Peter Ackroyd tunnels down through the geological layers of London, meeting the creatures that dwell in darkness and excavating the lore and mythology beneath the surface.

There is a Bronze Age trackway below the Isle of Dogs, Anglo-Saxon graves rest under St. Pauls, and the monastery of Whitefriars lies beneath Fleet Street. To go under London is to penetrate history, and Ackroyd’s book is filled with the stories unique to this underworld: the hydraulic device used to lower bodies into the catacombs in Kensal Green cemetery; the door in the plinth of the statue of Boadicea on Westminster Bridge that leads to a huge tunnel packed with cables for gas, water, and telephone; the sulphurous fumes on the Underground’s Metropolitan Line.
Highly imaginative and delightfully entertaining, London Under is Ackroyd at his best.

Peter Ackroyd has been praised as one of the greatest living chroniclers of Britain and its people. In Rebellion, he continues his dazzling account of the history of England, beginning the progress south of the Scottish king James VI, who on the death of Elizabeth I became the first Stuart king of England, and ending with the deposition and flight into exile of his grandson James II.

The Stuart monarchy brought together the two nations of England and Scotland into one realm, albeit a realm still marked by political divisions that echo to this day. More importantly perhaps, the Stuart era was marked by the cruel depredations of civil war and the killing of a king. Shrewd and opinionated, James I was eloquent on matters as diverse as theology, witchcraft, and the abuses of tobacco, but his attitude to the English parliament sowed the seeds of the division that would split the country during the reign of his hapless heir, Charles I. Ackroyd offers a brilliant, warts-and-all portrayal of Charles’s nemesis, Oliver Cromwell, Parliament’s great military leader and England’s only dictator, who began his career as a political liberator but ended it as much of a despot as “that man of blood,” the king he executed.

England’s turbulent seventeenth century is vividly laid out before us, but so too is the cultural and social life of the period, notable for its extraordinarily rich literature, including Shakespeare’s late masterpieces, Jacobean tragedy, the poetry of John Donne and Milton, and Thomas Hobbes’s great philosophical treatise, Leviathan. Rebellion also gives us a very real sense of the lives of ordinary English men and women, lived out against a backdrop of constant disruption and uncertainty.

In Revolution, Peter Ackroyd takes listeners from William of Orange’s accession following the Glorious Revolution to the Regency, when the flamboyant Prince of Wales ruled in the stead of his mad father, George III, and England was–again–at war with France, a war that would end with the defeat of Napoleon at Waterloo.

Late Stuart and Georgian England marked the creation of the great pillars of the English state. The Bank of England was founded, as was the stock exchange; the Church of England was fully established as the guardian of the spiritual life of the nation, and parliament became the sovereign body of the nation with responsibilities and duties far beyond those of the monarch. It was a revolutionary era in English letters, too, a time in which newspapers first flourished and the English novel was born. It was an era in which coffeehouses and playhouses boomed, gin flowed freely, and in which shops, as we know them today, began to proliferate in towns and villages. But it was also a time of extraordinary and unprecedented technological innovation, which saw England utterly and irrevocably transformed from a country of blue skies and farmland to one of soot and steel and coal.

This is the big one from Peter Ackroyd — and a worthy companion to London: The Biography.

Only Peter Ackroyd can combine readable narrative and unique observation with a sharp eye for the fascinating fact. His method is to position Shakespeare in the close context of his world. In this way, he not only richly conjures up the texture of Shakespeare’s life, but also imparts an amazing amount of vivid, interesting material about place, period and background.

Some snippets: Shakespeare was secretly a Roman Catholic; the witches in Macbeth were not hags but nymphs played by boys; the “best” bed was for guests which was why he bequeathed his wife his “second best” bed (the matrimonial bed in which he probably died); “ham acting” derives from the strutting walk which showed off the ham-strings; an actor called “Will” played female parts — could it have been Shakespeare himself? And, the strongest bond in the plays is between father and daughter, perhaps reflecting Shakespeare’s own family life.

Author Peter Ackroyd has won the Somerset Maugham Award, the Whitbread Novel of the Year, and the Guardian Fiction Prize, and was shortlisted for the Booker Prize. Based on Geoffrey Chaucer’s immortal work, this retelling of The Canterbury Tales follows a party of travelers as they tell stories amongst themselves about love and chivalry, saints and legends, travel and adventure. Through allegory, satire, and humor, the tales help pass the time during their journey.

When two nineteenth-century Oxford students—Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley—form an unlikely friendship, the result is a tour de force that could only come from one of the world’s most accomplished and prolific authors.  
This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor’s purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men—the resurrectionists—whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity.
 
Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.

A tour de force in the tradition of Hawksmoor and Chatterton, Peter Ackroyd’s new novel of deceit and betrayal is a witty reimagining of a great nineteenth-century Shakespeare forgery.

Charles and Mary Lamb, who will achieve lasting fame as the authors of Tales from Shakespeare for children, are still living at their parents’ home. Charles, an aspiring writer bored stiff by his job as a clerk at the East India Company, enjoys a drink or three too many each night at the local pub. His sister, Mary, is trapped in domesticity, caring for her ailing, dotty father and her maddening mother.

