The prodigiously talented Jim Crace has returned with a new novel that explores the complexities of love and violence with a scenario that juxtaposes humor and human aspiration. 

British jazzman Leonard Lessing spent a memorable yet unsuccessful few days in Austin, Texas, trying to seduce a woman he fancied. During his stay, he became caught up in her messy life, which included a new lover, a charismatic but carelessly violent man named Maxie.
 
Eighteen years later, Maxie enters Leonard’s life again, but this time in England, where he is armed and holding hostages. Leonard must decide whether to sit silently by as the standoff unfolds or find the courage to go to the crime scene where he could potentially save lives. The lives of two mothers and two daughters—all strikingly independent and spirited—hang in the balance.
 
Set in Texas and the suburbs of England, All That Follows is a novel in which tender, unheroic moments triumph over the more strident and aggressive facets of our age.
 
It also provides moving and surprising insights into the conflict between our private and public lives and redefines heroism in this new century. It is a masterful work from one of Britain’s brightest literary lights.

Jim Crace has been called “one of the brightest lights in contemporary British fiction” by The New York Times Book Review. His novels have won a Whitbread Prize, an E.M. Forster Award, the Guardian Fiction Award, the GAP International Prize for Literature, and have been shortlisted for the Booker Prize. Far-ranging in its imagery, Being Dead is a provocative examination of mortality. A middle-aged couple, Joseph and Celice, are murdered on a remote East Coast sand dune. They are not discovered for six days. Both doctors of zoology, Joseph and Celice would recognize what is happening to their decomposing bodies if they could have watched. They are dead, but they remain part of the living for a while as they become food, shelter, icons, and sources of emotional catharsis. As Jim Crace examines the various facets of these two people’s lives and deaths, he creates an extraordinary journey through haunting physical, scientific, and philosophical landscapes. Narrator Virginia Leishman provides the perfect tones for Crace’s remarkable, lyrical text.

A remote English village wakes on the morning after harvest, looking forward to enjoying a hard-earned day of rest and feasting. But two mysterious columns of smoke mar the sky, raising alarm and suspicion. The first column of smoke comes from the edge of the village land, sent as a signal by newcomers to announce their presence as per regional custom. The second smoke column is even more troubling: it comes from a blaze set in Master Kent’s stables. Walter Thirsk, a relative outsider in the village, casts his eye on three local boys and blames their careless tomfoolery. The rest of the villagers, though, close ranks against the strangers rather than accuse one of their own. Two men and a woman are apprehended; their heads are shaved to mark their criminality; and the men are thrown into the stocks for a week. Justice has been served. Or has it? Meanwhile, another newcomer has been spotted in the village sporting the finer clothes and fashionable beard of a townsman. Mr. Quill, as the villagers name him, observes them closely and takes careful notes about their land, apparently at Master Kent’s behest. It is his presence more than any other that will threaten the village’s entire way of life. In effortless, expertly crafted prose, Jim Crace details the unraveling of bucolic life in the face of economic progress. His tale is timeless and unsettling, evoking a richly textured world you will remember long after you finish reading.

Alfred Busi lives alone in his villa overlooking the waves. Famed in his tiny Mediterranean town for his music, he is mourning the recent death of his wife and quietly living out his days. Then one night, Busi is viciously attacked by an intruder in his own courtyard—bitten and scratched. He insists his assailant was neither man nor animal.

Soon, Busi’s account of what happened is being embellished to fan the flames of old rumor—of an ancient race of people living in the surrounding forest. It is also used to spark new controversy, inspiring claims that something must finally be done about the town’s poor, whose numbers have been growing.

In trademark crystalline prose, Jim Crace portrays a man taking stock of his life and looking into an uncertain future, while bearing witness to a community in the throes of great change.

Once the safest, most prosperous place on earth, the United States is now a lawless, scantly populated wasteland. The machines have stopped. The government has collapsed. Farmlands lie fallow and the soil is contaminated by toxins. Across the country, families have packed up their belongings to travel eastward toward the one hope left: passage on a ship to Europe.

Franklin Lopez and his brother, Jackson, are only days away from the ocean when Franklin, nearly crippled by an inflamed knee, is forced to stop. In the woods near his temporary refuge, Franklin comes upon an isolated stone building. Inside he finds Margaret, a woman with a deadly infection and confined to the Pesthouse to sweat out her fever. Tentatively, the two join forces and make their way through the ruins of old America. Confronted by bandits rounding up men for slavery, finding refuge in the Ark, a religious community that makes bizarre demands on those they shelter, Franklin and Margaret find their wariness of each other replaced by deep trust and an intimacy neither one has ever experienced before.

THE PESTHOUSE is Jim Crace’s most compelling novel to date. Rich in its understanding of America’s history and ethos, it is a paean to the human spirit.