The incomparable master of horror and suspense returns with a powerful, brilliantly terrifying novel that redefines the genre in original and unexpected ways.

The charismatic and cunning Spenser Mallon is a campus guru in the 1960s, attracting the devotion and demanding sexual favors of his young acolytes. After he invites his most fervent followers to attend a secret ritual in a local meadow, the only thing that remains is a gruesomely dismembered body—and the shattered souls of all who were present.

Years later, one man attempts to understand what happened to his wife and to his friends by writing a book about this horrible night, and it’s through this process that they begin to examine the unspeakable events that have bound them in ways they cannot fathom, but that have haunted every one of them through their lives. As each of the old friends tries to come to grips with the darkness of the past, they find themselves face-to-face with the evil triggered so many years earlier. Unfolding through the individual stories of the fated group’s members, A Dark Matter is an electric, chilling, and unpredictable novel that will satisfy Peter Straub’s many ardent fans, and win him legions more.

One summer night, a boy and his beautiful cousin plunge naked into the moonlit waters of a rural quarry. Twenty years later, the boy, now grown, flees the wreckage of his life and returns to Arden, Wisconsin, in search of everything he has lost.

But for Miles Teagarden, the landscape he had known so well has turned eerie and threatening. And the love he shared has become very, very deadly . . .

In his latest soul-chilling novel, bestselling author Peter Straub tells of a famous children’s book author who, in the wake of a grotesque accident, realizes that the most basic facts of her existence, including her existence itself, have come into question.
Willy Patrick, the respected author of the award-winning young-adult novel In the Night Room, thinks she is losing her mind–again. One day, she is drawn helplessly into the parking lot of a warehouse. She knows somehow that her daughter, Holly, is being held in the building, and she has an overwhelming need to rescue her. But what Willy knows is impossible, for her daughter is dead.
On the same day, author Timothy Underhill, who has been struggling with a new book about a troubled young woman, is confronted with the ghost of his nine-year-old sister, April. Soon after, he begins to receive eerie, fragmented e-mails that he finally realizes are from people he knew in his youth–people now dead. Like his sister, they want urgently to tell him something. When Willy and Timothy meet, the frightening parallels between Willy’s tragic loss and the story in Tim’s manuscript suggest that they must join forces to confront the evils surrounding them.

Willy Patrick, the author of the Caldecott-winning young-adult novel In the Night Room, thinks she is loosing her mind again. Two weeks before her second marriage, on her way home one day, Willy is drawn into the parking lot of a warehouse. Knowing that her daughter Holly is being held in that building, she wants to rescue her. But what she knows is impossible, for her daughter is dead. On the same day, author Timothy Underhill, struggling with a new book about a troubled young woman, is confronted with the ghost of his nine-year-old sister, April. Soon after, Underhill begins to receive eerie, fragmented e-mails that he finally realizes are from dead people whom he knew in his youth. Like his sister, they want to tell him something. When Willy and Timothy meet, they recognize each other, realizing that they must join forces to confront the evils surrounding them.

“Peter Straub is the master of subtle, smoldering dread [whose] creepy, erudite vision of the beyond will chill you like a winter wind.” (People)

In a house in London a woman starts a new life, trying to put tragedy behind her. Then a pretty blonde child runs into view, bringing with her an inexplicable suggestion of evil.

Once Julia Lofting had a husband and a daughter. But everything has changed since she bolted from her marriage, in flight from the unbearable truth of her daughter’s death. For Julia, there is no escape. Another child awaits, another mother suffers, and a circle of the damned gathers around her. The haunting has begun . . .

Welcome to another kind of terror as Peter Straub leads us into the outer reaches of the psyche. Here the master of the macabre is at his absolute best in seven exquisite tales of living, dying, and the terror that lies in between. . . .

AshputtleIsn’t It Romantic?
“CHILLING.”“SKILLFULLY CONSTRUCTED.”
–The New York Times–Kirkus Reviews (starred review)

The Ghost VillageBunny Is Good Bread
Winner of a World Fantasy Award“TERRIFYING.”
“VERY, VERY SCARY.”–The Washington Post Book World
–The Philadelphia Inquirer

Porkpie HatHunger, An Introduction
“DARK TWISTS AND“BRILLIANTLY SUBVERSIVE.”
DARKER HUMOR.”–Locus
–USA Today

Mr. Clubb and Mr. Cuff
Winner of a Bram Stoker Award
“[A] TOUR-DE-FORCE . . . [THAT] WILL HAUNT READERS LONG AFTER THEY’VE CLOSED THE COVERS.”
–The Denver Post

“PETER STRAUB IS AN EXCELLENT WRITER. . . .
HE MAKES US FEEL THE TERROR.”
–The Philadelphia Inquirer

Peter Straub has spent forty years at the forefront of modern literary horror. This pair of stories represent his astonishing range and his ability to terrify, transport, and hold a reader hostage. Both stories crack the foundation of our reality and opens our eyes, taking us further and further into the darkness that normally remains deeply, and safely, hidden. 
 
Straub will be narrating both stories, which have never before been available in audio.

From the incomparable master of horror and suspense comes an electrifying collection of contemporary literary horror, with stories from twenty-five writers representing today’s most talented voices in the genre.

Horror writing is usually associated with formulaic gore, but New Wave horror writers have more in common with the wildly inventive, evocative spookiness of Edgar Allan Poe than with the sometimes-predictable hallmarks of their peers. Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’ s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.

Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.

Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

Peter Straub masterfully weaves  horror and suspense into a love story unlike any other: the ballad of Ballard and Sandrine.
 
Ballard and his considerably younger lover Sandrine have been brought together by a shared erotic obsession of the darkest kind. As they travel down a remote part of the Amazon River on a luxurious yacht, they spend their days indulging in their macabre pastime. Through a haze of pain and pleasure, the lovers are witness to a series of increasingly sinister portents, dreams and visions that haunt their claustrophobic and disturbing world. With Peter Straub’s signature, breathtaking twists and an astonishing climax, you’ll never forget The Ballad of Ballard and Sandrine.