“Funny, razor-sharp, and full of juicy tales that feel urgent and illicit . . . the author has created a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.” —New York Times Book Review

“More than well crafted; it’s phenomenal. . . . Kochai’s book has a big heart.” —The Guardian

A dog on the loose. A boy yearning to connect to his family’s roots. A country in the midst of great change. And a vibrant exploration of the power of stories–the ones we tell each other and the ones we find ourselves in.

Twelve-year-old Marwand’s memories from his previous visit to Afghanistan six years ago center on his contentious relationship with Budabash, the terrifying but beloved dog who guards his extended family’s compound in the rural village of Logar. But eager for an ally in this place that is meant to be “home,” Marwand misreads his reunion with the dog and approaches Budabash the way he would any pet on his American suburban block–and the results are disastrous: Marwand loses a finger, and Budabash escapes into the night.

Marwand is not chastened and doubles down on his desire to fit in here. He must get the dog back, and the resulting search is a gripping and vivid adventure story, a lyrical, funny, and surprisingly tender coming-of-age journey across contemporary Afghanistan that blends the bravado and vulnerability of a boy’s teenage years with an homage to familial oral tradition and calls to mind One Thousand and One Nights yet speaks with a voice all its own.

FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION

A luminous new collection of stories from a young writer who “has brought his culture’s rich history, mythology, and lyricism to American letters.” —Sandra Cisneros

Pen/Hemingway finalist Jamil Jan Kochai ​breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness, Kochai once again captures “a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.”*

In “Playing Metal Gear Solid V: The Phantom Pain,” a young man’s video game experience turns into a surreal exploration on his own father’s memories of war and occupation. Set in Kabul, “Return to Sender” follows two married doctors driven by guilt to leave the US and care for their fellow Afghans, even when their own son disappears. A college student in the US in “Hungry Ricky Daddy” starves himself in protest of Israeli violence against Palestine. And in the title story, “The Haunting of Hajji Hotak,” we learn the story of a man codenamed Hajji, from the perspective of a government surveillance worker, who becomes entrenched in the immigrant family’s life.

The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement—and one that speaks to the immediate political landscape we reckon with today.

*The New York Times Book Review