The most RJ Young knew about guns was that they could get him killed. Until, recently married to a white woman and in desperate need of a way to relate to his gun-loving father-in-law, Charles, Young does the unimaginable: he accepts Charles’s gift of a Glock.
Despite, or because of, the racial rage and fear he experiences among white gun owners (“Ain’t you supposed to be shooting a basketball?”), Young determines to get good, really good, with a gun. Let It Bang is the compelling story of the author’s unexpected obsession-he eventually becomes an NRA-certified pistol instructor-and of his deep dive into the heart of America’s gun culture: what he sees as the domino effect of white fear, white violence, black fear, rinse, repeat. Young’s original reporting on shadow industries like US Law Shield, which insures and defends people who report having shot someone in self-defense, and on the newly formed National African American Gun Association, gives powerful insight into the dynamic. Through indelible profiles, Young brings us up to the current rocketing rise in gun ownership among black Americans, most notably women.

With journalistic skill, heart, and hope, Requiem for the Massacre reckons with the tension in Tulsa, Oklahoma, one hundred years after the most infamous act of racial violence in American history

More than one hundred years ago, the city of Tulsa, Oklahoma, perpetrated a massacre against its Black residents. For generations, the true story was ignored, covered up, and diminished by those in power and in a position to preserve the status quo. Blending
memoir and immersive journalism, RJ Young shows how, today, Tulsa combats its racist past while remaining all too tolerant of racial injustice.

Requiem for the Massacre is a cultural excavation of Tulsa one hundred years after one of the worst acts of domestic terrorism in U.S. history. Young focuses on unearthing the narrative surrounding previously all-Black Greenwood District while challenging an
apocryphal narrative that includes so-called Black Wall Street, Booker T. Washington, and Black exceptionalism. Young provides a firsthand account of the centennial events commemorating Tulsa’s darkest day as the city attempts to reckon with its self-image,
commercialization of its atrocity, and the aftermath of the massacre that shows how things have changed and how they have stayed woefully the same.

As Tulsa and the United States head into the next one hundred years, Young’s own reflections thread together the stories of a community and a nation trying to heal and trying to hope.