From the nationally bestselling author of Painted Horses comes a soaring, spirited novel set during the summer of Amelia Earhart’s final flight, a tale of American ingenuity and optimism set against the backdrop of a deepening Great Depression.

The summer of 1937 will be a turning point for fourteen-year-old Houston “Huck” Finn. When he and a friend find a dead body in a local creek, a rare Lindbergh flight watch on its wrist, it seems like a sign. Huck is building his own airplane, a fact he has concealed from his mother. That summer also marks the arrival of his cousin Annelise, sent to live with the family under mysterious circumstances. As it turns out, she has had flying lessons–another sign.

As Huck’s airplane takes shape, so does his burgeoning understanding of the world, including the battle over worldliness vs. godliness that has split Annelise from her family and, in a quieter way, divides Huck’s family too. And meanwhile, there is the matter of the watch, which the dead man’s cohort of bank robbers would very much like back.

In Brooks’s trademark “lush, breathtaking prose” (San Francisco Chronicle) and with a winking nod to the Sam Clemens who inspired its hero’s nickname, Cloudmaker is a boisterous, heartfelt novel that brings to life the idealism, inventiveness, traditionalism, and deep contradictions of the American spirit.

In the mid-1950s, America was flush with prosperity and saw an unbroken line of progress clear to the horizon, while the West was still very much wild. In this ambitious, incandescent debut, Malcolm Brooks animates that time and untamed landscape in a tale of the modern and the ancient, of love and fate, and of heritage threatened by progress.

Catherine Lemay is a young archaeologist on her way to Montana with a huge task before her–a canyon “as deep as the devil’s own appetites.” Working ahead of a major dam project, she has one summer to prove that nothing of historical value will be lost in the flood. From the moment she arrives, nothing is familiar–the vastness of the canyon itself mocks the contained, artifact-rich digs in post-Blitz London where she cut her teeth. And then there’s John H, a former mustanger and veteran of the US Army’s last mounted cavalry campaign, living a fugitive life in the canyon. John H inspires Catherine to see beauty in the stark landscape, and her heart opens to more than just the vanished past.

Painted Horses sends a dauntless young woman on a heroic quest, sings a love song to the horseman’s vanishing way of life, and reminds us that love and ambition, tradition and the future, often make strange bedfellows. It establishes Malcolm Brooks as an extraordinary new talent.