Jean Valjean, Cosette, les Thénardier, Gavroche, ou encore Javert sont autant de noms qui résonnent au-delà de l’histoire qui les a fait naître. Ces misérables sont décrits à la fois comme des archétypes du genre humain, mais aussi comme les produits d’une société génératrice de pauvreté, d’ignorance et désespoir. Cosette est le deuxième tome des Misérables. C’est aussi le prénom de l’enfant que Jean Valjean va devoir prendre sous sa protection, à la mort de sa mère Fantine, dont le tragique destin est lié à celui de l’ancien bagnard héroïque.

Les Misérables de Victor Hugo, paru à partir de 1862, est l’un des romans les plus connus de la littérature française. Jean Valjean, Cosette, les Thénardier et leur Gavroche, ou encore Javert sont autant de noms qui résonnent au-delà de l’histoire qui les a fait naître. Ces misérables de Paris et de la province française sont décrits à la fois comme des archétypes du genre humain, mais aussi comme les produits d’une société génératrice de pauvreté, d’ignorance et désespoir. Fantine, le premier des cinq tomes qui composent Les Misérables, raconte l’ascension d’un ancien bagnard, Jean Valjean, et la chute d’une fille-mère, Fantine, qui finit par se tuer pour nourir son enfant, Cosette.

Jean Valjean, Cosette, les Thénardier, Gavroche, ou encore Javert sont autant de noms qui résonnent au-delà de l’histoire qui les a fait naître. Ces misérables sont décrits à la fois comme des archétypes du genre humain, mais aussi comme les produits d’une société génératrice de pauvreté, d’ignorance et de désespoir. Jean Valjean est le cinquième et dernier tome des Misérables. Ce livre signe la fin des espoirs des insurgés, et la mort de Gavroche. Mais c’est aussi, enfin, la reconnaissance pour Jean Valjean, qui dans ses derniers instants, voit Cosette et Marius, unis et près de lui.

À 75 ans, Victor Hugo a perdu sa femme, sa fille Léopoldine et ses deux fils. Il se retrouve seul avec ses deux petits enfants, Jeanne et Georges. Alors que la vieillesse lui apparaît, elle s’entoure de la plus petite jeunesse, et l’art d’être grand-père s’impose à l’auteur : c’est obéir aux plus petits. Sa démarche littéraire se fond avec son dernier recueil poétique, rendre justice aux plus démunis, raconter leurs misères et leur héritage, accepter de n’être qu’un passeur et qu’il faut partir.

Jean Valjean, Cosette, les Thénardier, Gavroche, ou encore Javert sont autant de noms qui résonnent au-delà de l’histoire qui les a fait naître. Ces misérables sont décrits à la fois comme des archétypes du genre humain, mais aussi comme les produits d’une société génératrice de pauvreté, d’ignorance et désespoir. L’Ydille rue Plumet et l’épopée rue Saint-Denis est le quatrième tome des Misérables. Dans le contexte révolutionnaire de 1830, tous les personnages déjà connus, de Marius et Cosette, à Gavroche, Javert et Jean Valjean, vont sceller leur destin sur les barricades, révéler leurs bontés et défier leurs désespoirs.

Les Contemplations de Victor Hugo est un recueil de poésies écrites entre 1834 et 1855. Regroupés en deux tomes, ces poèmes se divisent entre Autrefois et Aujourd’hui, une période heureuse où l’auteur contemplait la richesse de l’amour et de la nature, et des jours plus sombres frappés par le deuil de sa fille Léopoldine. Michaêl Lonsdale et Denis Podalydès lisent en alternance les six livres que composent Les Contemplations, l’un des écrits les plus connus de la langue française.

This is an Abridged Edition
Victor Hugo began writing Les Miserables twenty years before its eventual publication in 1862. Les Miserables is primarily a great humanitarian work that encourages compassion and hope in the face of adversity and injustice. It is also a historical novel of great scope, and provides a detailed vision of nineteenth-century French politics and society. Hugo hoped Les Miserables would encourage a more progressive and democratic future. Hugo wrote Les Miserables with a literary and political revolution in mind.
Les Miserables emphasizes the three major predicaments of the nineteenth century. Each of the three major characters in the novel symbolizes one of these predicaments: Jean Valjean represents the degradation of man in the proletariat, Fantine represents the subjection of women through hunger, and Cosette represents the atrophy of the child by darkness.

