James Joyce’s tour de force: a work that brought a new vitality to language and revolutionized the narrative structure of the novel. Published in Dublin in 1916, the novel recounts the internal and external events in a young artist’s life, and the evolution he takes in his discovery of a vocation. In this largely autobiographical coming-of-age story, James Joyce describes the awakening young mind of a middle-class Irish Catholic boy named Stephen Dedalus. The story follows Stephen’s development from his early troubled boyhood through an adolescent crisis of faith- partially inspired by the famous ”hellfire sermon” preached by Father Arnall and partly by the guilt of his own precocious sexual adventures- to his discovery of his ultimate destiny as a poet. Written in a unique voice that reflects the age and emotional state of its protagonist, the novel explores questions of origin, authority and authorship, and the relationship of an artist to his family, culture, and race.

In this largely autobiographical coming-of-age story, James Joyce describes the awakening young mind of a middle-class Irish Catholic boy named Stephen Dedalus. The story follows Stephen’s development from his early troubled boyhood through an adolescent crisis of faith–partially inspired by the famous “hellfire sermon” preached by Father Arnall and partly by the guilt of his own precocious sexual adventures–to his discovery of his ultimate destiny as a poet.

Written in a unique voice that reflects the age and emotional state of its protagonist, the novel explores questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. With richly symbolic language and a boldly original style, this most personal of Joyce’s works confirms his place as one of the world’s greatest writers.

Perhaps James Joyce’s most personal work, A Portrait of the Artist as a Young Man depicts the intellectual awakening of one of literature’s most memorable young heroes, Stephen Dedalus. Through a series of brilliant epiphanies that parallel the development of his own aesthetic consciousness, Joyce evokes Stephen’s youth, from his impressionable years as the youngest student at the Clongowed Wood school to the deep religious conflict he experiences at a day school in Dublin, and finally to his college studies, where he challenges the conventions of his upbringing and his understanding of faith and intellectual freedom. Joyce’s highly autobiographical novel was first published in the United States in 1916 to immediate acclaim. Ezra Pound accurately predicted that Joyce’s book would “remain a permanent part of English literature,” while H. G. Wells dubbed it “by far the most important living and convincing picture that exists of an Irish Catholic upbringing.”
A remarkably rich study of a developing young mind, A Portrait of the Artist as a Young Man made an indelible mark on literature and confirmed Joyce’s reputation as one of the world’s greatest and lasting writers.

The first novel by James Joyce, this semi-autobiographical narrative depicts the life of Stephen Dedalus, a character created as an allusion to Daedalus, a craftsman in Greek mythology. Beginning by depicting the early stages of Stephen’s life, the language of the novel grows with the main character as he awakens sexually and rebels against religion. When he realizes that Ireland is restricting him, he commits to a self-imposed exile and travels elsewhere to grow as an artist–but not before declaring Ireland his homeland.

A Portrait of the Artist as a Young Man is the first novel of James Joyce, portraying the religious and intellectual awakening of young Stephen Dedalus, a fictional alter ego of Joyce and an allusion to Daedalus, the consummate craftsman of Greek mythology.
James Augustine Aloysius Joyce was an Irish novelist, short story writer, poet, teacher, and literary critic. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century.
James Joyce (1882 – 1941)

Dubliners – James Joyce’s stories of his native homeland – performed by a cast of 15 different actors originating from Ireland. Unabridged.

The fifteen stories that make up this brilliant audio roam over a human landscape that stretches from the bleakest of despair to the most blinding of epiphanies. First published in 1914, the stories are as lucid and accessible as they are memorable poignant.

As you listen to the cast of internationally famous stage and screen actors perform Dubliners, both the spiritually deadening atmosphere that drove Joyce from his homeland and the irresistible emotional pull it always kept on him to the end of his days become heartbreakingly beautiful.

Dubliners is an audio experience that will only grow in richness with each time you listen.

The stories and performers are:

Sisters – Frank McCourt

An Encounter – Patrick McCabe

Araby – Colm Meaney

Eveline – Dearbhla Molloy

After the Race – Dan O’Herlihy

Two Gallants – Malachy McCourt

The Boarding House – Donal Donnelly

A Little Cloud – Brendan Coyle

Counterparts – Jim Norton

Clay – Sorcha Cusack

A Painful Case – Ciaran Hinds

Ivy Day in the Committee Room – T.P. McKenna

A Mother – Fionnula Flanagan

Grace – Charles Keating

The Dead – Stephen Rea

Published in 1914 after 10 years of argument with publishers over charges of “obscenity,” these stories were once described by Joyce as “a chapter in the moral history of my country.” Their collection in one volume offers a unified vision across the Joycean literary landscape, where a claustrophobic and “paralyzed” Dublin spirals outward to a wide ranging, boundless universe.

