Cutting Teeth takes place one late-summer weekend as a group of thirty-something couples gather at a shabby beach house on Long Island, their young children in tow.
Nicole, the hostess, struggles to keep her OCD behaviors unnoticed. Stay-at-home dad Rip grapples with the reality that his careerist wife will likely deny him a second child. Allie, one half of a two-mom family, can’t stop imagining ditching her wife and kids in favor of her art. Tiffany, uncomfortable in the upper-middle-class world the other characters were born into, flirts dangerously and spars with her best friend, Leigh, a blue blood secretly facing financial ruin.
Cutting Teeth is about the complex dilemmas of early midlife-the vicissitudes of friendship, of romantic and familial love, and of sex. It’s about class tension, status hunger, and the unease of being in possession of life’s greatest bounty while still wondering, is this as good as it gets?

It is the summer of 1992 and a gypsy moth invasion blankets Avalon Island. Ravenous caterpillars disrupt early summer serenity on Avalon, an islet off the coast of Long Island-dropping onto novels left open on picnic blankets, crawling across the T-shirts of children playing games of tag and capture the flag. The caterpillars become a relentless topic of island conversation and the inescapable soundtrack of the season.
It is also the summer Leslie Day Marshall-only daughter of Avalon’s most prominent family-returns with her husband, a botanist, and their children to live in “The Castle,” the island’s grandest estate. Leslie’s husband Jules is African-American, and their children biracial, and islanders from both sides of the tracks form fast and dangerous opinions about the new arrivals.
Maddie Pencott LaRosa straddles those tracks: a teen queen with roots in the tony precincts of East Avalon and the crowded working class corner of West Avalon, home to Grudder Aviation factory, the island’s bread-and-butter. Maddie falls in love with Brooks, Leslie’s and Jules’s son, and that love feels as urgent to Maddie as the questions about the new and deadly cancers showing up across the island. Could Grudder Aviation, the pride of the island-and its patriarch, the Colonel-be to blame?