The definitive novel of today’s Silicon Valley, After On flash-captures our cultural and technological moment with up-to-the-instant savvy. Matters of privacy and government intrusion, post-Tinder romance, nihilistic terrorism, artificial consciousness, synthetic biology, and much more are tackled with authority and brash playfulness by New York Times bestselling author Rob Reid.

Meet Phluttr—a diabolically addictive new social network and a villainess, heroine, enemy, and/or bestie to millions. Phluttr has ingested every fact and message ever sent to, from, and about her innumerable users. Her capabilities astound her makers—and they don’t even know the tenth of it.
     
But what’s the purpose of this stunning creation? Is it a front for something even darker and more powerful than the NSA? A bid to create a trillion-dollar market by becoming “The UberX of Sex”? Or a reckless experiment that could spawn the digital equivalent of a middle-school mean girl with enough charisma, dirt, and cunning to bend the entire planet to her will?

Phluttr has it in her to become the greatest gossip, flirt, or matchmaker in history. Or she could cure cancer, bring back Seinfeld, then start a nuclear war. Whatever she does, it’s not up to us. But a motley band of Silicon Valley entrepreneurs, venture capitalists, and engineers might be able to influence her.

After On achieves the literary singularity—fusing speculative satire and astonishing reality into a sharp-witted, ferociously believable, IMAX-wide view of our digital age.

Narrated by Sean Kenin and January LaVoy, with:
Felicia Day: NETGRRRL.COM
Patrick Rothfuss: Special Field Operative Brock Hogan
John Hodgman: Charles Henry Higgensworth III
Tom Merritt: voice of The New York Times
Jesse Cox:  Whistle Blowings Blog
Leo Laporte: voice of the San Francisco Chronicle

Advance praise for After On

“Enter a near-future Silicon Valley that is hilariously, creepily, mind-bogglingly fantastic, yet at the same time all too believable. It might turn out this way. No, really, it might! Along with After On’s diabolically ingenious plot, there are crazy-plausible web startups, delicious parodies of social media, and a surprisingly convincing theory of human consciousness.”—Chris Anderson, head of TED

“Reading After On is like attending a master class in nearly every major issue haunting not only the tech industry but society itself. Only the professor is also a stand-up comic with a perfect ear for the foibles of Silicon Valley’s most sacred cows. Part AI thriller, part arch social commentary, and part rollicking farce, After On will leave you smarter about just about everything the human species needs to work on if we’re going to outlive our own creations—and our obsessions with them.”—John Battelle, co-founder, NewCo, Federated Media, and Wired

“The future is already here—it’s just for those who read Reid!”—Steve Jurvetson, venture capitalist, Draper Fisher Jurvetson

“Rob Reid doesn’t write science fiction; he writes future history. After On is the best account I’ve read of how superintelligence will arrive and what it will mean for all of us. Hilarious, frightening, believable, and marvelously constructed—After On has it all.”—Hugh Howey, New York Times bestselling author of Wool

NEW YORK TIMES BESTSELLER

An alien advance party was suddenly nosing around my planet.
Worse, they were lawyering up. . . .
 
In the hilarious tradition of The Hitchhiker’s Guide to the Galaxy, Rob Reid takes you on a headlong journey through the outer reaches of the universe—and the inner workings of our absurdly dysfunctional music industry.
 
Low-level entertainment lawyer Nick Carter thinks it’s a prank, not an alien encounter, when a redheaded mullah and a curvaceous nun show up at his office. But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news.
 
The entire cosmos, they tell him, has been hopelessly hooked on humanity’s music ever since “Year Zero” (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything—and the aliens are not amused.
 
Nick Carter has just been tapped to clean up this mess before things get ugly, and he’s an unlikely galaxy-hopping hero: He’s scared of heights. He’s also about to be fired. And he happens to have the same name as a Backstreet Boy. But he does know a thing or two about copyright law. And he’s packing a couple of other pencil-pushing superpowers that could come in handy.
 
Soon he’s on the run from a sinister parrot and a highly combustible vacuum cleaner. With Carly and Frampton as his guides, Nick now has forty-eight hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.

“Hilarious, provocative, and supersmart, Year Zero is a brilliant novel to be enjoyed in perpetuity in the known universe and in all unknown universes yet to be discovered.”—John Hodgman, resident expert, The Daily Show with Jon Stewart