Dubliners is a collection of 15 short stories by James Joyce, first published in 1914. They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They centre on Joyce’s idea of an epiphany: a moment where a character experiences self-understanding or illumination. Many of the characters in Dubliners later appear in minor roles in Joyce’s novel Ulysses. The initial stories in the collection are narrated by child protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce’s tripartite division of the collection into childhood, adolescence and maturity.
James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century.

James Joyce paints vivid portraits of the poorer classes of Dublin in a collection of stories whose larger purpose, he said, was to depict a “moral history of Ireland.” From the first story, in which a young boy encounters death to the haunting final story involving the middle-aged Gabriel, the book gives an unflinchingly realistic portrayal of the author’s own “dear, dirty Dublin” in the early twentieth century.

Joyce’s first published work in prose, this brilliant study is by turns bawdy, witty, and tragic. Said Joyce of the work: “I am trying…to give people some kind of intellectual pleasure or spiritual enjoyment by converting the bread of everyday life into something that has a permanent artistic life of its own…Do you see that man who has just skipped out of the way of the tram? Consider, if he had been run over, how significant every act of his would at once become.”

These vivid, tightly focused observations about the life of Dublin’s poorer classes originally made publishers uneasy: the stories contain unconventional themes and coarse language, and they mention actual people and places. Today, however, the stories are admired. They are considered to be masterful representations of Dublin done with economy and grace-representations, as Joyce himself once explained, of a chapter in the moral history of Ireland that give the Irish a good look at themselves. Although written for the Irish specifically, these stories-from the opening tale The Sisters to the final masterpiece The Dead-focus on moments of revelation that are common to all people.

Dubliners was completed in 1905, but a series of British and Irish publishers and printers found it offensive and immoral, and it was suppressed.  The book finally came out in London in 1914, just as Joyce’s Portrait of the Artist as a Young Man began to appear in the journal Egoist under the auspices of Ezra Pound.  The first three stories in Dubliners might be incidents from a draft of Portrait of the Artist, and many of the characters who figure in Ulysses have their first appearance here, but this is not a book of interest only because of its relationship to Joyce’s life and mature work.  It is one of the greatest story collections in the English language–an unflinching, brilliant, often tragic portrait of early twentieth-century Dublin.  The book, which begins and ends with a death, moves from “stories of my childhood” through tales of public life.  Its larger purpose, Joyce said, was as a moral history of Ireland.

Dubliners is a collection of short stories by James Joyce that was first published in 1914. The fifteen stories were meant to be a naturalistic depiction of the Irish middle-class life in and around Dublin in the early years of the twentieth century.
The stories were written at a time when Irish nationalism was at its peak and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They center on Joyce’s idea of an epiphany: a moment where a character has a special moment of self-understanding or illumination.
The initial stories in the collection are narrated by children as protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce’s tripartite division of the collection into childhood, adolescence, and maturity.
The stories contained in Dubliners are “The Sisters,” “An Encounter,” “Araby,” “Eveline,” “After the Race,” “Two Gallants,” “The Boarding House,” “A Little Cloud,” “Counterparts,” “Clay,” “A Painful Case,” “Ivy Day in the Committee Room,” “A Mother,” “Grace,” and “The Dead.”

Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914. The stories comprise a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century.
The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They centre on Joyce’s idea of an epiphany: a moment where a character experiences a life-changing self-understanding or illumination, and the idea of paralysis where Joyce felt Irish nationalism stagnated cultural progression, placing Dublin at the heart of this regressive movement. Many of the characters in Dubliners later appear in minor roles in Joyce’s novel Ulysses. The initial stories in the collection are narrated by child protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce’s tripartite division of the collection into childhood, adolescence and maturity.
James Joyce (1882 – 1941)

“Eveline” is a short story from James Joyce’s classic Dubliners. Nineteen-year-old Eveline has decided to leave home, but her future journey may not be all that she hopes. Like other stories in Dubliners, “Eveline” offers a penetrating analysis of Dublin society, especially its stagnation and paralysis. Each story incorporates epiphanies, by which Joyce meant to convey a sudden consciousness of the “soul” of a thing.

