A New York Times bestseller!

A dual biography of Winston Churchill and George Orwell, who preserved democracy from the threats of authoritarianism, from the left and right alike.

Both George Orwell and Winston Churchill came close to death in the mid-1930’s—Orwell shot in the neck in a trench line in the Spanish Civil War, and Churchill struck by a car in New York City. If they’d died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history for having the vision and courage to campaign tirelessly, in words and in deeds, against the totalitarian threat from both the left and the right. In a crucial moment, they responded first by seeking the facts of the matter, seeing through the lies and obfuscations, and then they acted on their beliefs. Together, to an extent not sufficiently appreciated, they kept the West’s compass set toward freedom as its due north.

It’s not easy to recall now how lonely a position both men once occupied. By the late 1930’s, democracy was discredited in many circles, and authoritarian rulers were everywhere in the ascent. There were some who decried the scourge of communism, but saw in Hitler and Mussolini “men we could do business with,” if not in fact saviors. And there were others who saw the Nazi and fascist threat as malign, but tended to view communism as the path to salvation. Churchill and Orwell, on the other hand, had the foresight to see clearly that the issue was human freedom—that whatever its coloration, a government that denied its people basic freedoms was a totalitarian menace and had to be resisted.

In the end, Churchill and Orwell proved their age’s necessary men. The glorious climax of Churchill and Orwell is the work they both did in the decade of the 1940’s to triumph over freedom’s enemies. And though Churchill played the larger role in the defeat of Hitler and the Axis, Orwell’s reckoning with the menace of authoritarian rule in Animal Farm and 1984 would define the stakes of the Cold War for its 50-year course, and continues to give inspiration to fighters for freedom to this day. Taken together, in Thomas E. Ricks’s masterful hands, their lives are a beautiful testament to the power of moral conviction, and to the courage it can take to stay true to it, through thick and thin.

Churchill and Orwell is a perfect gift for the holidays!

From the Washington Post‘s two-time Pulitzer-winning senior Pentagon reporter, the definitive military chronicle of the Iraq War-and a searing judgment of its gross strategic blindness-drawing on the accounts of senior military officers giving voice to their anger for the first time.

Unabridged CDs – 20 CDs, 24 hours

New York Times Bestseller
Editors’ Choice —New York Times Book Review

“Ricks knocks it out of the park with this jewel of a book. On every page I learned something new. Read it every night if you want to restore your faith in our country.” –James Mattis, General, U.S. Marines (ret.) & 26^th Secretary of Defense

The Pulitzer Prize-winning journalist and #1 New York Times bestselling author offers a revelatory new book about the founding fathers, examining their educations and, in particular, their devotion to the ancient Greek and Roman classics–and how that influence would shape their ideals and the new American nation.

On the morning after the 2016 presidential election, Thomas Ricks awoke with a few questions on his mind: What kind of nation did we now have? Is it what was designed or intended by the nation’s founders? Trying to get as close to the source as he could, Ricks decided to go back and read the philosophy and literature that shaped the founders’ thinking, and the letters they wrote to each other debating these crucial works–among them the Iliad, Plutarch’s Lives, and the works of Xenophon, Epicurus, Aristotle, Cato, and Cicero. For though much attention has been paid the influence of English political philosophers, like John Locke, closer to their own era, the founders were far more immersed in the literature of the ancient world.

The first four American presidents came to their classical knowledge differently. Washington absorbed it mainly from the elite culture of his day; Adams from the laws and rhetoric of Rome; Jefferson immersed himself in classical philosophy, especially Epicureanism; and Madison, both a groundbreaking researcher and a deft politician, spent years studying the ancient world like a political scientist. Each of their experiences, and distinctive learning, played an essential role in the formation of the United States. In examining how and what they studied, looking at them in the unusual light of the classical world, Ricks is able to draw arresting and fresh portraits of men we thought we knew.

First Principles follows these four members of the Revolutionary generation from their youths to their adult lives, as they grappled with questions of independence, and forming and keeping a new nation. In doing so, Ricks interprets not only the effect of the ancient world on each man, and how that shaped our constitution and government, but offers startling new insights into these legendary leaders.

Fiasco, Thomas E. Ricks’s #1 New York Times bestseller, transformed the political dialogue on the war in Iraq—The Gamble is the next news breaking installment

Thomas E. Ricks uses hundreds of hours of exclusive interviews with top officers in Iraq and extraordinary on-the-ground reportage to document the inside story of the Iraq War since late 2005 as only he can, examining the events that took place as the military was forced to reckon with itself, the surge was launched, and a very different war began.

Since early 2007 a new military order has directed American strategy. Some top U.S. officials now in Iraq actually opposed the 2003 invasion, and almost all are severely critical of how the war was fought from then through 2006. At the core of the story is General David Petraeus, a military intellectual who has gathered around him an unprecedented number of officers with both combat experience and Ph.D.s. Underscoring his new and unorthodox approach, three of his key advisers are quirky foreigners—an Australian infantryman-turned- anthropologist, an antimilitary British woman who is an expert in the Middle East, and a Mennonite-educated Palestinian pacifist.