The siblings’ enchantment with Shakespeare provides a much-needed escape, and they delight in reading and quoting the great bard. When William Ireland, an ambitious young antiquarian bookseller, comes into their lives claiming to possess a “lost” Shakespearean play, the Lambs can barely contain their excitement. As word of the amazing find spreads, scholars and actors alike beat a path to Ireland’s door, and soon all of London is eagerly anticipating opening night of a star-studded production of the play.

The perfect, lighthearted follow-up to Ackroyd’s magnificent biography of Shakespeare, The Lambs of London transforms the real-life literary hoax into an ingenious, intriguing drama that will keep listeners guessing right to the end.

This book, as much a work of history as a biography, is a masterful reconstruction of the life and imagination of one of the most remarkable figures in history.

Thomas More (1478-1535) was a renowned statesman; the author of a political treatise, Utopia, that gave a political worldview; and, most famously, a Catholic martyr and saint. Born into the professional classes, Thomas More applied his formidable intellect and well-placed connections to become the most powerful man in England, second only to the king.

In reconstructing the life of Thomas More, Peter Ackroyd provides an unmatched portrait of the everyday, religious, and intellectual life of the early sixteenth century. More emerges in the fullness of his complex humanity, with unexpected characteristics–such as his preference for bawdy humor–and indisputable moral courage.

If your tastes run to Victorian mysteries and murder, you’ll enjoy Peter Ackroyd’s special blending of fact and fiction in this magnificent recreation of the bizarre murders that rocked Victorian England. Drawing on surviving police records and court transcripts, Ackroyd paints a fascinating portrait of a savage murderer, the terror that rippled across London, and the innocent woman charged with the crimes.

Three Brothers follows the fortunes of Harry, Daniel, and Sam Hanway, a trio of brothers born on a postwar council estate in Camden Town. Marked from the start by curious coincidence, each boy is forced to make his own way in the world – a world of dodgy deals and big business, of criminal gangs and crooked landlords, of newspaper magnates, backbiters, and petty thieves. From bustling, cut-throat Fleet Street to hallowed London publishing houses, from the wealth and corruption of Chelsea to the smoky shadows of Limehouse and Hackney, this is an exploration of the city, peering down its streets, riding on its underground, and drinking in its pubs and clubs.

From Henry VIII’s cataclysmic break with Rome to the epic rule of Elizabeth I, the age of the Tudors comes to vivid life on the page.

Peter Ackroyd, one of Britain’s most acclaimed writers, brings the age of the Tudors to vivid life in this monumental book in his History of England series, charting the course of English history from Henry VIII’s cataclysmic break with Rome to the epic rule of Elizabeth I.

Rich in detail and atmosphere, Tudors is the story of Henry VIII’s relentless pursuit of both the perfect wife and the perfect heir, of how the brief royal reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under “Bloody Mary.” It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against her, and even an invasion force, finally brought stability.

Above all, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them.

The Venetians’ language and way of thinking set them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land. This latest work from the incomparable Peter Ackroyd, like a magic gondola, transports its listeners to that sensual and surprising city.
His account embraces facts and romance, conjuring up the atmosphere of the canals, bridges, and sunlit squares, the churches and the markets, the festivals and the flowers. He leads us through the history of the city, from the first refugees arriving in the mists of the lagoon in the fourth century to the rise of a great mercantile state and its trading empire, the wars against Napoleon, and the tourist invasions of today. Everything is here: the merchants on the Rialto and the Jews in the ghetto; the glassblowers of Murano; the carnival masks and the sad colonies of lepers; the artists-Bellini, Titian, Tintoretto, Tiepolo; and the ever-present undertone of Venice’s shadowy corners and dead ends, of prisons and punishment, wars and sieges, scandals and seductions.
Ackroyd’s Venice: Pure City is a study of Venice much in the vein of his lauded London: The Biography. Like London, Venice is a fluid, writerly exploration organized around a number of themes. History and context are provided in each chapter, but Ackroyd’s portrait of Venice is a particularly novelistic one, both beautiful and rapturous. We could have no better guide-enjoying Venice: Pure City is, in itself, a glorious journey to the ultimate city.

A gripping, short biography of the extraordinary Wilkie Collins, author of The Moonstone and The Woman in White, two early masterpieces of mystery and detection

Short and oddly built, with a head too big for his body, extremely near-sighted, unable to stay still, dressed in colorful clothes–Wilkie Collins looked distinctly strange. But he was nonetheless a charmer, befriended by the great, loved by children, irresistibly attractive to women, and avidly read by generations of readers. Peter Ackroyd follows his hero, “the sweetest-tempered of all the Victorian novelists,” from his childhood as the son of a well-known artist to his struggling beginnings as a writer, his years of fame, and his lifelong friendship with the other great London chronicler, Charles Dickens. In addition to his enduring masterpieces, The Moonstone–often called the first true detective novel–and the sensational The Woman in White, Collins produced an intriguing array of lesser-known works.

Told with Ackroyd’s inimitable verve, this is a ravishingly entertaining life of a great storyteller, full of surprises, rich in humor and sympathetic understanding.