“Steve Lopez is insightful, ingenious, and often hilarious as he navigates one of life’s biggest questions.” –Michael Connelly, #1¬†New York Times¬†bestselling author of¬†The Dark Hours

Four-time Pulitzer Prize finalist and longtime Los Angeles Times columnist Steve Lopez explores the meaning of work and how it defines us in this captivating book that combines memoir, investigatory interviews, and practical application.

Grappling with his own decision of whether to retire, Lopez uses his reporter skills not only to look inward but also to interview experts and peers to collect a variety of perspectives as he examines the true nature of a person’s time, identity, and ultimate life satisfaction.

In¬†Independence Day, Lopez talks to those who have chosen to extend their working life to its (il)logical extreme–people like Mel Brooks, still working at 94–those who have happily retired and reinvented themselves outside of the constraints of work, and those who would like to retire but can’t because of financial constraints. He also turns to professionals on the matter, like two aging scientists, a geriatric specialist, and a psychiatrist, to understand the research-based reasons to retire.

With his trademark poignancy, wisdom, and humor, Lopez establishes a useful polemic for himself and others in planning ahead, as he also evaluates questions of identity, financial limitations, and ultimately what to do with your life when the obituary pages are no longer filled with strangers.

A moving story of the remarkable bond between a journalist in search of a story and a homeless, classically trained musician—now a major motion picture from DreamWorks starring Jamie Foxx and Robert Downey Jr. When Steve Lopez saw Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles’ skid row, he found it impossible to walk away. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard—ambitious, charming, and also one of the few African Americans—until he gradually lost his ability to function, overcome by schizophrenia. When Lopez finds him, Ayers is homeless, paranoid, and deeply troubled, but glimmers of that brilliance are still there. Over time, Steve Lopez and Nathaniel Ayers form a bond, and Lopez imagines that he might be able to change Ayers’ life. Lopez collects donated violins, a cello, even a stand-up bass and a piano; he takes Ayers to Walt Disney Concert Hall and helps him move indoors. For each triumph, there is a crashing disappointment, yet neither man gives up. In the process of trying to save Ayers, Lopez finds that his own life is changing, and his sense of what one man can accomplish in the lives of others begins to expand in new ways. Poignant and ultimately hopeful, The Soloist is a beautifully told story of friendship and the redeeming power of music.