The classic novel–and hit Broadway show–about escaped convict Jean Valjean has been adapted with easy-to-read text, large type, and short chapters.  This engaging adaptation of the timeless tale is ideal for reluctant readers and kids not yet ready to tackle the original.

Considered to be French novelist Victor Hugo’s masterpiece, Les Miserables, which was published in 1862, is a sprawling historical and philosophical epic that covers from 1815 through the Paris Uprising in 1832. Notable for its many subplots and digressions from the main storyline, the novel’s stated aim is a progress from evil to good, from injustice to justice, from falsehood to truth, which can be seen most clearly in the story of the central character Jean Valjean, an ex-convict who struggles to shake the sins of his past and become a good man. Widely adapted, the novel inspired the blockbuster musical and movie colloquially known as Les Mis. This is an abridged audio recording of the 1887 Isabel F. Hapgood translation.

Considered to be French novelist Victor Hugo’s masterpiece, Les Miserables, which was published in 1862, is a sprawling historical and philosophical epic that covers from 1815 through the Paris Uprising in 1832. Notable for its many subplots and digressions from the main storyline, the novel’s stated aim is a progress from evil to good, from injustice to justice, from falsehood to truth, which can be seen most clearly in the story of the central character Jean Valjean, an ex-convict who struggles to shake the sins of his past and become a good man. Widely adapted, the novel inspired the blockbuster musical and movie colloquially known as Les Mis. This is an unabridged audio recording of the 1887 Isabel F. Hapgood translation.

Bring history back to life through Jim Hodges’ historically accurate, exciting and edifying audio recordings.

Victor Hugo wrote in his classic Les Mis+(r)rables, Book 5, Chapter 4: “God is behind everything, but everything hides God.” I don’t know if you have seen either the stage musical or the movie rendition of Victor Hugo’s immortal classic Les Mis+(r)rables (an epic story of redemption set in Paris after the French Revolution) but I have never seen a production that more clearly illustrates the saving grace of God and the change that can be had for anyone willing to accept it.

This 1937 Old Time Radio Show dramatization, written, produced, and performed by none other than the incomparable Orson Wells, of “War of the Worlds” fame. The story is faithfully retold (with questionable subjects carefully camouflaged) and is suitable for students aged 10 and older. This live recording, masterfully performed by an incredible professional cast, includes sound effects, music, and an unforgettable story. You will not be disappointed.

Look for the Old Time Radio Show Collection from the 30s, 40s, and 50s! These classic stories will capture your attention as they reenact history in short programs.

Set in the Parisian underworld of the early nineteenth century, Les Misérables follows the adventures of Jean Valjean, once an honest peasant, who spent nineteen years in prison for stealing a loaf of bread to feed his sister’s starving family. A hardened and bitter criminal upon his release, Valjean is transformed when an act of compassion by a priest he robbed saves him from returning to prison. Changing his identity and his ways, Valjean becomes a successful industrialist and eventually the town mayor. Taking compassion on the poor, he raises the orphaned daughter of a prostitute as his own, never telling her of his shady past. Yet he is haunted by it, still pursued relentlessly by the police inspector Javert, who does not believe in moral redemption. When Valjean’s daughter, Cosette, falls in love with a young revolutionary, Javert concocts a plot to catch both the lawless peasants and the elusive Valjean once and for all. Full of suspense, romance, and powerful social commentary, this sweeping epic became the gospel of the oppressed and is widely considered one of the greatest French novels of its age.

Set in the Parisian underworld of the early nineteenth century, Les Misérables follows the adventures of Jean Valjean, once an honest peasant, who was imprisoned for nineteen years for stealing a loaf of bread to feed his sister’s starving family. A hardened and bitter criminal upon his release, Valjean is transformed when an act of compassion by a priest he robbed saves him from returning to prison. Changing his identity and his ways, Valjean becomes a successful industrialist and eventually the town mayor. Taking compassion on the poor, he raises the orphaned daughter of a prostitute as his own, never telling her of his shady past. Yet he is haunted by it, still pursued relentlessly by the police inspector Javert, who does not believe in moral redemption. When Valjean’s daughter, Cosette, falls in love with a young revolutionary, Javert concocts a plot to catch both the lawless peasants and the elusive Valjean once and for all. Full of suspense, romance, and powerful social commentary, this sweeping epic became the gospel of the oppressed and is widely considered one of the greatest French novels of its age.

