A “superb” (The Guardian) novel about two sisters fighting for survival in Dark Ages Britain that weaves “a dazzling blend of history and fantasy” (BuzzFeed)
 
“Rich in history and folklore . . . Stott is astute on the use of stories to control others and maintain power. . . . Female defiance blazes through as her women reclaim this brutal period from the men.”—The Telegraph

The year is 500 AD. Sisters Isla and Blue live in the shadows of the Ghost City, the abandoned ruins of the once-glorious mile-wide Roman settlement Londinium on the bank of the River Thames. But the small island they call home is also a place of exile for Isla, Blue, and their father, a legendary blacksmith accused of using dark magic to make his firetongue swords—formidable blades that cannot be broken—and cast out from the community. When he dies suddenly, the sisters find themselves facing enslavement by the local warlord and his cruel, power-hungry son. Their only option is to escape to the Ghost City, where they discover an underworld of rebel women living secretly amid the ruins. But if Isla and Blue are to survive the men who hunt them, and protect their new community, they will need to use all their skill and ingenuity—as well as the magic of their foremothers—to fight back. 

With an intimate yet cinematic scope, Dark Earth re-creates an ancient world steeped in myth and folklore, and introduces us to unforgettable women who come to vibrant life on the page. A heart-in-mouth adventure full of moments of tenderness, this is a beautiful, profound novel about oppression and power that puts a female perspective on a historical period dominated by men’s stories.

A NEW YORK TIMES NOTABLE BOOK

“[An] extraordinarily wide-ranging and engaging book [about] the men who shaped the work of Charles Darwin . . . a book that enriches our understanding of how the struggle to think new thoughts is shared across time and space and people.”—The Sunday Telegraph (London)

Christmas, 1859. Just one month after the publication of On the Origin of Species, Charles Darwin received an unsettling letter. He had expected criticism; in fact, letters were arriving daily, most expressing outrage and accusations of heresy. But this letter was different. It accused him of failing to acknowledge his predecessors, of taking credit for a theory that had already been discovered by others. Darwin realized that he had made an error in omitting from Origin of Species any mention of his intellectual forebears. Yet when he tried to trace all of the natural philosophers who had laid the groundwork for his theory, he found that history had already forgotten many of them.
 
Darwin’s Ghosts tells the story of the collective discovery of evolution, from Aristotle, walking the shores of Lesbos with his pupils, to Al-Jahiz, an Arab writer in the first century, from Leonardo da Vinci, searching for fossils in the mine shafts of the Tuscan hills, to Denis Diderot in Paris, exploring the origins of species while under the surveillance of the secret police, and the brilliant naturalists of the Jardin de Plantes, finding evidence for evolutionary change in the natural history collections stolen during the Napoleonic wars. Evolution was not discovered single-handedly, Rebecca Stott argues, contrary to what has become standard lore, but is an idea that emerged over many centuries, advanced by daring individuals across the globe who had the imagination to speculate on nature’s extraordinary ways, and who had the courage to articulate such speculations at a time when to do so was often considered heresy.

With each chapter focusing on an early evolutionary thinker, Darwin’s Ghosts is a fascinating account of a diverse group of individuals who, despite the very real dangers of challenging a system in which everything was presumed to have been created perfectly by God, felt compelled to understand where we came from. Ultimately, Stott demonstrates, ideas—including evolution itself—evolve just as animals and plants do, by intermingling, toppling weaker notions, and developing over stretches of time. Darwin’s Ghosts presents a groundbreaking new theory of an idea that has changed our very understanding of who we are.

Praise for Darwin’s Ghosts

“Absorbing . . . Stott captures the breathless excitement of an investigation on the cusp of the unknown. . . . A lively, original book.”—The New York Times Book Review

“Stott’s research is broad and unerring; her book is wonderful. . . . An exhilarating romp through 2,000 years of fascinating scientific history.”—Nature

“Stott brings Darwin himself to life. . . . [She] writes with a novelist’s flair. . . . Darwin and the ‘ghosts’ so richly described in Ms. Stott’s enjoyable book are the descendants of Aristotle and Bacon and the ancestors of today’s scientists.”—The Wall Street Journal

“Riveting . . . Stott has done a wonderful job in showing just how many extraordinary people had speculated on where we came from before the great theorist dispelled all doubts.”—The Guardian (U.K.)

A Cambridge historian, Elizabeth Vogelsang, is found drowned, clutching a glass prism in her hand. The book she was writing about Isaac Newton’s involvement with alchemy–the culmination of her lifelong obsession with the seventeenth century–remains unfinished. When her son, Cameron, asks his former lover, Lydia Brooke, to ghostwrite the missing final chapters of his mother’s book, Lydia agrees and moves into Elizabeth’s house–a studio in an orchard where the light moves restlessly across the walls. Soon Lydia discovers that the shadow of violence that has fallen across present-day Cambridge, which escalates to a series of murders, may have its origins in the troubling evidence that Elizabeth’s research has unearthed. As Lydia becomes ensnared in a dangerous conspiracy that reawakens ghosts of the past, the seventeenth century slowly seeps into the twenty-first, with the city of Cambridge the bridge between them.
Filled with evocative descriptions of Cambridge, past and present, Ghostwalk centers around a real historical mystery that Rebecca Stott has uncovered involving Newton’s alchemy. In it, time and relationships are entangled–the present with the seventeenth century, and figures from the past with the love-torn twenty-first-century woman who is trying to discover their secrets.
A stunningly original display of scholarship and imagination, and a gripping story of desire and obsession, Ghostwalk is a rare debut that will change the way most of us think about scientific innovation, the force of history, and time itself.

