In the bestselling tradition of Hampton Sides’s In the Kingdom of Ice, a “gripping adventure tale” (The Boston Globe) recounting Dutch polar explorer William Barents’ three harrowing Arctic expeditions–the last of which resulted in a relentlessly challenging year-long fight for survival.

The human story has always been one of perseverance–often against remarkable odds. The most astonishing survival tale of all might be that of 16th-century Dutch explorer William Barents and his crew of sixteen, who ventured farther north than any Europeans before and, on their third polar exploration, lost their ship off the frozen coast of Nova Zembla to unforgiving ice. The men would spend the next year fighting off ravenous polar bears, gnawing hunger, and endless winter.

In Icebound, Andrea Pitzer masterfully combines a gripping tale of survival with a sweeping history of the great Age of Exploration–a time of hope, adventure, and seemingly unlimited geographic frontiers. At the story’s center is William Barents, one of the 16th century’s greatest navigators whose larger-than-life ambitions and obsessive quest to chart a path through the deepest, most remote regions of the Arctic ended in both tragedy and glory. Journalist Pitzer did extensive research, learning how to use four-hundred-year-old navigation equipment, setting out on three Arctic expeditions to retrace Barents’s steps, and visiting replicas of Barents’s ship and cabin.

“A resonant meditation on human ingenuity, resilience, and hope” (The New Yorker), Pitzer’s reenactment of Barents’s ill-fated journey shows us how the human body can function at twenty degrees below, the history of mutiny, the art of celestial navigation, and the intricacies of building shelters. But above all, it gives us a firsthand glimpse into the true nature of courage.

A startling and revelatory examination of Nabokov’s life and works–notably Pale Fire and Lolita–bringing new insight into one of the twentieth century’s most enigmatic authors.

Novelist Vladimir Nabokov witnessed the horrors of his century, escaping Revolutionary Russia then Germany under Hitler, and fleeing France with his Jewish wife and son just weeks before Paris fell to the Nazis. He repeatedly faced accusations of turning a blind eye to human suffering to write artful tales of depravity. But does one of the greatest writers in the English language really deserve the label of amoral aesthete bestowed on him by so many critics?

Using information from newly-declassified intelligence files and recovered military history, journalist Andrea Pitzer argues that far from being a proponent of art for art’s sake, Vladimir Nabokov managed to hide disturbing history in his fiction–history that has gone unnoticed for decades. Nabokov emerges as a kind of documentary conjurer, spending the most productive decades of his career recording a saga of forgotten concentration camps and searing bigotry, from World War I to the Gulag and the Holocaust. Lolita surrenders Humbert Humbert’s secret identity, and reveals a Nabokov appalled by American anti-Semitism. The lunatic narrator of Pale Fire recalls Russian tragedies that once haunted the world. From Tsarist courts to Nazi film sets, from CIA front organizations to wartime Casablanca, the story of Nabokov’s family is the story of his century–and both are woven inextricably into his fiction.