Proceeds from sale of this title go to Reach Out and Read, an innovative literacy advocacy organization.

“In 1963…there was no way I could have known, sitting in a classroom on that beautiful campus in Ohio, that by raising my hand I would be going to war in Vietnam and that I would see things, hear things, and do things that most people cannot imagine.”—James Joyce.

The author was drawn into the United States Army through ROTC, and went through training to fly helicopters in combat over Vietnam. His experiences are notable because he flew both Huey “Slicks” and Huey “Gunships”: the former on defense as he flew troops into battle, and the latter on offense as he took the battle to the enemy. Through this book, the author relives his experiences flying and fighting, with special attention given to his and other pilots’ day-to-day lives—such as the smoke bombing of Disneyland, the nickname given to a United States Army–sponsored compound for prostitution. Some of the pilots Joyce served with survived the war and went on to have careers with commercial airlines, and many were killed.

The Dead” is the final short story in the 1914 collection Dubliners by James Joyce. The other stories in the collection are shorter, whereas at 15,952 words, “The Dead” is almost long enough to be described as a novella.
Edited by Macc Kay
Production executive Avalon Giuliano
ICON Intern Eden Giuliano
Music By AudioNautix With Their Kind Permission
©2020 Icon Audio Arts (P) 2020 Icon Audio Arts LLC
Geoffrey Giuliano is the author of over thirty internationally bestselling biographies, including the London Sunday Times bestseller Blackbird: The Life and Times of Paul McCartney and Dark Horse: The Private Life of George Harrison. He can be heard on the Westwood One Radio Network and has written and produced over seven hundred original spoken-word albums and video documentaries on various aspects of popular culture. He is also a well known movie actor.

Ulysses is a modernist novel by Irish writer James Joyce. It was first serialized in parts in the American journal The Little Review from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on February 2, 1922, Joyce’s 40th birthday. It is considered one of the most important works of modernist literature and has been called “a demonstration and summation of the entire movement.”According to Declan Kiberd, “Before Joyce, no writer of fiction had so foregrounded the process of thinking”.
Ulysses chronicles the appointments and encounters of the itinerant Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer’s epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom, and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland’s relationship to Britain. The novel is highly allusive and also imitates the styles of different periods of English literature.
Since its publication, the book has attracted controversy and scrutiny, ranging from an obscenity trial in the United States in 1921 to protracted textual “Joyce Wars”. The novel’s stream of consciousness technique, careful structuring, and experimental prose—replete with puns, parodies, and allusions—as well as its rich characterization and broad humor have led it to be regarded as one of the greatest literary works in history; Joyce fans worldwide now celebrate 16 June as Bloomsday.
Produced by Macc Kay
Production executive Avalon Giuliano
ICON Intern Eden Garret Giuliano
©2021 Eden Garret Giuliano (P) 2021 Eden Garret Giuliano

Joyce’s experimental masterpiece set a new standard for modernist fiction, pushing the English language past all previous thresholds in its quest to capture a day in the life of an Everyman in turn-of-the-century Dublin. Obliquely borrowing characters and situations from Homer’s Odyssey, Joyce takes us on an internal odyssey along the current of thoughts, impressions, and experiences that make up the adventure of living an average day. As his characters stroll, eat, ruminate, and argue through the streets of Dublin, Joyce’s stream-of-consciousness narrative artfully weaves events, emotions, and memories in a free flow of imagery and associations. Full of literary references, parody, and uncensored vulgarity, Ulysses has been considered controversial and challenging but always brilliant and rewarding.

The young poet Stephen has been recalled from Paris to Dublin to be at his mother’s deathbed. But he refuses her dying wishes: to kneel and pray for her. Now, holed up in his Martello tower outside the city walls, he has to suffer the taunts of Buck Mulligan by day and, by night, the vision of ‘her eyes, shaking out of death to shake and bend my soul.’ Timelessly evocative, Ulysses is far more than the story of Stephen Dedalus’ journey through Dublin.It is a huge, rich portrayal of human life. In this magnificent, highly accessible, part reading part dramatisation – which includes the famous Molly Bloom soliloquy – the power and truth of Joyce’s vision is as potent as ever