A murderer strikes at a school reunion–but the students are no strangers to death– in this propulsive, twisty thriller from the internationally bestselling author of the Ruth Galloway Mysteries

Is it possible to forget that you’ve committed a murder?

When Cassie Fitzgerald was at school in the late 90s, she and her friends killed a fellow student. Almost twenty years later, Cassie is a happily married mother who loves her job–as a police officer. She closely guards the secret she has all but erased from her memory.

One day her husband finally persuades her to go to a school reunion. Cassie catches up with her high-achieving old friends from the Manor Park School–among them two politicians, a rock star, and a famous actress. But then, shockingly, one of them, Garfield Rice, is found dead in the school bathroom, supposedly from a drug overdose. As Garfield was an eminent–and controversial–MP and the investigation is high profile, it’s headed by Cassie’s new boss, DI Harbinder Kaur, freshly promoted and newly arrived in London. The trouble is, Cassie can’t shake the feeling that one of them has killed again.

Is Cassie right, or was Garfield murdered by one of his political cronies? It’s in Cassie’s interest to skew the investigation so that it looks like it has nothing to do with Manor Park and she seems to be succeeding.

Until someone else from the reunion is found dead in Bleeding Heart Yard…

The fifth book in the Magic Men series, Now You See Them is a wild mystery with detective Edgar Stephens and the magician Max Mephisto, as they investigate a string of presumed kidnappings in the swinging 1960s.

The new decade is going well for Edgar Stephens and his good friend the magician Max Mephisto. Edgar is happily married, with children, and promoted to Superintendent. Max has found fame and stardom in America, though is now back in England for a funeral, and a prospective movie job. Edgar’s new wife, though—former detective Emma—is restless and frustrated at home, knowing she was the best detective on the team.

But when an investigation into a string of disappearing girls begins, Emma sees her chance to get back in the action. She begins her own hunt, determined to prove, once and for all that she’s better than the boys. Though she’s not the only one working toward that goal—there’s a new woman on the force, and she’s determined to make detective. When two more girls go missing, both with ties to the group, the stakes climb ever higher, and Max finds himself drawn into his own search.
 
Who will find the girls first? And will they get there in time?

In the sequel to Zig Zag Girl, DI Edgar Stephens and the magician Max Mephisto hunt for a killer after two children are murdered in a tragic tableau of a very grim fairy tale.

It’s Christmastime in Brighton, and the city is abuzz about a local production of Aladdin, starring the marvelous Max Mephisto. But the holiday cheer is lost on DI Edgar Stephens. He’s investigating the murder of two children, Annie and Mark, who were strangled to death in the woods, abandoned alongside a trail of candy–a horrifying scene eerily reminiscent of Hansel and Gretel. Edgar has plenty of leads to investigate. Annie, a surprisingly dark child, used to write gruesome plays based on the Grimms’ fairy tales. Does the key to the case lie in her unfinished final script? Or does the macabre staging of Annie and Mark’s deaths point to the theater and the capricious cast of characters performing in Aladdin? Once again Edgar enlists Max’s help in penetrating the shadowy world of the theater. But is this all just classic misdirection?

My favourite series’ Val McDermid Dr Ruth Galloway returns to north Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous, yet somehow familiar. They read like the letters that first drew him into the case of The Crossing Places, and to Ruth. But the author of those letters is dead. Or are they? The past is reaching out for Ruth and Nelson, and its grip is deadly.

In the third Magic Men mystery, the first partially set in America, a threat of mass violence looms over Elizabeth II’s coronation. Can DI Edgar Stephens and Max Mephisto crack the case and save the crown?

Elizabeth II’s coronation is looming, but DI Edgar Stephens is busy investigating the death of a local fortune-teller. Meanwhile, his old pal, the magician Max Mephisto, is rehearsing for his television debut, a Coronation Day variety show. But upon hearing that their wartime commander, Colonel Cartwright, has been found dead in his flat, the two men join forces to find out what happened.