A Cambridge historian, Elizabeth Vogelsang, is found drowned, clutching a glass prism in her hand. The book she was writing about Isaac Newton’s involvement with alchemy–the culmination of her lifelong obsession with the seventeenth century–remains unfinished. When her son, Cameron, asks his former lover, Lydia Brooke, to ghostwrite the missing final chapters of his mother’s book, Lydia agrees and moves into Elizabeth’s house–a studio in an orchard where the light moves restlessly across the walls. Soon Lydia discovers that the shadow of violence that has fallen across present-day Cambridge, which escalates to a series of murders, may have its origins in the troubling evidence that Elizabeth’s research has unearthed. As Lydia becomes ensnared in a dangerous conspiracy that reawakens ghosts of the past, the seventeenth century slowly seeps into the twenty-first, with the city of Cambridge the bridge between them.
Filled with evocative descriptions of Cambridge, past and present, Ghostwalk centers around a real historical mystery that Rebecca Stott has uncovered involving Newton’s alchemy. In it, time and relationships are entangled–the present with the seventeenth century, and figures from the past with the love-torn twenty-first-century woman who is trying to discover their secrets.
A stunningly original display of scholarship and imagination, and a gripping story of desire and obsession, Ghostwalk is a rare debut that will change the way most of us think about scientific innovation, the force of history, and time itself.

A father-daughter story that tells of the author’s experience growing up in a separatist fundamentalist Christian cult, from the author of the national bestseller Ghostwalk

Rebecca Stott grew up in in Brighton, England, as a fourth-generation member of the Exclusive Brethren, a cult that believed the world is ruled by Satan. In this closed community, books that didn’t conform to the sect’s rules were banned, women were subservient to men and were made to dress modestly and cover their heads, and those who disobeyed the rules were punished and shamed. Yet Rebecca’s father, Roger Stott, a high-ranking Brethren minister, was a man of contradictions: he preached that the Brethren should shun the outside world, yet he kept a radio in the trunk of his car and hid copies of Yeats and Shakespeare behind the Brethren ministries. Years later, when the Stotts broke with the Brethren after a scandal involving the cult’s leader, Roger became an actor, filmmaker, and compulsive gambler who left the family penniless and ended up in jail.
 
A curious child, Rebecca spent her insular childhood asking questions about the world and trying to glean the answers from forbidden library books. Only when she was an adult and her father was dying of cancer did she begin to understand all that had occurred during those harrowing years. It was then that Roger Stott handed her the memoir he had begun writing about the period leading up to what he referred to as the traumatic “Nazi decade,” the years in the 1960s in which he and other Brethren leaders enforced coercive codes of behavior that led to the breaking apart of families, the shunning of members, even suicides. Now he was trying to examine that time, and his complicity in it, and he asked Rebecca to write about it, to expose all that was kept hidden.
 
In the Days of Rain is Rebecca Stott’s attempt to make sense of her childhood in the Exclusive Brethren, to understand her father’s role in the cult and in the breaking apart of her family, and to come to be at peace with her relationship with a larger-than-life figure whose faults were matched by a passion for life, a thirst for knowledge, and a love of literature and beauty. A father-daughter story as well as a memoir of growing up in a closed-off community and then finding a way out of it, this is an inspiring and beautiful account of the bonds of family and the power of self-invention.

Praise for In the Days of Rain

“A marvelous, strange, terrifying book, somehow finding words both for the intensity of a childhood locked in a tyrannical secret world, and for the lifelong aftershocks of being liberated from it.”—Francis Spufford, author of Golden Hill

“Writers are forged in strange fires, but none stranger than Rebecca Stott’s. By rights, her memoir of her father and her early childhood inside a closed fundamentalist sect obsessed by the Rapture ought to be a horror story. But while the historian in her is merciless in exposing the cruelties and corruption involved, Rebecca the child also lights up the book, existing in a world of vivid play, dreams, even nightmares, so passionate and imaginative that it helps explain how she survived, and—even more miraculous—found the compassion and understanding to do justice to the story of her father and the painful family life he created.”—Sarah Dunant, author of The Birth of Venus

In her virtuosic debut, Ghostwalk, Rebecca Stott unfolded an extraordinary and true mystery involving Isaac Newton and set in seventeenth-century Cambridge. The Coral Thief is another intriguing mystery and love story, centering on pre-Darwinian theories of evolution and set in Paris right after Napoleon’s surrender at Waterloo.
Upon his arrival in Paris, where he has come to study anatomy, Daniel Connor, a young medical student from Edinburgh, finds that his letters of introduction and precious coral specimens have been stolen by the beautiful woman with whom he shared a stagecoach. But when he begins searching for his lost items-and the alluring woman who stole them-Daniel is thrust into a tumultuous, underground world of philosopher thieves obsessed with the emerging theories of evolution. As he is pulled into their plot to steal a precious jewel from the Jardin des Plantes, and as he falls in love with the mysterious coral thief, Daniel is introduced to a radical theory of evolution that irrevocably changes his conception of the world in which he lives.
As riveting and beautifully rendered as Ghostwalk, The Coral Thief is a provocative and tantalizing mix of history, love, and philosophy.