Composed in the last years of Roberto Bolaño’s life, 2666 was greeted across Europe and Latin America as his most brilliant achievement, surpassing even his previous work in its strange beauty, daring experimentation, and epic scope. The book’s subject matter ranges from the heady heights of literature and love to the gritty realism of violence and death as it explores how humans make sense of senseless events. Its throng of unforgettable characters includes academics and convicts, writers and cops, pursuing their own separate yet interrelated quests for meaning: an enigmatic Prussian novelist who disappears from the public eye after the death of his lover; a group of literary critics who bond through their shared love of the novelist’s works; an African American journalist sent to Mexico on a sports beat in the wake of his mother’s death; and a Spanish professor and widowed father whose mind is beginning to lose its grip on reality. Their lives intersect in the urban sprawl of Santa Teresa, a fictional Juárez on the US-Mexico border, where the serial killings of hundreds of young working class women remain unsolved.

“Now I am a mother and a married woman, but not long ago I led a life of crime.” So Bianca begins her tale of growing up the hard way in Rome in A Little Lumpen Novelita.

Orphaned overnight as a teenager–“our parents died in a car crash on their first vacation without us”–she drops out of school and gets a crappy job. At night, she is plagued by a terrible brightness, and soon she drifts into bad company. Her little brother brings home two petty criminals who need a place to stay. As the four of them share the family apartment and plot a strange crime, Bianca learns she can fall even lower.

Electric and tense with foreboding, with its jagged, propulsive short chapters beautifully translated by Natasha Wimmer, A Little Lumpen Novelita–one of the last novels Roberto Bolano published–delivers a surprising, fractured fairy tale of taking control of one’s fate.

A deathbed confession revolving around Opus Dei and Pinochet, By Night in Chile pours out the self-justifying dark memories of the Jesuit priest Father Urrutia.

As through a crack in the wall, By Night in Chile‘s single night-long rant provides a terrifying, clandestine view of the strange bedfellows of church and state in Chile. This wild, eerily compact novel–Roberto Bolano’s first work available in English–recounts the tale of a poor boy who wanted to be a poet but ends up a half-hearted Jesuit priest and conservative literary critic, a sort of lapdog to the rich and powerful cultural elite, in whose villas he encounters Pablo Neruda and Ernst Junger. Father Urrutia is offered a tour of Europe by agents of Opus Dei to study “the disintegration of the churches”–a journey into realms of the surreal–and, ensnared by this plum, he is next assigned, after the destruction of Allende, the secret never-to-be-disclosed job of teaching Pinochet, at night, all about Marxism, so the junta generals can know their enemy. Soon, searingly, his memories go from bad to worse.

Heart-stopping and hypnotic, By Night in Chile marked the American debut of an astonishing writer.

One more journey to the universe of Roberto Bolaño, an essential voice of contemporary Latin American literature

Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño’s boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In “Cowboy Graves,” Arturo Belano–Bolaño’s alter ego–returns to Chile after the coup to fight with his comrades for socialism. “French Comedy of Horrors” takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in “Fatherland,” a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead.

These three fiercely original tales bear the signatures of Bolaño’s extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries.

Comprising short biographies about imaginary writers from Argentina, Brazil, Chile, Cuba, Columbia, Peru, Uruguay, Venezuela, and the United States, Nazi Literature in the Americas includes descriptions of the writers’ works, cross-references, a bibliography, and also an “Epilogue for Monsters.” All the writers are carefully and credibly situated in real literary worlds. There are fourteen thematic sections with titles such as “Forerunners and Figures of the Anti-Enlightenment,” “Magicians, Mercenaries, and Miserable Individuals,” and “North American Poets.”

Brisk and pseudoacademic, Nazi Literature in the Americas delicately balances irony and pathos. Bolano does not simply use his writers for target practice: in the space of a few pages he manages to sketch character portraits that are often pathetically funny, sometimes surprisingly moving, and, on occasion, authentically chilling. A remarkably inventive, funny, and disquieting sui generis novel, Nazi Literature in the Americas offers a clear view into the workings of one of the most extraordinarily fecund literary imaginations of our time.

Es una historia vibrante sobre una serie de acontecimientos que un sacerdote del Opus Dei e importante critico literario chileno vivio durante la segunda mitad del siglo XX. Sebastian Urrutia Lacroix nos narra sus recuerdos padeciendo una fiebre muy alta y nos hace participes de algunos sucesos historicos en los que el participo en su natal Chile y sin entender el porque sucedio asi, tambien nos hace ver su relacion con importantes figuras del ambito politico y cultural chileno, como Neruda y Pinochet. El ritmo narrativo de Bolano nos hace entender en su particular punto de vista que los acontecimientos historicos en gran parte son generados al libitum y no planeados como la historia lo cuenta una vez consumado el hecho .

The late Chilean writer Roberto Bolaño has been called the García Márquez of his generation. In this dazzling novel, the book that established his international reputation, Bolaño tells the story of two modern-day Quixotes—the last survivors of an underground literary movement, perhaps of literature itself—on a tragicomic quest through a darkening, entropic universe.

Brilliantly rendered into English by Natasha Wimmer, the acclaimed translator of Bolaño’s other great masterwork, 2666, The Savage Detectives is an exuberant, wildly inventive and ambitious novel from one of the greatest Latin American authors of our age.

From a master of contemporary fiction, a tale of bohemian youth on the make in Mexico City

Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world–or sacrifice themselves to it. Roberto Bolaño’s The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure, as they work to construct a reality out of the fragments of their dreams.

But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction and dreams of cosmonauts and Nazis. Meanwhile, Remo runs headfirst into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city’s labyrinthine streets, rundown cafés, and murky bathhouses.

This kaleidoscopic work of strange and tender beauty is a fitting introduction for readers uninitiated into the thrills of Roberto Bolaño’s fiction, and an indispensable addition to an ecstatic and transgressive body of work.

On vacation with his girlfriend, Ingeborg, the German war games champion Udo Berger returns to a small town on the Costa Brava where he spent the summers of his childhood. Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals–the Wolf, the Lamb, and El Quemado–and to the darker side of life in a resort town.

Late one night, Charly disappears without a trace, and Udo’s well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo’s favorite World War II strategy game, and Udo discovers that the game’s consequences may be all too real.

Written in 1989 and found among Roberto Bolano’s papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own–and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

Begun in the 1980s and worked on until the author’s death in 2003, Woes of the True Policeman is Roberto Bolano’s last, unfinished novel. The novel follows Oscar Amalfitano – an exiled Chilean university professor and widower – through the maze of his revolutionary past, his relationship with his teenage daughter, Rosa, his passion for a former student, and his retreat from scandal in Barcelona. Forced to leave Barcelona for Santa Teresa, a Mexican city close to the U.S. border where women are being killed in unprecedented numbers, Amalfitano soon begins an affair with Castillo, a young forger of Larry Rivers paintings. Meanwhile, Rosa, Amalfitano’s daughter, engages in her own epistolary romance with a basketball player from Barcelona, while still trying to cope with her mother’s early death and her father’s secrets. After finding Castillo in bed with her father, Rosa is forced to confront her own crisis. What follows is an intimate police investigation of Amalfitano that involves a series of dark twists, cu