While Max is stuck in rehearsals, Edgar finds himself heading to New York, hot on the trail of a mesmerist he’s sure has valuable information for them–and his trusty sergeant, Emma, investigates some important leads at home. As the clock ticks down to Coronation Day, the team must scramble to keep Max’s small-screen debut from ending in a dangerously explosive finale.

In the ninth Ruth Galloway mystery, Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one’s sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent, a sign they were boiled soon after death. Once more, she finds herself at the helm of a murder investigation. Meanwhile, DCI Nelson is hunting for a missing homeless woman, Barbara, who he hears has gone “underground.” Could she have disappeared into the labyrinth? And if so, is she connected to the body Ruth found? As Ruth, Nelson, and the rest of their team investigate the tunnels, they hear rumors of secret societies, cannibalism, and ritual killings. When a dead body is found with a map that appears to be of The Underground, they realize their quest to find the killer has only just begun-and that there may be more bodies underfoot.

It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying? Ruth is just beginning to get her footing in the dig when she’s thrown off-guard by the appearance of DCI Nelson. And when Ruth’s findings lead them to a modern-day murder, their holidays are both turned upside down, and they race to find out what darkness is lurking in this seemingly picturesque town.

Forensic archaeologist Ruth Galloway changed her life–until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind.

Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried–but only if Ruth will do the digging.

Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths.

Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?

The discovery of a missing woman’s bones force Ruth and Nelson to finally confront their feelings for each other as they desperately work to exonerate one of their own in this not-to-be-missed Ruth Galloway mystery from USA Today bestselling author Elly Griffiths.

When builders discover a human skeleton during a renovation of a café, they call in archeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern—the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily’s Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared—Ruth’s friend Cathbad.

As they investigate, Nelson and his team uncover a tangled web of relationships within the archeology group and look for a link between them and the café where Emily’s bones were found. Then, just when the team seem to be making progress, Cathbad disappears. The trail leads Ruth a to the Neolithic flint mines in Grimes Graves. The race is on, first to find Cathbad and then to exonerate him, but will Ruth and Nelson uncover the truth in time to save their friend?

Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that’s looming ever closer, in USA Today Elly Griffiths’ penultimate novel in the beloved series.

Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage—before she lived there—with a peculiar inscription on the back. Ruth returns to the cot­tage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance.

Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological dis­covery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth’s isolated cot­tage—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it’s too late.

PRAISE FOR ELLY GRIFFITHS AND THE RUTH GALLOWAY SERIES

Winner of the Edgar Award for Best Novel

Winner of the Mary Higgins Clark Award

Winner of the CWA Dagger in the Library Award

“Galloway is an everywoman, smart, successful and a little bit unsure of herself. Readers will look forward to learning more about her.” —USA Today

“Elly Griffiths draws us all the way back to prehistoric times . . . Highly atmospheric.” —New York Times Book Review

“Forensic archeologist and academic Ruth Galloway is a captivating amateur sleuth—an inspired creation. I identified with her insecurities and struggles, and cheered her on.” —Louise Penny

The Brighton police force is on the hunt for another killer, but this time they have some competition—a newly formed all-women’s private eye firm, led by none other than the police chief’s wife.

Newly minted PI Emma Holmes and her partner Sam Collins are just settling into their business when they’re chosen for a high-profile case: retired music-hall star Verity Malone hires them to find out who poisoned her husband, a theater impresario. Verity herself has been accused of the crime. The only hitch—the Brighton police are already on the case, putting Emma in direct competition with her husband, police superintendent Edgar Stephens.

Soon Emma realizes that Verity’s life intersects closely with her own—most notably in their mutual connection, Max Mephisto, who has returned to England from America with his children and famous wife, Hollywood star Lydia Lamont. Lydia, desperately bored in the countryside, catches wind of what Emma and Sam are up to and offers her services. What secret does Lydia know about Verity’s past?

