Abigail Stuart thought she was Jeremiah Calhoun’s widow. But Jeremiah Calhoun is very handsome, very alive, and very perplexed. Most inconvenient indeed.

With few options of her own, nurse Abigail Stuart agrees to marry her patient, a gravely wounded soldier calling himself Jeremiah Calhoun. They arrange a quick ceremony before he dies, giving Abigail the rights to his Ozark farm and giving
Jeremiah the peace of knowing someone will care for his ailing sister after he’s gone–a practical solution for both of them.

After the war, Abigail fulfills her side of the bargain–until the real Jeremiah Calhoun shows up, injured but definitely alive, and wastes no time in challenging Abigail’s story. Abigail is flummoxed. After months of claiming to be his widow,
how can she explain that she’s never seen this Jeremiah Calhoun before? How can she convince him that she isn’t trying to steal his farm? And will she find a way to stay, even though this practical arrangement has turned into a most inconvenient marriage?

She Sells Priceless Antiques.
He Sells Livestock by the Pound.
Is He Really the Man to Make a Bid for Her Heart?
After helping her grandfather at their Boston auction house, Miranda Wimplegate
discovers she’s accidentally sold a powerful family’s prized portrait to an
anonymous bidder. Desperate to appease the people who could ruin them
forever, they track it to the Missouri Ozarks and make an outlandish offer to buy
the local auction house and all its holdings before the painting can move again.
Upon crossing the country, however, Miranda and her grandfather discover their
new auction house doesn’t deal in fine antiques, but in livestock. And its
frustratingly handsome manager, Wyatt Ballentine, is annoyed to discover his
fussy new bosses don’t know a thing about the business he’s single-handedly kept
afloat. Faced with more heads of cattle than they can count–but no mysterious
painting–Miranda and Wyatt form an unlikely but charged partnership to try and
prevent a bad situation from getting worse.

Calista York needs one more successful case as a Pinkerton operative to secure her job. When she’s assigned to find the kidnapped daughter of a mob boss, she’s sent to the rowdy mining town of Joplin, Missouri, despite having extended family in the area. Will their meddling expose her mission and keep Lila Seaton from being recovered?
When Matthew Cook decided to be a missionary, he never expected to be sent only a short train ride away. While fighting against corruption of all sorts, Matthew hears of a baby raffle being held to raise funds for a children’s home. He’ll do what he can to stop it, but he also wants to stop the reckless Miss York, whose bad judgment consistently seems to be putting her in harm’s way.
Calista doesn’t need the handsome pastor interfering with her investigation, and she can’t let her disguise slip. Her job and the life of a young lady depend on keeping Matthew in the dark.

Olive Kentworth has spent her life hiding her interest in architecture, even though she pores over architectural books and sketches buildings. When she accepts a job on a home expansion, it’s only because her cousin Amos agrees to pose as the builder. To further hide her involvement, Olive takes a position as a nanny-not knowing that she’ll be working for her idol, Joplin’s leading architect, widower Maxfield Scott.
Maxfield is intrigued by his new nanny-she makes his home and his life bearable again. His work, on the other hand, is a disaster. An untrained builder is remodeling a completed project of his. What’s worse, Maxfield’s current client wants changes to his plans because of that builder’s work.
As the architectural one-upmanship heats up, Olive’s involvement becomes harder to hide. Will the relationship between her and Maxfield survive, or will they both miss out on building something for their future?

Rather Than Wait for a Hero, She Decided to Create One

Betsy Huckabee has big-city dreams, but nobody outside of tiny Pine Gap, Missouri, seems interested in the articles she writes for her uncle’s newspaper. Her hopes for independence may be crushed, until the best idea she’s ever had comes riding into town.

Deputy Joel Puckett didn’t want to leave Texas, but unfair circumstances have made moving to Pine Gap his only shot at keeping a badge. Worse, this small town has big problems, and masked marauders have become too comfortable taking
justice into their own hands. He needs to make clear that he’s the law in this town–and that job is made more difficult with a nosy reporter who seems to follow him everywhere he goes.

The hero Betsy creates to be the star in a serial for the ladies’ pages is based on the dashing deputy, but he’s definitely fictional. And since the pieces run only in newspapers far away, no one will ever know. But the more time she spends with
Deputy Puckett, the more she appreciates the real hero–and the more she realizes what her ambition could cost him.

Louisa Bell never wanted to be a dance-hall singer, but dire circumstances force her hand. With a little help from her brother in the cavalry, she’s able to make ends meet, but lately he’s run afoul of his commanding officer, so she undertakes a visit to straighten him out.
Major Daniel Adams has his hands full at Fort Reno. He can barely control his rowdy troops, much less his two adolescent daughters. If Daniel doesn’t find someone respectable to guide his children, his mother-in-law insists she’ll take them.
When Louisa arrives with some reading materials, she’s mistaken for the governess who never appeared. Major Adams is skeptical. She bears little resemblance to his idea of a governess-they’re not supposed to be so blamed pretty-but he’s left without recourse. His mother-in-law must be satisfied, which leaves him turning a blind eye to his unconventional governess’s methods. Louisa’s never faced so important a performance. Can she keep her act together long enough?

Maisie Kentworth is stuck on the ranch. Having fallen in love with the wrong guy, she can’t risk inflaming things between her former beau and her protective family. Left to rue her mistakes, she keeps busy exploring the idle mine at the edge of their property.
Boone Bragg is also stuck. With his parents on vacation, the management of Bragg Mining falls on him, and one of his advisors wants him as a son-in-law. One wrong move, and Boone will end up either offending an associate or getting married to a woman he can’t endure.
While closing up a spent mine, Boone gets two surprises. One is an untamed farm girl who’s trespassing with a pickax, and the other is the amazing crystal cavern that she’s discovered. Suddenly Boone sees a way to overhaul the family business. With part of the cavern on Kentworth land, Boone makes Maisie a proposal that he hopes will solve all of their problems. Instead it throws Joplin into chaos.

Hattie Walker dreams of becoming a painter, while her parents want her to settle down. As a compromise, they give her two months to head to Denver and place her works in an exhibition or give up the dream forever. Her journey is derailed when a gunman attacks her stagecoach, leaving her to be rescued by a group of Arapaho . . . but she’s too terrified to recognize them as friendly.
Confirmed bachelor Lieutenant Jack Hennessey has long worked with the tribe and is tasked with trying to convince them that the mission school at Fort Reno can help their children. When a message arrives about a recovered survivor, Jack heads out to take her home-and plead his case once more.
He’s stunned to run into Hattie Walker, the girl who shattered his heart-but quickly realizes he has a chance to impress her. When his plan gets tangled through translation, Jack and Hattie end up in a mess that puts her dreams in peril-and tests Jack’s resolve to remain single.

Caroline Adams returns to Indian Territory after tiring of confining society life. She wants adventure, and when she and her friend Amber come across swaggering outlaw Frisco Smith, they find his dreams for the new territory are very persuasive. With the much-anticipated land run pending, they may just join the rush.
Growing up parentless, all Frisco Smith wanted was a place to call his own. It’s no wonder that he fought to open the Unassigned Lands. After years of sneaking across the border, he’s even managed to put in a dugout house on a hidden piece of property he’s poised to claim.
When the gun sounds, everyone’s best plans are thrown out the window in the chaos of the run. Caroline and Frisco soon find themselves battling over a claim-and both dig in their heels. Settling the rightful ownership will bring these two closer than they ever expected and change their ideas of what a true home looks like.