One of the great classics of world literature and the inspiration for the most beloved stage musical of all time, Les MisErables is legendary author Victor Hugo’s masterpiece. This extraordinary English version by renowned translator Julie Rose captures all the majesty and brilliance of Hugo’s work. Here is the timeless story of the quintessential hunted man-Jean Valjean-and the injustices, violence, and social inequalities that torment him. “Rich and gorgeous. This is the [translation] to read.”-Times (London)

Un enregistrement exceptionnel : les sept volumes des Misérables, un des plus grands romans de la littérature française, enfin enregistrés en livres audio et réunis en 10 CD. L’intégrale des Misérables est également disponible en téléchargement.

Marius est le troisième tome des Misérables. Ici se dessinent la misère de Paris, décrite avec tendresse à travers la figure de Gavroche, et le souffle de la révolution qui anime les jeunes gens de la capitale. Marius, petit-fils de royaliste et fils de Bonapartiste, c’est Victor Hugo lui-même lorsqu’il avait dix-sept ans.

It is 1793 in France—the year of the guillotine. Already, Louis XVI has been sentenced to the scaffold, and terror reigns. Ideals topple in the face of political necessity, alliances founder, and intrigue is a way of life.

The architects of the Revolution—Marat, Danton, and Robespierre—have set up an embryo parliament called the Convention, designed to stem social chaos. As Republican troops engage in bloody battle with counter-revolutionaries, a peasant woman strives simply to protect her three children.

The characters of Ninety-Three define the French Revolution, and history hangs on their actions. As they battle for their own future, the future of a large part of the world can be seen to sway in the balance. Hugo’s epic masterpiece captures brilliantly the moment that shaped the destiny not only of France but of all European monarchy.

Dans le Paris du XVème siècle, Esméralda, jeune gitane d’une grande beauté, danse sur la parvis de Notre-Dame. Du haut de la cathédrale, l’archidiacre Frolo et le sonneur de cloches Quasimodo la contemplent et en tombent amoureux. Frolo veut alors faire enlever la belle, mais le capitaine de la garde, Phoebus, l’en empêche au dernier moment, et gagne ainsi l’amour d’Esméralda. La jalousie s’empare alors de l’archidiacre qui tue Phoebus et accuse la Gitane de son meurtre.

Set amid the riot, intrigue, and pageantry of medieval Paris, Victor Hugo’s masterful tale of heroism and adventure has been a perennial favorite since its first publication in 1831. It is the story of Quasimodo, the deformed bell-ringer of the Notre Dame Cathedral, who falls in love with the beautiful gypsy Esmeralda, who shows him kindness when no one else will. However, Esmeralda’s heart lies with someone else.

When she is condemned as a witch by Claude Frollo, the tormented archdeacon who lusts after her, Quasimodo attempts to save her–but his intentions are misunderstood. Written with a profound sense of tragic irony, Hugo’s powerful historical romance remains one of the most thrilling stories of all time. It is a stunning example of the author’s brilliant imagination.

Set in medieval Paris, Victor Hugo’s powerful historical romance The Hunchback of Notre Dame has resonated with succeeding generations ever since its initial publication in 1837. It tells the story of the beautiful gypsy Esmeralda, condemned as a witch by the tormented archdeacon Claude Frollo, who lusts after her. Quasimodo, the deformed bell ringer of Notre Dame Cathedral, having fallen in love with the kindhearted Esmeralda, tries to save her by hiding her in the cathedral’s tower. When a crowd of Parisian peasants, misunderstanding Quasimodo’s motives, attacks the church in an attempt to liberate her, the story ends in tragedy.
An epic tale of beauty and sadness, The Hunchback of Notre Dame portrays the sufferings of humanity with compassion and power.

-Written in 1831 before Hugo was forced to flee from Louis Napoleon’s France. In this novel-perhaps his most popular-Hugo paints a vivid portrait of medieval Paris. Quasimodo, the one-eyed, hunchbacked refugee; Esmeralda, the dancing gypsy girl, threatened by the gallows; and a world where chaos is in charge-Hugo captures them all in this timeless, almost Gothic, piece of literature.

Andre Germaine has been condemned by the law of the state and freaky circumstance. He has been accused of his own murder and of a crime against his own family. He fought under Boneparte, he served his country, married and fathered a child but all those things come to nothing in the cell of the condemned. He believes it is the working of a curse placed upon his father to last through all the generations of the line for having loved too well a woman who was promised to another man.