The Gamble offers news-breaking account, revealing behind-the-scenes disagreements between top commanders. We learn that almost every single officer in the chain of command fought the surge. Many of Petraeus’s closest advisers went to Iraq extremely pessimistic, doubting that the surge would have any effect, and his own boss was so skeptical that he dispatched an admiral to Baghdad in the summer of 2007 to come up with a strategy to replace Petraeus’s. That same boss later flew to Iraq to try to talk Petraeus out of his planned congressional testimony. The Gamble examines the congressional hearings through the eyes of Petraeus and Ambassador Ryan Crocker, and their views of the questions posed by the 2008 presidential candidates.

For Petraeus, prevailing in Iraq means extending the war. Thomas E. Ricks concludes that the war is likely to last another five to ten years—and that that outcome is a best case scenario. His stunning conclusion, stated in the last line of the book, is that “the events for which the Iraq war will be remembered by us and by the world have not yet happened.”

From the #1 New York Times bestselling author of Fiasco and The Gamble comes an epic history of the decline of American military leadership from World War II to Iraq.

History has been kinder to the American generals of World War II–Marshall, Eisenhower, Patton, and Bradley–than to the generals of the wars that followed. Is this merely nostalgia? In The Generals, Thomas E. Ricks answers the question definitively: No, it is not–in no small part because of a widening gulf between performance and accountability. During the Second World War, scores of American generals were relieved of command simply for not being good enough. Today as one American colonel said bitterly during the Iraq War, “As matters stand now, a private who loses a rifle suffers far greater consequences than a general who loses a war.”

In The Generals we meet great leaders and suspect ones, generals who rose to the occasion and those who failed themselves and their soldiers. Marshall and Eisenhower cast long shadows over this story, but no single figure is more inspiring than Marine General O. P. Smith, whose fighting retreat from the Chinese onslaught into Korea in the winter of 1950 snatched a kind of victory from the jaws of annihilation. But Smith’s courage and genius in the face of one of the grimmest scenarios the marines have ever faced only cast the shortcomings of the people who put him there in sharper relief.

If Korea showed the first signs of a culture that neither punished mediocrity nor particularly rewarded daring, the Vietnam War saw American military leadership bottom out. The My Lai massacre is held up as the emblematic event of this dark chapter of our history.

In the wake of Vietnam, a battle for the soul of the US Army was waged with impressive success. It became a transformed institution, reinvigorated from the bottom up. But if the body was highly toned, its head still suffered from familiar problems, resulting in leadership that, from the first Iraq War through to the present, wastactically savvy but strategically obtuse–one that would win battles but would end wars badly.

Thomas E. Ricks has made a close study of America’s military leaders for three decades, and in his hands this story resounds with larger meaning: the transmission of values, strategic thinking, the difference between an organization that learns and one that fails. Military history of the highest quality, The Generals is also essential reading for anyone with an interest in the difference between good leaders and bad ones.

This program is read by multiple-award-winning narrator JD Jackson.

#1 New York Times bestselling author and Pulitzer Prize winner Thomas E. Ricks offers a new take on the civil rights movement, stressing its unexpected use of military strategy and its lessons for nonviolent resistance around the world.

In Waging a Good War, bestselling author Thomas E. Ricks offers a fresh perspective on America’s greatest moral revolution–the civil rights movement of the 1950s and 1960s–and its legacy today. While the movement has become synonymous with Martin Luther King Jr.’s ethos of nonviolence, Ricks, a Pulitzer Prize-winning war reporter, draws on his deep knowledge of tactics and strategy to note the surprising affinities between that ethos and the organized pursuit of success at war. The greatest victories for Black Americans of the past century, he stresses, were won not by idealism alone, but by paying attention to recruiting, training, discipline, and organization–the hallmarks of any successful military campaign.

An engaging storyteller, Ricks deftly narrates the movement’s triumphs and defeats. He follows King and other key figures from Montgomery to Memphis, demonstrating that Gandhian nonviolence was a philosophy of active, not passive, resistance – involving the bold and sustained confrontation of the Movement’s adversaries, both on the ground and in the court of public opinion. While bringing legends such as Fannie Lou Hamer and John Lewis into new focus, Ricks also highlights lesser-known figures who played critical roles in fashioning nonviolence into an effective tool–the activists James Lawson, James Bevel, Diane Nash, and Septima Clark foremost among them. He also offers a new understanding of the Movement’s later difficulties as internal disputes and white backlash intensified. Rich with fresh interpretations of familiar events and overlooked aspects of America’s civil rights struggle, Waging a Good War is an indispensable addition to the literature of racial justice and social change–and one that offers vital lessons for our own time.

A Macmillan Audio production from Farrar, Straus and Giroux.