The team of female PIs circle closer to the killer, with the Brighton police hot on their tail. The clues suggest they’re looking for a criminal targeting the old music-hall crew. How long will it be before that trail leads straight back to Max?

Ruth Galloway is suspicious of amateur archaeologists, but when a group of them stumbles upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst–and into the crosshairs of a string of murders circling ever closer.

Ruth is back as head of archaeology at the University of North Norfolk when a group of local metal detectorists–the so-called Night Hawks–uncovers a Bronze Age hoard on the beach near a recently deceased body, just washed ashore. Not long after, the same detectorists uncover the apparent murder-suicide of a scientist and his wife at their farmhouse, long thought to be haunted by the Black Shuck, a humongous black dog and a harbinger of death. The further DCI Nelson probes into both cases, the more intertwined they become. And the more they point to David Brown, the new lecturer Ruth has recently hired, who seems always to turn up wherever Ruth goes.

“This droll romp is a latter-day Miss Marple.‚Äù¬†‚ÄîWashington Post

Murder leaps off the page when crime novelists begin to turn up dead in this intricate new novel by internationally best-selling author Elly Griffiths, a literary mystery perfect for fans of Anthony Horowitz and Agatha Christie.

The death of a ninety-year-old woman with a heart condition should not be suspicious. Detective Sergeant Harbinder Kaur certainly sees nothing out of the ordinary when Peggy’s caretaker, Natalka, begins to recount Peggy Smith’s passing.

But Natalka had a reason to be at the police station: while clearing out Peggy’s flat, she noticed an unusual number of crime novels, all dedicated to Peggy. And each psychological thriller included a mysterious postscript: PS: for PS. When a gunman breaks into the flat to steal a book and its author is found dead shortly thereafter—Detective Kaur begins to think that perhaps there is no such thing as an unsuspicious death after all.

And then things escalate: from an Aberdeen literary festival to the streets of Edinburgh, writers are being targeted. DS Kaur embarks on a road trip across Europe and reckons with how exactly authors can think up such realistic crimes . . .

From the author of the beloved Ruth Galloway series, a modern gothic mystery for fans of Magpie Murders and The Lake House. Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favorite literature.

In a nail-biting hunt for a missing loved one, DI Edgar Stephens and the magician Max Mephisto discover once again that the line between art, life, and death is all too easily blurred.

It’s the holiday season and Max Mephisto and his daughter Ruby have landed a headlining gig at the Brighton Hippodrome, the biggest theater in the city, an achievement only slightly marred by the less-than-savory supporting act: a tableau show of naked “living statues.” But when one of the girls goes missing and turns up dead not long after, Max and Ruby realize there’s something far more sinister than obscenity afoot in the theater.
 
DI Edgar Stephens is on the case. As he searches for the killer, he begins to suspect that her fatal vanishing act may very well be related to another case, the death of a quiet local florist. But just as he’s narrowing in on the missing link, Ruby goes missing, and he and Max must team up once again to find her.
 

In the first installment of a compelling new series by Elly Griffiths, a band of magicians who served together in World War II track a killer who’s performing their deadly tricks.

Brighton, 1950. The body of a girl is found cut into three pieces. Detective Inspector Edgar Stephens is convinced the killer is mimicking a famous magic trick–the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old war friend of Edgar’s. They served together in a shadowy unit called the Magic Men, a special ops troop that used stage tricks to confound the enemy.

Max is on the traveling show circuit, touring seaside towns with ventriloquists, sword-swallowers, and dancing girls. He’s reluctant to leave this world to help Edgar investigate but advises him to identify the victim quickly–it takes a special sidekick to do the Zig Zag Girl. Those words come back to haunt Max when the dead girl turns out to be Ethel, one of his best assistants to date. He’s soon at Edgar’s side, hunting for Ethel’s killer.

Another death, another magic trick: Edgar and Max are sure the answer to the murders lies in their army days. And when Edgar receives a letter warning of another “trick” on the way–the Wolf Trap–he knows they’re all in the killer’s sights.